Podcasts

  • S4 E8: With... Rebecca Marks - For the final episode of series 4, Sam and Mia are joined by historian, author and content creator Dr Rebecca Marks! Rebecca holds a Master's in Art Hist...
    1 month ago
Showing posts sorted by date for query guthrie jane eyre. Sort by relevance Show all posts
Showing posts sorted by date for query guthrie jane eyre. Sort by relevance Show all posts

Friday, May 05, 2023

Friday, May 05, 2023 7:59 am by Cristina in , , ,    No comments
The Guardian has an obituary for actor Barbara Young.
In other celebrated Pulman adaptations, Young played Anna Scherer in War and Peace (1972) and Madame Lippevechsel in Crime and Punishment (1979), both for the BBC, and Miss Scatcherd in the 1970 film Jane Eyre. (Anthony Hayward)
Star Tribune has an obituary for another actor, Barbara Bryne.
"She was a small lady with a huge talent — one of a kind," said former Guthrie artistic director Joe Dowling, who directed Bryne in numerous shows at the Minneapolis theater where images of her in action are embossed on the exterior and interior of the building.
Dowling first worked with Bryne at the Stratford (Ontario) Festival, created by the Guthrie's founder, Tyrone Guthrie. She played a Rude Mechanical in "A Midsummer Night's Dream," the beginning of a decadeslong partnership with the director that included "H.M.S. Pinafore," "Macbeth," "Jane Eyre," "His Girl Friday" and "Pygmalion." (Rohan Preston)
Independent lists the '40 best books to read before you die, from Wolf Hall to Wuthering Heights'.
Wuthering Heights, Emily Brontë
Will there ever be a novel that burns with more passionate intensity than Wuthering Heights? The forces that bring together its fierce heroine Catherine Earnshaw and cruel hero Heathcliff are violent and untameable, yet rooted in a childhood devotion to one another, when Heathcliff obeyed Cathy’s every command. It’s impossible to imagine this novel ever provoking quiet slumbers; Emily Brontë’s vision of nature blazes with poetry.  (Chris Harve)
Jane Eyre, Charlotte Brontë
You will need a cold, dead heart not to be moved by one of literature’s steeliest heroines. From the institutional cruelty of her boarding school, the “small, plain” Jane Eyre becomes a governess who demands a right to think and feel. Not many love stories take in a mad woman in the attic and a spot of therapeutic disfigurement, but this one somehow carries it off with mythic aplomb.  (Ceri Radford )
More sites listing the filming locations for Queen Charlotte: A Bridgerton Story mention Belton House, which was Gateshead in Jane Eyre 2006. From Radio Times:
Belton House has also been used as a location for the likes of similar period dramas like The Young Victoria, Pride and Prejudice and Jane Eyre, but can also be visited as a National Trust venue. (Morgan Cormack)
According to The Sun,
Ripon - best known for its cathedral, which has a history dating back 1350 years - is the city which inspired Charlotte Brontë to write classic Jane Eyre. (Tom Duffy)
Well, Norton Conyers which may or may not have inspired the creation of Thornfield Hall is near Ripon but that's it.

Wednesday, April 03, 2019

Wednesday, April 03, 2019 12:53 am by M. in    No comments
We have received the following email by Google:
Blogger has been notified, according to the terms of the Digital Millennium Copyright Act (DMCA), that certain content in your blog is alleged to infringe upon the copyrights of others. As a result, we have reset the post(s) to "draft" status. (If we did not do so, we would be subject to a claim of copyright infringement, regardless of its merits. The URL(s) of the allegedly infringing post(s) may be found at the end of this message.) This means your post - and any images, links or other content - is not gone. You may edit the post to remove the offending content and republish, at which point the post in question will be visible to your readers again.
A bit of background: the DMCA is a United States copyright law that provides guidelines for online service provider liability in case of copyright infringement. If you believe you have the rights to post the content at issue here, you can file a counter-claim. In order to file a counter-claim, please see https://support.google.com/legal/contact/lr_counternotice?product=blogger.
The notice that we received, with any personally identifying information removed, will be posted online by a service called Lumen at https://www.lumendatabase.org. We do this in accordance with the Digital Millennium Copyright Act (DMCA). You can search for the DMCA notice associated with the removal of your content by going to the Lumen page, and entering in the URL of the blog post that was removed.
If it is brought to our attention that you have republished the post without removing the content/link in question, then we will delete your post and count it as a violation on your account. Repeated violations to our Terms of Service may result in further remedial action taken against your Blogger account including deleting your blog and/or terminating your account. DMCA notices concerning content on your blog may also result in action taken against any associated AdSense accounts. If you have legal questions about this notification, you should retain your own legal counsel.
Sincerely,
The Blogger Team
Affected URLs:
http://bronteblog.blogspot.com/2006/01/jane-eyre-discussion-in-melrose-ma.htmlhttp://bronteblog.blogspot.com/2006/08/hi-yo-jane-eyre-in-edmonton.htmlhttp://bronteblog.blogspot.com/2006/10/jane-eyre-estate-agent.htmlhttp://bronteblog.blogspot.com/2006/10/jane-eyres-anniversary-ghosts-reviews.htmlhttp://bronteblog.blogspot.com/2006/10/reactions-to-third-episode-of-jane.htmlhttp://bronteblog.blogspot.com/2006/11/jane-eyre-on-pbs-and-in-peak-district.htmlhttp://bronteblog.blogspot.com/2008/02/talk-about-jane-eyre.htmlhttp://bronteblog.blogspot.com/2008/03/jane-eyre-back-in-guthrie-theatre.htmlhttp://bronteblog.blogspot.com/2009/01/jane-eyre-in-clovis.htmlhttp://bronteblog.blogspot.com/2009/11/jane-eyre-recap.htmlhttp://bronteblog.blogspot.com/2011/02/jane-eyre-2011-clips-ii.htmlhttp://bronteblog.blogspot.com/2013/02/jane-eyre-2006-dvd-in-france.htmlhttp://bronteblog.blogspot.com/2013/02/jane-eyre-ballet-back-in-shanghai.htmlhttp://bronteblog.blogspot.com/2013/07/jane-eyre-in-bath.htmlhttp://bronteblog.blogspot.com/2016/11/jane-eyre-in-holland-michigan-and-more.htmlhttp://bronteblog.blogspot.com/2017/07/jane-eyre-tattoos.htmlhttp://bronteblog.blogspot.com/2018/03/northern-ballets-jane-eyre-uk-tour.htmlhttp://bronteblog.blogspot.com/2018/05/jane-eyre-in-williamsburg.htmlhttp://bronteblog.blogspot.com/2018/09/treasures-of-british-library-jane-eyre.htmlhttp://bronteblog.blogspot.com/2006/01/jane-eyre-in-indiana.htmlhttp://bronteblog.blogspot.com/2006/03/bbcs-jane-eyre-for-christmas-and.htmlhttp://bronteblog.blogspot.com/2006/05/greater-seattle-premier-of-jane-eyre.htmlhttp://bronteblog.blogspot.com/2006/06/bewicks-birds-in-sidney-and-jane-eyre.htmlhttp://bronteblog.blogspot.com/2006/07/georgie-henley-in-dunes-aka-jane-eyre.htmlhttp://bronteblog.blogspot.com/2006/07/some-additional-names-for-jane-eyre.htmlhttp://bronteblog.blogspot.com/2006/08/bront-comics-iii-dame-darcys-jane-eyre.htmlhttp://bronteblog.blogspot.com/2006/12/hungarian-jane-eyre.htmlhttp://bronteblog.blogspot.com/2006/12/jane-eyre-read-by-juliet-stevenson-on.htmlhttp://bronteblog.blogspot.com/2007/07/jane-eyre-on-stage-1848-1898-review.htmlhttp://bronteblog.blogspot.com/2007/09/kula-kumariya-jane-eyre-in-sri-lanka.htmlhttp://bronteblog.blogspot.com/2008/08/jane-eyre-hathersage-trail.htmlhttp://bronteblog.blogspot.com/2009/07/jane-eyres-daughter-likes-manga.htmlhttp://bronteblog.blogspot.com/2010/11/jane-eyre-in-dublin.htmlhttp://bronteblog.blogspot.com/2010/11/last-chance-to-see-jane-eyre-in.htmlhttp://bronteblog.blogspot.com/2011/03/jane-eyres-husband.htmlhttp://bronteblog.blogspot.com/2011/11/first-edition-of-jane-eyre-in-christies.htmlhttp://bronteblog.blogspot.com/2018/10/jane-eyre-in-madrid.htmlhttp://bronteblog.blogspot.com/2018/12/jane-eyre-1944-in-new-york.htmlhttp://bronteblog.blogspot.com/2019/01/jane-eyre-in-indianapolis.htmlhttp://bronteblog.blogspot.com/2019/01/jane-eyre-in-munich.htmlhttp://bronteblog.blogspot.com/2019/01/jane-eyre-in-newberg.html
Needless to say, we are shocked and, quite frankly, angry at the stupidity and arbitrariness of such a request. A look at the posts that are not available anymore doesn't show anything that can be even remotely illegal. Checking on Lumen is of no use as we were unable to see exactly why these posts were removed.

