Thursday, November 12, 2009

More Jane Eyre productions

Starting tomorrow, November 13, in Lakeland, Florida. Another student production of Gordon & Caird's Jane Eyre.The Musical:

Southeastern University presents
Jane Eyre. The Musical

Nov. 13-14 at 7:30 p.m.
Nov. 15 at 2:30 p.m.
Polk Theatre in Downtown Lakeland (Florida)

Based on the classic novel by Charlotte Bronte, Jane Eyre depicts a young orphan girl who overcomes an abusive and neglected childhood to become the governess of Thornfield Hall. She falls in love with the master of the estate only to discover he harbors a dark secret. The passionate and perseverant Jane's journey of faith, forgiveness and love is amplified through a rich and beautiful music score.

The play is directed by John Pierce, Department of Communication chair.

For more information and to buy tickets, call the Southeastern University Box Office at 863-669-4010 or visit the Arts and Events Calendar at www.seuniversity.edu.
Categories: , ,

Wednesday, November 11, 2009

Yorkshire Pac-Man

Let's start with a very funny article from The Times.

Yesterday, Penguin announced that it had teamed up with the computer games software company Ubisoft to release a novel based on the lead character from its hit title Assassin’s Creed. How long before the games company dips into the respected publisher’s classics?
Jane Eyre: Gold Digger
Charlotte Brontë’s classic gets a Tomb Raider-style makeover. Instead of a pneumatic Home Counties babe hunting for treasure, a frumpy northern lass must pull a rich landowner. First unseat Mr Rochester from his horse by dodging left and right, Frogger-style, until he falls. Then find the fire buckets concealed around Thornfield to douse flames as they erupt from the bed. Finally out The Mad Bitch in the Attic to rescue Mr Rochester and win the game.
Yorkshire Pac-man
Wuthering Heights, Emily Brontë’s tale of suffocating obsession, is revived as the maze classic. Playing Heathcliff, you move around the Moors snaffling little yellow hearts, while being chased by evil Edgars and Hindleys. Eat enough and they are transformed into Cathy’s ghost. (Mike Pattenden)
Is it really so very bad of us to actually covet those games?