We have made a complaint (not an easy thing to do), but it has to be made link by link. We will wait for the results and we will decide what the future of a blog like this is in this new (and scary) Internet era.

Saturday, February 16, 2019

Financial Times reviews The Unthanks' Lines album:
Emily Brontë, first world war poets and campaigner Lillian Bilocca are the focus of the UK folk band’s song cycle trilogy.
Emily Brontë has exerted an understandably wide influence on popular music. Kate Bush’s debut single, of course, but Wuthering Heights also fed into Genesis’s Wind & Wuthering and gave titles to its instrumental diptych “‘Unquiet Slumbers For The Sleepers . . . ” and “ . . . In That Quiet Earth’”; Cliff Richard cast himself as a 50-something Heathcliff in a musical version of the novel.
The Unthanks’ engagement with Brontë is restrained by comparison. Commissioned for the Brontë Society to mark Emily’s 200th birthday, Adrian McNally set some of her poems for the sisters Rachel and Becky Unthank to sing, to his accompaniment on Brontë’s own five-octave cabinet piano. The recording was made after hours in the writer’s old home (now museum), Haworth Parsonage, and the songs are punctuated by creaking floorboards and echoing footsteps. The songs, from “High Waving Heather” onwards, meld the sublime, the romantic and the gothic.
Emily Brontë is one of the three EPs that make up this collection, together roughly the length of a single CD, about lines of poetry, defensive lines, fishing lines. (David Honigmann)
The Irish Examiner and the history of curtains:
I always think of Jane Eyre in the opening passage of Charlotte Brontë’s book of 1847 shivering in fear in that bit of pathetic hiding behind the hefty Victorian curtains. (Kya deLongchamps)
NBC's The Today Show recommended Jane Eyre as one of the best love stories in literature:
Savannah Guthrie's Pick: "Jane Eyre," by Charlotte Brontë
Part mystery, part love story, "Jane Eyre" was Savannah's pick for the greatest love story of all time.
The Irish Times interviews the actress Caitriona Balfe:
Books played a large role in Balfe’s upbringing. When she was about six or seven, her father, a garda, decided that the family wasn’t going to have a television. For about six years, the only time she and her siblings had television at home was for two weeks at Christmas. So she read. Everything. Before she began secondary school, her favourite book was Wuthering Heights. (Una Mullally)
Kerrang! interviews Peter Murphy, from the band Bauhaus, about being a goth:
Gothic novels like Emily Brontë’s Wuthering Heights and Mary Shelley’s Frankenstein dealt with a lot of staring into the sea, reflecting on unrequited love, and the sheer, extraordinary pain of being mortal. To truly be “goth” is to understand the sheer darkness and power of one’s own feelings. 
BookRiot recommends reading Jane Eyre if you are single:
All you care about right now is your own well-being. You know there’s someone right for you just around the corner, or you simply just not that worried about that. Therefore, you need a leading female character to remind you that you’re also strong and determined, and nothing’s impossible when you put your mind to it. Jane Eyre is a fair choice. She’s a woman ahead of her time that maintains her principles of justice, human dignity, and morality above all, always succeeding at asserting herself to whom threatens her autonomy. Enjoy! (Laura Melgão)
NPR's Ask Me Another has a glimpse into a terrible, but frankly not unimaginable, future:
Ophira Eisenberg: Michael Ian Black also has a podcast called Obscure, where he reads Thomas Hardy's book "Jude The Obscure" out loud and comments on it, which - this is actually the template for the future of American education. This is how people are going to learn about classic literature. They're going to listen to podcasts of classic works read by celebrities. That's how it's going to work. Homework is going to be, like, listen to "Jane Eyre" as read by Post Malone. You know...
(LAUGHTER)
Eisenberg: ...That's going to be the thing. After that, listen to RuPaul's "A Brief History Of Time."
Fionola Meredith in The Belfast Times has had enough of Valentine's foolishness:
Perhaps the impossible weight of expectations gets to them: the realisation that their relationship is less Heathcliff and Cathy (and that didn't end well), more Itchy and Scratchy. Or maybe it's the unbearable thought of the love sausage and its gruesome ilk.
But Valentine's Day is a mere flash in the pan compared to the monstrous commercialism of the wedding industry, which brazenly takes the idea of romantic love and turns it into cold, hard, loveless cash.
Polygon reviews the TV series The Umbrella Academy:
At times, The Umbrella Academy feels like it has more in common with the Gothic works of the Brontë sisters than it does with superhero tutelage. (Petrana Radulovic)
The New York Times publishes an obituary of the publisher and writer Betty Ballantine:
They were not alone in seeing the potential of the paperback market in the United States. Pocket Books had just started publishing quality paperbacks, breaking in with Emily Brontë’s “Wuthering Heights” and James Hilton’s “Lost Horizon.” (Katharine Q. Seelye)
The Press Republican  explores Valentine's Day from a Jewish point of view:
Novelist Emily Brontë said it this way in “Wuthering Heights”: “Whatever our souls are made of, his and mine are the same.”
I love my wife, Betty, deeply, but I do not love her that way. (The God Squad - Rabbi Gellman)
Live Mint goes a bit too far in saying that,
The Brontë sisters, Anne and Emily, battled the consumption that killed them as they wrought their masterpieces. (Shreya Sen-Handley)
Zibby Owens on Parents reminisces of how
Ever since I cried my way through the end of "Charlotte's Web" at age eight, hiding out in the dark after bedtime in the tiny Jack & Jill bathroom I shared with my little brother, I've been obsessed with books. I was the girl at sleep-away camp reading "Jane Eyre" on the scratchy, wool blanket while my bunkmates strung my counselors' bras from the rafters.
La Libre (Belgium) asks their readers about their favourite books:
Liz, 19 ans "Les Hauts de Hurlevent" d’Emily Brontë
Brillant, glaçant, roman de la vengeance et de la passion destructrice, il s’agit ni plus ni moins d’un chef-d’œuvre. Emily Brontë a enfanté un monstre de la littérature, intemporel et terrible. La lecture m’a surtout apporté - et continue de le faire - de solides bases culturelles, mais aussi un apprentissage de la vie. J’ai grandi en lisant. Et puis naturellement, il s’agit pour moi d’une source d’évasion, une fenêtre ouverte sur d’autres cieux. (Louise Vanderkelen) (Translation)
Nicaragua Diseña (Nicaragua) and Valentine books:
Comenzamos con uno de mis libros favoritos de toda la vida; “Jane Eyre” todo un clásico de la literatura gótica. El libro te cuenta la historia de Jane, una huérfana con una vida difícil y llena de dolor debido al maltrato por parte de su tía y de la escuela. Al hacerse mayor, Jane decide dejar el internado y buscar trabajo por si sola, esto la lleva a la casa del señor Rochester como institutriz. Conforme pase el tiempo va a ir surgiendo una conexión especial entre Jane y Rochester, pero su relación no será nada fácil ya que él y la casa ocultan terribles secretos. (Abril Celeste) (Translation)
Ystads Allehanda (Sweden) reviews Call Me By Your Name, the novel:
Men också att vilja förlora sig helt i den andre. ”Han är mer jag än vad jag själv är”, tänker Elio och använder Emily Brontës ord. Men Aciman behöver inte låna andras ord för att äkta och inkännande beskriva kärlek och begär. (Bella Sternberg) (Translation)
ABC (Spain) talks about a new exhibition of Balthus in Madrid:
Frente a las vanguardias (pese a ir siempre a contracorriente, le influyen artistas como Bonnard, Derain o De Chirico), muestra mucho interés por el arte popular y el oriental. También por artistas como Caravaggio, Poussin y Courbet. López-Manzanares advierte en Balthus cierta melancolía:«No casa bien con el mundo moderno y mira al pasado. Comienza siendo un pintor rebelde (una especie de alter ego de Heathcliff en "Cumbres borrascosas"), intenta provocar y escandalizar con sus trabajos, tiene fe en cambiar el mundo, pero a partir de 1953 se aleja de él». (Natividad Pulido) (Translation)
El Periódico de Aragón (Spain) reviews Siri Hustvedt's A Woman Looking at Men Looking at Women - Essays:
¿Hay libros peligrosos? Desde luego, afirma Siri, recordando que el Huckleberry Finn de Mark Twain estuvo prohibido a los escolares norteamericanos. A ella le trastornó Cumbres Borrascosas, porque desató una ola de sentimientos desconocidos... (Juan Bolea) (Translation)
Salamanca 24 horas (Spain) recommends the performances in Salamanca of the Teatre Lliure's production of Jane Eyre. A passing Wuthering Heights reference in Granma (Cuba) and a Brontë one in The Island (Sri Lanka). More Valentine mentions around: La Nación (Argentina), Libreriamo (Italy), Bluewin (Switzerland). The CAMRA Pub of the Seasons award has been given to the Wuthering Heights pub in Stanbury, Keighley News reports.  The wildlife filmmaker Gordon Buchanan has visited the Parsonage.

Interior Mad Designs has a joint post with Charles Roux (Fictitious Feasts) about Charlotte Bronte’s Jane Eyre (1847).

Sunday, December 09, 2018

Sunday, December 09, 2018 11:33 am by M. in , , , ,    No comments
The Guardian reviews House of Glass by Susan Fletcher:
The ending, which plods for more than 50 pages after the denouement, reaches across decades and continents to explain everything, and the structure of the plot, eventually revealed, depends on a sequence of elaborately justified coincidences. To some extent, this dependence is part of the genre; the plot of Jane Eyre also relies on wild coincidence and supernatural intervention in a broadly realist narrative, but Brontë knows what to leave unexplained. (Sarah Moss)
Wicked Local Framingham talks about an exhibition of local artists like Sharon Cunningham:
Using rich shades of green, Cunningham’s “Swift Water, Lake District, UK” evokes the rugged terrain that once inspired England’s greatest authors like poet William Wordsworth and the Brontë sisters. (Chris Bergeron)
We don't know if the Lake District was really such an inspiration to the Brontës, though.

Scroll.in (India) interviews  Henry Eliot, Creative Editor of Penguin Classics in the UK:
Jaya Bhattacharji Rose: Penguin Classics is the trademark list of the publishing firm. It has existed for so many decades. Are there any titles that are perennial bestsellers or do some titles on the list exist because of their seminal value to a literary canon?
H.E.: The graph of Penguin Classics sales is L-shaped: there are many titles that sell a few copies a year and a few titles that sell many copies. Some of the perennial bestsellers include Nineteen Eighty-Four by George Orwell, Jane Eyre by Charlotte Brontë and Pride and Prejudice by Jane Austen.
The Red Hook Star Revue discusses the Essential Essays by Adrienne Rich:
A politically-engaged writer for most of her life, her piercing readings of Jane Eyre and Muriel Rukeyser and Emily Dickinson, her thoughts on the violence of language and her determination to become a “thinking activist” seem like a heaven-sent compass in our increasingly fraught times. (Matt Caprioli)
The Age reviews Milkman by Anna Burns:
Milkman tells the story of "Middle Sister" who stands out in her neighbourhood for her habit of reading while walking ("Are you saying it's OK for him to go around with Semtex but not okay for me to read Jane Eyre in public?" she asks at one point). (Alex Marshall)
The National discusses the life and work of Eunice Guthrie Murray:
The diary entries begin to peter out at the start of the war, although she does take time to discuss Jane Eyre at length, calling it “the story of a woman fighting against injustice”. (Nan Spowart)
ArtFund presents the Penlee House Gallery and Museum in Cornwall:
Set in semi-tropical gardens, it was built in 1865 for JR Branwell, a wealthy merchant related to the Brontë family. In 1949 it was was taken over by Penzance Town Council and transformed into a district museum. Successive remodellings and extensions have turned it into a lively and popular place, with excellent space for its collections as well as temporary exhibitions, of which there are around five a year.
El País (Uruguay) reviews Alias Grace by Margaret Atwood:
El relato contiene narración en primera persona, en tercera, transcripción de confesiones judiciales y reportes de prensa de la época, baladas populares, poemas de Emily Dickinson, Emily Brontë, Alfred Tennyson, Christina Rossetti y otros autores, epístolas, etc. (Mercedes Estramil) (Translation)
Le Monde (France) interviews the writer Maryse Condé:
Annick Cojean: Vous êtes donc arrivée là, Maryse Condé, lauréate 2018 du prix Nobel alternatif de littérature, bien que…
M.C.: Bien qu’on m’ait affirmé, quand j’étais petite fille, que les gens comme moi ne pouvaient pas devenir écrivains. J’avais 12 ans à Pointe-àPitre quand une amie de ma mère a voulu me faire un cadeau original. Elle savait que j’avais lu tout ce qui pouvait me tomber sous la main : Balzac, Maupassant, Flaubert… Alors elle a opté pour un roman d’Emily Brontë : Les Hauts de Hurlevent. Dès que j’ai ouvert les premières pages, j’ai été transportée. Ce livre était extraordinaire. Par quel miracle cette jeune Anglaise, fille de clergyman, qui vivait sur les landes balayées par le vent, pouvait-elle être si
proche de moi, petite Antillaise qui vivait au bord d’une mer chaude ? Nous étions sœurs ! J’en étais bouleversée. Dès le lendemain, j’ai couru remercier la dame. Et je lui ai dit : « Un jour, moi aussi j’écrirai des livres aussi beaux que ceux d’Emily Brontë !» Elle m’a dévisagée avec une sorte d’étonnement outré : «Mais tu es folle ! Les gens comme nous n’écrivent pas ! » (Translation)
Göteborgs-Posten (Sweden) reviews the essay Barn. Paradiset och flykten därifrån by Kristoffer Leandoer
Leandoer har både det rätta och lätta handlaget för att förklara komplicerade resonemang på ett levande sätt. Smittad av författarens entusiasm och driv märker jag nästan inte att jag ibland inte riktigt hänger med i svängarna. Däremot noterar jag att det jag gillar allra bäst är avsnitten som ges lite mer luft och tid, som kapitlet om barnen i Marguerite Duras romaner som brådmognar i en vuxenvärld uppfylld av egna lidelser, eller kapitlet om de moderlösa systrarna Brontë som lärde sig leva och sörja och skriva genom att använda masker. (Karl Olov Nilsson) (Translation)