Well, back to reality and to where it all began. The Telegraph and Argus reports the early Christmas events to start taking place in Haworth one more year.
I'm all for a bit of eccentricity – how dull life would be without it. There are plenty of eccentric people and customs in Yorkshire – at this time of year they’re partial to a bit of Scroggling the Holly in Haworth. [...]
While you’re there, you can enjoy looking round the souvenir and antiquarian bookshops, visit the Bronte Parsonage, take a ride on the Keighley & Worth Valley Railway or ramble along the numerous footpaths leading out of the village, including the most famous walk which leads to the Bronte Stone Chair. [...]
Next Saturday is the official start of the Christmas festive season in Haworth – Scroggleve, when youngsters dressed as goblins and fairies will be spreading pixie dust with holly princes, ivy princesses and attendants handing out sprigs of holly bow-tied with ribbons.
On Sunday, bands and Morris Men will lead a procession of children up the cobbled Main Street to the crowning of the Holly Queen on the steps of St Michael’s and All Angels’ Church. The Holly Queen will then unlock the church gates to invite the spirit of Christmas into Haworth, with Santa and Mrs Claus arriving with glad tidings and Christmas cheer for all.
The following weekend, you can check out the local shops and stalls for unique Christmas gifts, crafts and local produce with the Christmas Market Weekend. This is the perfect time to enjoy the atmosphere of a typical Victorian festive market, with bands, choirs, fairground organ and jugglers.
Pipes, Bows and Bells Weekend from November 28 is a celebration of music and dance, with a marching pipe band in tartan attire. Local Morris Men will perform their seasonal dances, with carol singers and street entertainers adding to the festive atmosphere from 11am. It’s a great time to de-stress while indulging in a little retail therapy.
The next weekend, you can experience the magic of pantomime at Christmas, with many of your favourite panto characters in the shops on Main Street. You don’t have to just watch it – you can join the many visitors and dress up to take part in the parade. There are prizes for the best dressed characters.
Highlight of the countdown will be the famous Torchlight Weekend, which will be launched by a lantern parade on Saturday, December 12. Children and adults are invited to join in the procession up Main Street, carrying home-made lanterns.
The following evening, from about 5pm, the Christmas procession will be shedding a magical glow on the surroundings. People should gather at the bottom of Main Street, ready for the procession as the sun sets and Main Street glows with the light from hundreds of torches reflecting off the cobbles. To bring the evening to a suitable conclusion, you can join the traditional carol service at St Michael’s Church.
The torchlight procession started more than 25 years ago with only half-a-dozen or so shopkeepers. When residents and visitors saw it, the event gained in popularity, growing year by year.
The final festive weekend in Haworth reflects the true spirit of Christmas with the Nativity procession. Mary and Joseph will wend their way up Main Street, looking for an inn for the night. Children and local choirs will then join together to help create the real meaning and magic of Christmas. (Sue Ward)
The Brontë Parsonage Blog reports - in the words of Syrie James herself - that The Secret Diaries of Charlotte Brontë has been chosen as one of the Great Group Reads of 2009 by the Women’s National Book Association.
Exciting news! The Women’s National Book Association has named my novel, The Secret Diaries of Charlotte Brontë, one of the Great Group Reads of 2009. I am delighted because I truly believe that Charlotte’s story will open up lively discussions about a host of timely and provocative topics.
The Secret Diaries of Charlotte Brontë, by Avon/HarperCollins Publishing in July 2009, is the result of many years of intense research and writing. As a devoted Brontë scholar, I was intrigued by how many of Charlotte's own life experiences found their way into her novels, and I found immense pleasure in bringing her true story to life on the page. [...]
As part of my research I made an extended visit to the Brontë Parsonage Museum. I owe a debt of gratitude to Ann Dinsdale, the Collections Manager, for her gracious welcome to both the house and library, and to Sarah Laycock, the museum’s Library and Information Officer, for sharing many wonderful details about Charlotte’s clothing and other garments in the collection. I also was privileged to receive an unforgettable, attic-to-cellar tour of the former Roe Head School in Mirfield which Charlotte attended, which still sports the legend of a mysterious attic-dwelling ghost.
And from Haworth all the way to China, where according to China.org.cn the Jane Eyre performances at the National Center for the Performing Arts in Beijing will begin another round on December 10th.
"Love in a Fallen City" star Chen Shu will take over the lead role for stage drama "Jane Eyre" in its second round of performance from December 10 to 23, Beijing Star Daily reports.
Rumor has it that the original female lead, Yuan Quan, who announced her marriage with follow actor Xia Yu in late August, is now pregnant and had to drop out of the production.
As the first original stage drama presented by the National Center for the Performing Arts, "Jane Eyre," co-starring celebrated actress Yuan Quan and Chinese Broadway star Wang Luoyong, was widely acclaimed by the audience after its debut in June.
Chen Shu talked about the pressure in recasting the fine image portrayed by Yuan Quan while not being restrained and affected by the original.
Actress Chen Shu became well known after playing Bai Liushu in "Love in a Fallen City," a TV adaptation from Eileen Chang's novel. Before that, she was already an established actress on stage, and has successfully played a slew of roles such as Chen Balu in the play "Sunrise."
The University Observer has an article on Autumn leaves which includes part of Emily Brontë's famous autumnal poem: Fall, leaves, fall.

Laura alerted us to her All About the Brontes challenge for 2010. A challenge that seems tailor-made for BrontëBlog readers. Do read her post on it for further details.

Author Melissa Marr includes a Q&A on her blog where she reveals herself as a Brontëite. And on Spanish Moss Vintage, photographer Lucia Holm picks Jane Eyre as her favourite heroine.

A Teenager's Bookclub writes about Jane Eyre while Roobeedoo posts about the Jane Eyre look. Dimsy's Top Period Dramas looks at Brontë adaptations. And finally, YouTube user Jane Learmonth recites Life by Charlotte Brontë.

Categories: , , , , , , , , , ,

Gothic Musical

A couple of Jane Eyre rendez-vous for the following days:

At Corpus Christi, Texas:

Corpus Christi Public Library:

Gothic Literature Film: Jane Eyre (we don't know which version)
Wednesday, November 11, 6:30 p.m.