Tuesday, July 03, 2018

Current Carmel announces a very Brontë month at the Carmel Clay Public Library, IN:
The Carmel Clay Public Library will host several events to celebrate the 200th birthday of author Emily Brontë. She was best known for her classic novel, “Wuthering Heights.”
“This is the first time the library has hosted a Brontë-related event,” Laura Crockett, CCPL reference services senior assistant at CCPL, stated in an email. “We wanted to celebrate her work and her memory with various events throughout July. Brontë was a quiet, private and fiercely opinionated woman. She is an enigma, and people still study her and her work today. She gave a voice for female writers in a time when novels were considered frivolous and vacuous.”
Brontë-fied. The events will include a discussion of the book and showing of “Jane Eyre” by Charlotte Brontë July 19; a discussion of the book and showing of “Wuthering Heights” July 27;  and an event called “Celebrating Emily” July 30.
“We’re celebrating all things Emily Brontë with Dr. Joyce Huff, professor of Victorian and Gothic Literature at Ball State University and Brontë expert,” Crockett said. “She will lead us down the fascinating road that was Emily’s life and literature, the impact of ‘Wuthering Heights,’ and the complex nature that defined the Victorian age. Dr. Huff is known for her energy and enthusiasm, and her wealth of knowledge will be welcomed by anyone interested in history, British literature, feminism and, of course, the Brontë family.” (Renee Larr) 
Today's anchors share their picks for best summer reads:
Savannah Guthrie:
"Jane Eyre" by Charlotte Brontë
The timeless classic from 1847 follows the orphan girl raised by her cruel aunt on her journey to becoming a governess, who falls in love with her employer before finding out his dark secret. Her quest to be loved without losing her autonomy continues to enrapture readers.
Reader's Digest has a selection of romance novels:
Jane Eyre:  “Reader, I married him.” Charlotte Brontë’s gothic masterpiece, with its unyielding heroine, dashing love interest Mr. Rochester, creepy manor house, and foggy English countryside, has become synonymous with 19th-century romance. And writing love stories ran in the Brontë family—Charlotte’s sister Emily’s classic Wuthering Heights is also a strong contender for this list of best romance novels.
The Guardian reviews Caryl Phillips's A View of the Empire at Sunset:
Born in Dominica in 1890, Jean Rhys drew on memories of her distant childhood for Wide Sargasso Sea, her masterly “prequel” to Jane Eyre published in 1967. Back in 1936, Rhys and her second husband had revisited the island of her birth. It is here, watching “the full glory of the sun rising over her now empty world”, that Caryl Phillips ends his sporadically brilliant fictionalised life of Gwen Williams (Jean Rhys’s real name), the Welsh doctor’s daughter whose piercing consciousness of an English world – ie excluding and judgmental – mirrors the experiences described by Phillips in his own work. (Miranda Seymour)
Also in The Guardian a review of The Unpunished Vice: A Life of Reading by Edmund White:
Books are so intimate, somehow, and perhaps this is one reason why so many of the current glut of reading memoirs leave me cold. Even as they strain for this sense of disclosure – don’t you feel like this, too? they ask – their tone is proprietorial, hellbent on exceptionality (I love the Brontës even more than you). (Rachel Cooke)
Glamour lists the many occasions in which the characters of the legendary sitcom Friends are reading:
Season 5, Episode 9: “The One With Ross’s Sandwich”
Wuthering Heights by Emily Brontë
Jane Eyre by Charlotte Brontë
Rachel and Phoebe are taking a literature class together, but Rachel isn’t really reading the books. If Wuthering Heights is about how destructive jealousy and revenge can be, and Jane Eyre is about the evolution of a character, then it’s safe to say that both literary themes are applied to the main plot of this episode, which is that Ross loses his shit over someone eating his sandwich and is forced to take leave from work. (Vanessa Golembewski)

Vanity Fair reviews My Year of Rest and Relaxation by Ottessa Moshfegh:
The female body has long been an unruly subject, and a favorite one for women writers seeking to throw a wrench into the societal machinery. In last year’s Hunger: A Memoir of (My) Body, Roxane Gay calls hers “wildly undisciplined”; in Sick, out in June, Porochista Khakpour presents her relationship to her body as a lifelong battle; in Body Full of Stars: Female Rage and My Passage into Motherhood, Molly Caro May describes the painful awareness she feels toward her corporeal self during and after her pregnancy. At the heart of all three books is an inherent chasm between body and mind, between physical demands and societal rules. These contemporary memoirists find progenitors in the fiction of earlier writers: Charlotte Brontë, Anaïs Nin, Clarice Lispector, Charlotte Perkins Gilman. Take, for example, “The Yellow Wallpaper,” Gilman’s 1892 short story about a wife bedridden at the orders of her husband, a doctor, who has decreed that what she needs to calm her nerves is a long period of rest and confinement. (Alexandra Kleeman)
Smooth Radio lists power ballads:
Celine Dion - 'It's All Coming Back to Me Now'
Celine Dion recorded the most famous version of this Jim Steinman power ballad in 1996, seven years after girl group Pandora’s Box first released it. Inspired by Wuthering Heights, it was an attempt to write “the most passionate, romantic song” he could ever create. (Tom Eames)
Teachwire thinks that secondary students need to read strong female characters in literature:
For all her strengths, though, Scarlett was no leader. Leadership is a role that female characters don’t often adopt. Jane Eyre, Hermione Granger and Elizabeth Bennett are all clever, brave, hardworking, resilient and so much more, but they’re not leaders. (Sally Green)
Clarín (Argentina) interviews Laura Ramos, author of Infernales. La hermandad Brontë:
Sonia Budassi: Escribís en diálogo con la versión de Elizabeth Gaskell, que es la fundadora del mito de santificación de Emily, entre otras cosas...
-Sí, aunque la de Gaskell, no es una biografía, es una novela biográfica extraordinaria, bellísima, que todavía se sigue editando, sobre la vida de las Brontë…
SB: Es como el relato oficial, el más conocido ¿no?…
-La versión de Elizabeth Gaskell fue pensada por ella y Charlotte. Esa historia quedó como una estatua de piedra, gigantesca, en el mundo literario, sobre la vida de las Brontë. O sea, todo el mundo, lo que sabe de la vida de las Brontë, lo sabe por ella, y esa versión fue repetida por las siguientes biógrafas, hasta fines del siglo XX, en que una biógrafa inglesa, Juliet Barker hizo una investigación extraordinaria, enorme, buenísima, pero bueno, como esas biografías inglesas, que te cuenta cómo era la parroquia del padre Brontë, treinta años antes de que él llegara, los sermones del señor Brontë, cómo eran los pueblitos donde nacieron cada uno de los padres, los abuelos. O sea, es una biografía ilegible para un lector que no sea un académico. (...)
SB: Leemos que El profesor de Charlotte le debía mucho a un texto de Branwell…¿Cómo calificarías la influencia de él en la obra de las hermanas?
-Desde muchos puntos de vista, como personaje, como inspiración para todos los personajes masculinos de ellas. Ellas lo vampirizaron de todas las formas posibles. Saquearon su literatura y vampirizaron la vida de él, los sufrimientos de él, su errar como poeta maldito y su errar de poeta romántico. La poética de él tiene mucho que ver con la poética de Lord Byron, que la de otros poetas románticos más oscuros de esa época, como Shelley… Bueno, ellas lo vampirizaron de esa manera, porque la cólera del señor Rochester es la cólera de Branwell, la cólera y lo tempestuoso de Heathcliff son de Branwell. Y La inquilina de Wildfeld Hall, de Anne, tiene un personaje que se llama Hundington (sic) que es Branwell también. Y todos los otros personajes masculinos de Cumbres Borrascosas, malvados, también están inspirados en Branwell, porque Branwell, bueno, reunía en sí tantas cualidades para ser un poeta romántico… así como Byron era cojo, él era petiso, miope. (Translation)
The interview is full of imprecisions we hope will not be present in the actual book.

Svet Plus (in Serbian) lists love movies:
 Orkanski visovi / Wuthering Heights (1992). Postoji nekoliko ekranizacija i interpretacija genijalne knjige Emili Brontë. Jedan od najistaknutijih ekranizacija jeste film sa Žilijet Binoš i Ralfom Fajnsom. Film pokazuje i portretiše sav očaj, tragediju i bol koja se dešava u životima glavnih junaka. Ljubav između Keti i Hitklifa je jaka i destruktivna…
Mundiario (in Spanish) interviews the writer María Engracia Sigüenza:
Crecí leyendo a Dostoyevski, Tolstói, Victor Hugo, Stendhal, Camus, Cortázar, Kafka, Cortázar, Poe, Baudelaire, Rilke, Whitman, Paz, Lorca, Hernández, por citar algunos de mis favoritos. En cambio a ellas: Woolf, Dickinson, Flannery O´Connor, Elena Garro, K. Mansfield, Lispector, Beauvoir, las hermanas Brontë, Rhys, Austen, y tantas otras, las fui descubriendo por mi cuenta después de un proceso más costoso, y caí tan rendida a los pies de todas que, llegar a las sucesoras, fue un proceso mucho más fácil. (Ada Soriano) (Translation)
Washington Independent Review of Books posts about Wuthering Heights. The Sisters' Room reminisces about Emily Brontë's 150th anniversary in 1968.

Blunder zone: A letter from a reader to Segre (in Catalan) (mis)quotes Charlotte Brontë. Espinof (in Spanish) attributes Jane Eyre to... Daphne du Maurier.

Sunday, April 15, 2018

Sunday, April 15, 2018 11:40 am by M. in , , , , , ,    No comments
Pittsburgh City Paper recommends the PICT performances of Jane Eyre:
Charlotte Brontë’s novel Jane Eyre revolutionized fiction with its coming-of-age story told from a female perspective. Tonight, PICT Classic Theatre continues its production of the 19th-century classic. The work was adapted from Brontë’s novel by PICT artistic and executive director Alan Stanford. His dramatization was originally commissioned by the Gate Theatre, in Dublin, and has also been performed at The Guthrie Theater, in Minneapolis. The show features Karen Baum in the title role, Paul Bernardo as Mr. Rochester, and James FitzGerald as Mr. Brocklehurst; Stanford directs.
Harper's Magazine discusses A View of the Empire at Sunset, by Caryl Phillips:
In 1939, three years after they’d traveled together to Dominica—Rhys’s first return visit in nearly thirty years—Tilden Smith gave her a copy of Jane Eyre, which she had last read as a girl. Rhys’s ideas for a story set wholly in the West Indies began to coalesce: she soon produced half of a manuscript, provisionally titled “Le Revenant,” which he typed up from her chaotic notes. But then they had one of their periodic arguments, and to spite him Rhys burned the typescript. Like Mrs. Rochester, the urtext of Rhys’s masterpiece “perished in the flames,” in the words of its Penguin editor, Angela Smith. It’s a sad anecdote, and all the more pitiful for what it reveals of Rhys’s self-destructive masochism. It is also, as Smith intuits, an apt metaphor for the writing of this particular book, which is so intimately concerned with the space between “sanity and madness, expectation and fulfilment.” The Sargasso Sea, which lies between Europe and the West Indies, is, Smith reminds us, “difficult to navigate, like the human situations in the novel.” Or the human situations in Rhys’s own life, for that matter. (Elizabeth Lowry)
New Westminster Review mentions some books 'for reads that celebrate and empower women':
Finally, some fiction titles featuring powerful and unconventional female characters include Jane Eyre by Charlotte Brontë, The Colour Purple by Alice Walker, Lucy by Jamaica Kincaid, The Bell Jar by Sylvia Plath and Homegoing by Yaa Gyasi. (Jenny Zhang)
Calgary Herald interviews the actress Ma-Anne Dionisio:
“I read books like Jane Eyre and Nancy Drew but missed out on The Secret Garden,” she says. “When I was offered the role, I immediately read the novel to find out who Martha was. She is a generous, authentic person who wears her heart on her sleeve. (Louis B. Hobson)
The Daily Mail does the same with Katherine Parkinson:
Recently read? Jane Eyre. I wept reading it. I reacted against my mum being an English teacher by not reading many classics, but recently I thought that’s a bit sad, and I am loving discovering them. (Charlotte Pearson Meathven)
Big Stamp of Approval reviews the Sheffield performances of Northern Ballet's Jane Eyre:
There are some really touching moments in the two hour performance, evoking emotions in the viewer and almost taking your heart for a dance on stage with theirs. The unison scenes are just outstanding, so together and impeccable.
Hats off to Cathy Marston, choreographer, for this masterpiece. She should feel super satisfied that the portrayal of the relationships and lovers on the stage is transparent and easy to dissect.
The ballet is not one to be missed and if you can get to see it, you won’t be disappointed; if you like ballet and every second of a performance filled with perfectly executed content, this one is for you. (Sophie Wilson)
Today on BBC Radio4 (April 15, 06:05AM and 11:30PM):
Something Understood
The Teacher's Art
Something Understood

Mark Tully explores the very best of teachers - and the very worst - through fiction, philosophy and memoirs, considering the essential attributes of a great teacher and the formative influence teachers can have throughout our lives.
He talks to former teacher Kabir Shaikh, who, as Director of Education for UNRWA/UNESCO, has also been responsible for providing education for half a million Palestinian refugee children in the Middle East.
There are readings from the works of Charles Dickens, Charlotte Brontë and poet Carl Dennis, and music is provided by Carl Orff, Aaron Copland and Japanese Taiko drummer Joji Hirota.
The readers are Cyril Nri, Emma Pallant and Francis Cadder.
Presenter: Mark Tully
Producer: Frank Stirling
El País (Spain) publishes the obituary of the writer Sergio Pitol:
Sergio fue el amigo con el que conversaba noche tras noche, con quien intercambiábamos textos y chismes, criticábamos a los amigos; el amigo con quien hablaba de nuestros proyectos y viajes, de política, con el que iba a la ópera, con quien tanto viajé, con quien compartí decisivas amistades, Carlos Monsiváis, Luz del Amo, Luis Prieto, Tito Monterroso, Luis y Lya Cardoza y Aragón, Mario Bellatin, con el que veía películas clásicas que le fascinaban como Ser o no ser de Lubitsch, un amigo con quien discutía de literatura, de Emily Brontë y sus Cumbres borrascosas, quien, alguna vez me confesó, había sido fundamental para construir la estructura de sus novelas: “… en mi formación, una obra decisiva, el modelo perfecto para estructurar una novela, una escritura oblicua. Cuando la leí, me interesó extraordinariamente esa forma de construir una novela a través de un laberinto de relatos, de filtros, que le impidan al lector saber con exactitud lo que está ocurriendo… pero más, que la novela quede de tal modo abierta que un lector más o menos adiestrado pueda irla interpretando, armando, hasta crear su propia novela”. (Margo Glantz) (Translation)
Zócalo (México) reviews  Good Night Stories for Rebel Girls:
De Frida Kahlo a Jane Goodall (claro que se acuerdan de ella, es la investigadora de primates), de Coco Chanel a Nina Simone (buenísima cantante, ¿ya la escucharon?), de las hermanas Brontë (todas escritoras) a Marie Curie, este libro narra las extraordinarias vidas de cien mujeres valientes. Además, cuenta con las ilustraciones de sesenta artistas de todo el mundo. (Allegra Márquez Estrada) (Translation)
La Nación (Argentina) misquotes Jane Eyre:
En Jane Eyre, la novela de Charlotte Brontë, la protagonista dice: "Tú no eres tus heridas". Es una frase medicinal. (Ivonne Bordelois) (Translation)
Medicinal it could be (and also pinterest-like, self-help board), but not from Jane Eyre (probably from a bad Spanish translation of this):
“It is a pity to see it; and a pity to see your eyes—and the scar of fire on your forehead: and the worst of it is, one is in danger of loving you too well for all this; and making too much of you.” (Chapter XXXVII)
Postimees (Estonia) and other Estonian newspapers quote Hanno Pevkur, chairman of the Estonian Reform Party quoting Charlotte Brontë:
Ka briti kirjanik ja luuletaja Charlotte Brontë on öelnud - elu on liiga lühike, et viha pidada või ülekohut meeles hoida. (Translation)
Trouw (Netherlands) reviews the novel Devil's Day by Andrew Michael Hurley:
‘Duivelsdag’ is een roman zoals ze alleen in Engeland geschreven kunnen worden, hedendaags en traditioneel ineen. Je proeft er de geest van Emily Brontë’s ‘Wuthering Heights’ in, maar ook die van het werk van de onterecht vergeten John Cowper Powys: de aarde en de natuur met haar magische krachten waar de naar redelijkheid en beheersing strevende mens mee worstelt. (Rob Schouten) (Translation)
Chris The Story Reading Ape's Blog interviews the writer K.D. Dowdall:
At age twelve, I discovered Jane Eyre by Charlotte Brontë and for several years, I was Jane Eyre, in my imagination. It wasn’t far from the true. My family had fallen on hard times. Experiencing poverty is something one never forgets. It would not be my life story.
In the Quiet reviews Wuthering Heights.

Wednesday, April 04, 2018

Wednesday, April 04, 2018 12:44 am by M. in ,    No comments
Opening tomorrow, April 5, in Pittsburgh:
PICT Pittsburgh Classical Theatre presents
Jane Eyre
by Alan Stanford, from the novel by Charlotte Brontë
April 5th through April 28th, 2018 @ 7.30PM
(April 5,6 previews; April 8 post-show Q&A; April 11  Pre-Show Lecture)
WQED's Fred Rogers Studio

Charlotte Brontë’s Jane Eyre is one of the most loved novels of the Victorian era. It is the story of a child, rejected by her family and forced into the cruelty of a school for orphans, who achieves the role of governess and whose hopes for happiness are apparently destroyed by the hidden truth of her fiancé’s past. The journey of Jane Eyre is one of fortitude and humility triumphing over the whims of fate and the cruelty of ill fortune. This dramatization by Alan Stanford was originally commissioned by the Gate Theatre in Dublin and has proved a box-office hit wherever it has been performed, including the Guthrie Theater where it established record ticket sales.

Tuesday, March 27, 2018

Tuesday, March 27, 2018 10:00 am by M. in , , , , , , ,    No comments
The Thornton Gala returns after a ten-year break, according to The Telegraph & Argus:
The gala is taking place just a few days before the village celebrates the anniversary of one of its most famous residents.
Emily Brontë, author of Wuthering Heights, was born in Thornton on July 30 1818, and a number of events will be held in the village to celebrate.
This summer will also see the unveiling of the Brontë Stones, a series of sculpted stones that will be installed at four locations between the Brontë Birthplace on Market Street and Haworth, where the sisters spent much of their lives.
The Brontë Stones project has been organised by the Bradford Literature Festival, and details of their locations, and which top writers will pen the words that will be sculpted onto them, will be announced later this week. (Chris Young)
The New Yorker reviews Tangerine by Christine Mangan:
“Tangerine” is full of allusions to other books and writers. Lucy grills the glad-handing John about the Brontë sisters at the bar to which he drags the two women on the day she arrives in Tangier. Shirley Jackson, whose husband, Stanley Edgar Hyman, taught at Bennington, is referred to during a campus flashback. The novel employs devices borrowed from Patricia Highsmith’s books, those ruthless tales of unstable, swappable identity. But the prevailing influence is Daphne du Maurier, who translated the motifs of “Jane Eyre” into a set of twentieth-century-ready tropes with her masterpiece, “Rebecca,” a novel that, like the woman who wrote it, has been critically underrated and popularly adored since its publication, in 1938. “Tangerine” is no “Rebecca,” but, for a certain type of reader, it recollects the host of novels that “Rebecca” inspired, the sort of book—written, perhaps, by Phyllis A. Whitney, Dorothy Eden, or some other now forgotten best-selling author—that a bored thirteen-year-old might find on the shelves of a sleepy suburban branch library, bound in the waxy-feeling buckram of special library editions and with the title stamped on the spine in white Gothic Bold type. (Laura Miller)
Broadway World Pittsburgh announces the upcoming performances of Alan Stanford's Jane Eyre adaptation:
PICT Classic Theatre will conclude its 2017-2018 Season with Jane Eyre, opening at WQED's Fred Rogers Studio in Oakland on April 7th.
The script for PICT's Jane Eyre has been adapted from the novel by Charlottë Bronte (sic!) by PICT Artistic and Executive Director Alan Stanford, who will also direct the piece. Stanford's dramatization of the classic was originally commissioned by The Gate Theatre in Dublin where it achieved considerable box office success, as well as at The Guthrie Theatre in Minneapolis, establishing record ticket sales in 2007.
Jane Eyre will feature Karen Baum in the title role, with Paul Bernardo as Mr. Rochester, and James FitzGerald as Mr. Brocklehurst.
New York Record has an article (for subscribers) on Jane Eyre and feminism:
It was a time when the majority of women stayed home to raise their children. Outside of the home, many did not have a job or career. Defying convention, Jane Eyre was a fictional character that was completely the opposite of women in the 1800’s. (Lucy Santos)
The blurb of The Wild Inside by Jamey Bradbury quotes John Irving saying:
"The Wild Inside is an unusual love story and a creepy horror novel — think of the Brontë sisters and Stephen King."
Literary Hub lists some literary graves to visit:
The Brontë sisters, Charlotte (1816–1855), Emily (1818–1848), and Anne (1820–1849)
The Brontë family vault, at St Michael and All Angels’ church, Haworth, Metropolitan Borough of Bradford, West Yorkshire; and in St Mary’s Churchyard, Scarborough, North Yorkshire, England
What to know: Charlotte and Emily were buried with the rest of their family near where their regular pew was in the church where their father was curate (it has since been torn down and rebuilt). It was, apparently, Charlotte’s decision to bury Anne in the town where she died; but her gravestone was so riddled with errors that it had to be refaced once, and then replaced entirely. (Emily Temple)
An upcoming alert in Buenos Aires on Parabuenosaires:
La cantante mexicana Julieta Venegas brindará una Clase Magistral que inaugurará el Ciclo de Letras 2018 de El Cultural San Martín (Sarmiento 1551), el martes 27 de marzo a las 19.30. (...)
Y es el relato de esa relación entre letra y música el que dará vida a esta Clase Magistral Inaugural 2018 del Ciclo de Letras en el Centro Cultural San Martín. De nacer en una casa repleta de música pero vacía de libros al deslumbramiento con “Jane Eyre”, de la mudanza a la ciudad de México a la construcción de una voluminosa biblioteca, que se alimentaba de cada viaje, de cada gira, sumando títulos de Franz Kafka, Henry James, John Irving, Anais Nin, Paul Auster, John Updike, Norman Mailer, Elena Garro, Juan Rulfo, Jorge Ibargüengoitia, Diamela Eltit, Pedro Lemebel, Belén Gopegui, Javier Marías, Almudena Grandes, Andrés Caicedo y Jorge Franco, entre muchos otros. (Translation)
Télam (Argentina) interviews Julieta Venegas:
- T: ¿Y cuáles crees que fueron libros fundamentales en ese proceso?
- J.V.: Es algo que va cambiando todo el tiempo y nunca acaba de completarse. Siempre han sido las novelas. Me di cuenta de que me gustan mucho las obras bien desarrolladas y los libros que no te resuelven todo. Soy muy lectora de narrativa. "Jane Eyre" de Charlotte Brönte (sic) fue una novela muy importante. (Translation)
Frankfurter Allgemeine (Germany) reviews the German translation of the comic Baking with Kafka:
Und dass gerade in den Moment, wo der Bertelsmann-Konzern seinen Verlagsnamen Penguin auch in Deutschland heimisch macht, ein wunderbarer Gag über Penguin-Bücher wegfällt, zeigt, dass dem Schweizer Verlag oder seinem Übersetzer oder gar beiden die für eine Gauld-Übersetzung unabdingbare kulturelle Qualifikation fehlt: Vertrautheit mit Tradition und Gegenwart. Es wäre jedenfalls denkbar leicht gewesen, die betreffende Episode ins Deutsch zu bringen; aber man fürchtete wohl, dass Penguin hierzulande zu unbekannt wäre. Ob aber mehr hiesige Leser einen Comic-Strip über Emily Brontes „Sturmhöhe“ verstehen? (Andreas Platthaus) (Translation)
Sentimental geography in Il Manifesto (Italy):
Nel Dizionario dei luoghi letterari immaginari (Utet, pp. 672, euro 24) la studiosa Anna Ferrari prova a fare qualcosa di simile, raccogliendo i nomi e le storie dei luoghi d’invenzione della letteratura occidentale, e indicizzandoli secondo l’opera citata per autore, e per tipologia. Un filo di lana che ci permette di ricominciare il viaggio anche quando sull’ordine alfabetico vince il disordine della lettura. Si procede così per salti quantici e slanci d’intuizione, dall’isola di Rokovoko di Moby Dick alle città invisibili di Italo Calvino, dall’Oceania di Orwell alla Macondo di Garcia Marquez, passando per le cime tempestose di Emily Brontë, il giardino dei ciliegi di Anton Cechov, quello segreto di Burnett, giù nel buco fino al paese delle meraviglie di Lewis Carrol, con Mary Poppins lungo la Cherry Tree Lane di Pamela Lyndon Travers, dall’East al Weast Egg dell’America del grande Gatsby di Fitzgerald, fino alla Flatlandia di Edwin Abbott: un mondo bidimensionale dove abitano soltanto figure geometriche e linee rette. Ma non si tratta esclusivamente di viali e città, paesi e giardini. Ci saranno anche i bar, le province, i pozzi, i quartieri. 650 pagine sono poche per tornare dappertutto, Ferrari lo fa seguendo dichiaratamente il proprio gusto e tre criteri: che non si tratti in alcun modo di luoghi reali, che esista un toponimo associato a ciascuno, che ognuno dei luoghi corrisponda a un’opera letteraria d’importanza riconosciuta. (Claudia Bruno) (Translation)
An English Language and Literature major (and Brontëite) in Leipzig in The Wheel. Vicky Who Reads reviews the upcoming Jane Eyre space opera retelling, Brightly Burning by Alexa Donne. Brontë Babe Blog has finally read Agnes Grey and posts about it.  Le Figaro (France) announces that Numéro 23 broadcasts tonight Wuthering Heights 2009.

Sunday, November 29, 2015

Sunday, November 29, 2015 11:14 am by M. in , , , , , ,    No comments
The December 8th screening of the National Theatre production of Jane Eyre appears in Keighley News:
A prestigious stage adaptation of Jane Eyre will be screened by West Yorkshire cinemas during December.
The National Theatre has received critical praise for its production of Charlotte Brontë’s famous novel.
Sally Cookson’s celebrated production, originally performed at Bristol Old Vic, will be broadcast live to 600 cinemas across the UK from the National Theatre on December 8 at 7pm. (...)
Jane Eyre will be screened at cinemas including the National Media Museum, Cineworld and Odeon in Bradford; the Vue in Halifax; the Showcase, Everyman and Vue in Leeds; Hebden Bridge Picture House; and the Ace Centre in Nelson. (David Knights)
On Scottish Book Trust we read the #ThankBooks contribution by the writer Anne Donovan, author of Being Emily:
Thank you, Emily Brontë.
Wuthering Heights blew me away like the tempestuous winds of Emily Bronte’s beloved moors.
An avid reader, I had devoured Enid Blyton, loved Dickens and endlessly re-read Alice In Wonderland, but Wuthering Heights took me into a world which fascinated, confused and obsessed me. I was lucky to read it at the right time; at thirteen the romantic spirit was ready to be awakened, but this was no soppy, happy-ever-after relationship that ended in a white frock and a walk down the aisle.
Its love affair is dark and harsh, rooted in the down-to-earth reality of a working farm in an inhospitable landscape. Lockwood’s visit to Wuthering Heights sets the tone: Heathcliff receives him grudgingly and the dog bites him when he pets it. That night he dreams of Catherine and, in an attempt to stop her from getting in the window, draws her wrist across the glass till it bleeds. I could not stop reading. (Read more)
The Sunday Times talks with the actress Agyness Deyn about her work in the film Sunset Song:
Agyness Deyn, who was born in Greater Manchester, landed the lead role of Chris Guthrie in the new movie by Terence Davies based on the classic Scottish novel Sunset Song, although casting directors initially only wanted to see Scottish actresses.
“Christopher goes to me, 'Ags, this is Scots heritage. Don't f*** it up!'” said the 32-year-old, who has compared the novel favourably to Jane Eyre. (Jason Allardyce)
The director of the film, Terence Davies shares her opinion in Sentieri Selvaggi (Italy):
È un romanzo di formazione, come Jane Eyre, altro libro che ho amato moltissimo. Alla fine della storia Chris è passata per molti cambiamenti, e ha solo ventuno anni. Nel libro c’è un’umanità commovente, questo viaggio di crescita trasmette grande empatia. (Cecilia Chianesi) (Translation)
Paste Magazine reviews the film Miss You Already:
Things come to a head when Milly talks Jess into an impromptu road trip to the Moors, under the guise of reliving their favorite book, Wuthering Heights.  (Christine N. Ziemba)
Claire Lowdon includes Claire Harman's Charlotte Brontë: A Life on the 2015's most impressive
literature titles list published in The Sunday Times.

Sam Jordison has to decide new reading for his Guardian's Reading Group. The topic is books from the Caribbean:
I’d also be interested to look at Anglo-Caribbean books. Bernardine Evaristo’s funny and touching recent novel Mr Loverman springs to mind. And there are plenty of more established classics. Wide Sargasso Sea might have been written in Devon, but I’ll grab any excuse I can to read that again.
James Tully's Crimes of Charlotte Brontë has achieved the status of conspiracy theory according to 15min (Lithuania):
Oficialiai teigiama, kad romano „Džeinė Eir“ autorės Charlotte Bronte seserys mirė nuo choleros ir tuberkuliozės.
Tačiau kriminologas Jamesas Tylly yra iškėlęs dar vieną versiją – rašytoja pati nunuodijo savo seseris. Pasak eksperto, jam pavyko rasti archyve įrodymų, kad taip Charlotte Brontë padarė norėdama padidinti savo paveldimo turto dalį. (Translation)
Die Presse (Germany) reviews Vor hundert Jahren und einem Sommer by  Jürgen-Thomas Ernst:
Mit vier Jahren wird sie von der Mutter in ein Heim gegeben, weil diese selbst wieder arbeiten muss, um sich über Wasser zu halten. Anders als bei Jane Eyre, der Hauptfigur in Charlotte Brontës gleichnamigem Klassiker, oder den tragischen Helden in Charles Dickens Büchern ist dieses Waisenhaus aber keine reine Kinderverwahrungsstätte mit grausamem Personal. (Clementenine Skorpil) (Translation)
mas24 (Spain) writes against the Romantic (with a capital R) idea of love:
La ininteligibilidad de un afecto supone negar la premisa mayor de modo que, a partir de ahí, incluso el dolor podrá ser justificado. Ya el sufrimiento fue marca de legitimidad en el amor cortés y los Románticos decimonónicos expusieron a los protagonistas de sus novelas y relatos a un dolor tan acentuado que cortejaba la muerte. Para quienes como Heathcliff y Cathy aman totalmente no puede existir defensa alguna pues el otro está dentro de uno y es uno mismo. (Susana Carro Fernández) (Translation)
El País traces a profile of the writer Lucía Berlin (1936-2004):
A los 22 ya estaba casada de nuevo con un músico de jazz, Race Newton. Lucia le dejó por uno de sus amigos, el también músico Buddy Berlin, con quien marchó a México y que resultó estar enganchado —"en aquel momento yo no sabía qué significaba. Para mí heroína tenía una connotación agradable... Jane Eyre, Becky Sharp, Tess", escribe en uno de los relatos—. Buddy fue el padre de los otros dos niños de Berlin, y en 1968 se divorciaron. (Andrea Aguilar) (Translation)
The Book Kat reviews Jane, le renard et moi  by Isabelle Arsenault & Fanny Britt.

Thursday, November 12, 2015

Thursday, November 12, 2015 7:06 am by Cristina in , ,    No comments
San Diego Reader recommends Jane Eyre 1944.
Jane Eyre was brought to screen by three masters of their crafts: incomparable director Orson Welles; legendary cinematographer George S. Barnes; and co-screenwriter Aldous Huxley. Bronte’s gothic novel has never had a cinematic incarnation like this one. The performances from Joan Fontaine and Welles captivate me every time I watch. Fun fact: This is one of Elizabeth Taylor’s first films. (Rin Ehlers Sheldon)
BBC News Scotland features the screen adaptation of Lewis Grassic Gibbon's novel Sunset Song. Agyness Deyn, who plays the main character, says
"It is right up there with Jane Eyre," says the Lancastrian actress who has taken on the role of Chris Guthrie, a young woman who sees family trauma on a farm in Aberdeenshire merge into global catastrophe as World War One devastates her remote rural village.
Deyn says the novel was "ahead of its time" in how it depicted a strong female character growing into womanhood.
She says: "It is not that popular in England and it should be. I was so moved. It really profoundly affected me." (Steven Brocklehurst)
The Daily O (India) writes about being from the Indian state of Bihar:
“You were born with it. You own it,” he said later. “You have been ridiculed for what you are. They celebrated everything I never had, and now, it is the rise of the anti-hero, the dark man that makes me feel that we have been acknowledged.”
We cheered on.
That vindication made me remember a character I always sought. The dark anti-hero Heathcliff from Wuthering Heights, a novel I read in college many years ago.
“I wish I had light hair and a fair skin, and was dressed, and behaved as well, and had a chance of being as rich as he will be,” Heathcliff had said when he was a young man, and later returned to claim what was denied to him by the way of his colour, and status. He was a migrant. He had been picked up and brought to live in an estate. He lost his love.
So, the greatest anti-hero in literature was dark, and poor, and was scoffed by his lover who looked at the inherent differences between them, and yet couldn't discard him.
“How black and cross you look! How funny and grim... you looked odd. If you wash your face and brush your hair, it will be all right. But you are so dirty,” she had told him.
As a Bihari, we have often been rebuked and ridiculed for what we are. Poor and unsophisticated, and for being the eternal migrant. But victimhood is an easy escape. We learned to fight early on. (Chinki Sinha)
Both Wuthering Heights and Jane Eyre are among the the ten scariest Gothic novels and adaptations according to Vertigo 24 (Italy) and Wuthering Heights is one of '10 Romance novels that won’t make you cringe' according to Marie France Asia. On the National Theatre blog, Sue Newby lists eight things you learn from reading Jane Eyre: 
1.Don’t be snooty to Charlotte Brontë (or her little sisters) and think you can get away with it. You (or someone suspiciously like you) will crop up in one of her novels and it won’t make pleasant reading.
2. Next time you take a carriage ride, be sure to leave home with insufficient funds and forget your luggage when you get off. You might have to live as a vagrant for a couple of days, but you will eventually end up on the doorstep of the only (nice) family you have in the world and wind up an heiress. It’s worth the hassle. (Read more)

Sunday, September 20, 2015

Sunday, September 20, 2015 4:49 pm by M. in , , , , ,    No comments
Some more reviews of the National Theatre Jane Eyre adaptation directed by Sally Cookson. In A Younger Theatre:
This devised play takes risks, most notably in the music. The folky accompaniment of the band works well, particularly in transitions between time and place, but it’s in the songs that the biggest surprises come, with ‘Mad About The Boy’ and ‘Crazy’ (Gnarls Berkley) the biggest gambles. Both pay off however, as the songs seem to take on a timeless quality and are delivered in the gorgeous vocals of Melanie Marshall – she also plays Bertha, and it’s perhaps a tad obvious, but her constant hovering presence throughout Jane’s adulthood is unnervingly effective.
Overall, this production is intelligent and captivating, with flashes of both witty humour and high drama that almost entirely dispelled my reservations about this page-to-stage adaptation. Certain striking images remain in fixed in your mind – the streaming veil, the poor schoolgirls’ dresses and Jane bursting open the window for a taste of freedom all spring to mind – but these powerful visuals are also backed by consistently strong performances. This is a wonderful opportunity for London audiences to encounter a taste of fantastic regional work – well worth a watch. (Laura Peatman)
The review of Culture Whisper is also very positive:
The direction has some brilliant little twists. The recurring motif of Jane-as-caged-bird comes to a head when she arrives at Thornfield, where two members of the come behind her and flap her dress. The music soars - she is free - and the effect is beautiful. Jane's long, uncomfortable journeys by coach are inventively, hilariously captured by the entire cast running on the spot, side-by-side, panting and exhausted. Perhaps the most beloved of all the characters was Richard Hurst's Pilot the dog. More canine than human, his performance was a tour de force, complete with a wagging riding-crop tail, (...)
One more quibble: the half-hearted and promptly aborted inclusion of the inheritance subplot, where Jane discovers a rich relative and her own small fortune. This is alluded to, and then dropped. Why include any mention of it at all?
Nevertheless, this production was one of the most engaging things we'd seen on stage since Norris' tenure began. Beg, borrow or steal a ticket.
Books & Review lists books showcasing magical realism. We are not really sure if Wuthering Heights is exactly that:
Today, "Wuthering Heights" is considered a masterpiece of English classics and one of the most complex and demonic love stories in literature.
It revolves around the intense and passionate love between Catherine and Heathcliff. The story mentioned impossible storms and the appearances of ghosts.
Ángeles Caso continues her Spanish media tour promoting Todo ese fuego. Now in El Norte de Castilla:
«Creo que supieron mucho más del amor y del deseo que lo que nos han contado», dice Ángeles Caso, quien en su última novela, "Todo ese fuego" (Planeta), recrea la vida de las tres escritoras.
Caso lamenta que los hombres no lean a las hermanas Brontë ni en general a muchas escritoras. «No hace mucho tiempo Antonio Muñoz Molina confesó en un artículos que había tenido que cumplir los 50 años para decidirse a leer a Virginia Woolf y descubrir su grandeza. Tengo amigos que me han reconocido que no leen a mujeres», dice con pesar la narradora. (...)
«Creo que supieron mucho más del amor y del deseo que lo que nos han contado», dice Ángeles Caso, quien en su última novela, "Todo ese fuego" (Planeta), recrea la vida de las tres escritoras.
Caso lamenta que los hombres no lean a las hermanas Brontë ni en general a muchas escritoras. «No hace mucho tiempo Antonio Muñoz Molina confesó en un artículos que había tenido que cumplir los 50 años para decidirse a leer a Virginia Woolf y descubrir su grandeza. Tengo amigos que me han reconocido que no leen a mujeres», dice con pesar la narradora. (Antonio Paniagua) (Translation)
The Belleville News-Democrat Answer Man's piece of trivia is devoted to the Brontës:
Anyone familiar with English literature likely has heard of the Brontë sisters, Charlotte, Emily and Anne. But who was their only brother — and how was he named?
Anyone who has taken a high school literature class likely has heard of the Brontë sisters — Charlotte, Emily and Anne. In the early 19th century, the English trio turned out a series of novels that have turned into classics, including “Wuthering Heights,” “Jane Eyre” and “The Tenant of Wildfall Hall.” However, like many women writers at the time, they used male pseudonyms early in their career, because they feared readers would not take women writers seriously. They became the Bell triplets — Currier, Ellis and Acton. But you may not have learned that there really was one son among the six Brontë children, and he, too, was a writer as well as a painter. He was named Branwell after his mother’s maiden name. Although he showed some promise, he died at age 31 of tuberculosis, likely aggravated by alcoholism and addiction to opium and laudanum. However, in Elizabeth Gaskel’s “The Life of Charlotte Brontë,” an eyewitness said that to show the power of the human will, Branwell insisted on dying while standing up “and when the last agony began, he insisted on assuming the position just mentioned.” (Roger Schlueter)
El País's Cinemanía (Spain) mentions the latest Terence Davies film Sunset Song:
Sunset Song, de un director muy querido en San Sebastián. Terence Davies ya estuvo en Sección Oficial en 2011 concursando con la delicada The Deep Blue Sea y ahora vuelve, vía Toronto, para contarnos la novelesca vida -pasan más cosas que en Cumbres borrascosas- de Chris Guthrie, la protagonista de la novela de Lewis Grassic Gibbon que adapta Sunset Song. (Andrea G. Bermejo) (Translation)
LanguageHat is reading Jane Eyre and posts about some interesting linguistic and style items;  a Heathcliff in Wuthering Heights reference in a Tanya Gold interview to Sue Perkins in The Sunday Times Magazine; the ace black blog reviews Jane Eyre 1944; Vesna Armstrong Photography posts several nice pictures of Top Withins and surroundings; Bookriot analyzes and compares several versions of the Red Room scene in Jane Eyre.