Gothic Literature Seminar
: Literature instructor and doctoral candidate Christine DelaGarza leads a book discussion on Jane Eyre at 7 p.m. on Monday, November 16.
And in Memphis, Tennessee, a student production of the Gordon & Caird's musical on Jane Eyre:
Hutchison School
From 12/11/2009 to 15/11/2009 (no more data available)
Categories: , , , ,

Tuesday, November 10, 2009

Wutheringly international

Not much to report today, except for the joys of prejudices, as perfected by Tanya Gold in the Guardian.

And do you know what is coming soon? The Life of Charlotte Brontë. I can already see Keira Knightley or Other Small Skeleton stalking the moors and pretending to cough, while moaning: "Why did Branwell have to die?" It is called Brontë. Oh, I just vomited some blood on my page. Fade. Credits. End.
Yeah, well, as far as we know the film is not so forthcoming, so Ms Gold can go on without that anguish in her life for the moment.

Daily Illini talks to young actress Lisa Musser, who played young Jane in the Broadway production of Jane Eyre the Musical.
Needing a break, Musser left Les Miserables and, for a brief time, went back to Oak Lawn. However, only six months later she auditioned and went on tour for the cast of “Sound of Music.” After that, she again was home for a couple months, only to audition and receive the role as Young Jane in the original cast of “Jane Eyre.”
“When you see your kids doing what they have worked so hard to do it’s incredibly rewarding, and breathtaking,” Robert said.
While Musser was living out what she called the best experience of her life, she does acknowledge the strain it put on her family. To cover the expenses of living in New York, Musser’s mom had to work three jobs, including being a blackjack dealer, for the extra income.
“I am in my parents’ debt forever,” Musser said. “They have sacrificed so much. They would do that for any of their kids. They would go to the ends of the earth for us.”
Jane Eyre wasn’t generating enough money, however, and shut down after less than a year on Broadway. By this time Musser was 13, and decided it was time to go home and have a normal life. (April Dahlquist)
Wuthering Heights is a highly international book today: Read It writes about it in Portuguese, Romanzi 2.0 reviews it in Italian, Consus-France posts about a French edition with a very original cover and Even Small Whispers Can Make Big Changes writes about the novel and its Ruben Toledo artwork in Norwegian. Finally, Real Photographs has an atmospheric picture of the Brontë Bridge.

Categories: , , , , ,

Jane Eyre Recap

60 Second Recap is an initiative trying to offer to (teen) students appealing summaries and information about the great works of (English) literature, all of them introduced by Jenny Sawyer and all of them just sixty seconds long. According to their own statement:

The 60second Recap™ wants to make the great works of literature accessible, relevant, and, frankly, irresistible to today's teens. Through our 60second Recap™ video albums, we seek to help teens engage with the best books out there ... not just to help them get better grades, but to help them build better lives.
Jane Eyre is among the books they have already discussed:
Jane is a miserable, mistreated orphan. And a lonely governess. And the love of wealthy Mr. Rochester’s life?
Ah, the romance.
Unfortunately, Charlotte Brontë had other plans for her protagonist. Jane is, after all, more than just the fiery main character of Jane Eyre. She’s also a feminist statement. Which means that love-followed-by-marriage would be just a bit too straightforward for Jane’s storyline.
Instead of marriage, there’s a shocking revelation. There’s Jane alone in the world again—penniless and friendless. And there’s romance again, too. But with Mr. Rochestser?
You can check a Teaser Trailer, the Overview, the Plot, Meet the Cast, Theme 1, Theme 2, Theme 3, Motifs, Symbols, In Conclusion and even Outtakes.

The next book to be discussed is Wuthering Heights and although it is still not online (November 9, 2009), the Boston Globe visited the set during the recording and talked with Jenny Sawyer:
Her face aglow as though she has a secret she can’t wait to share, Jenny Sawyer looks into a camera and begins to explain why a certain 19th-century novel is an absolute must-read.
“ ‘Wuthering Heights’ is a romance and a revenge story and a ghost story, too,’’ Sawyer begins. Then she suddenly looks offscreen, eyes widening in alarm.
“There’s someone at the window!’’ she cries, loosing a piercing, horror-movie scream. Then Sawyer resumes in a calm tone of voice: “But what this book is mostly about is passion.’’
Sawyer has a passion of her own - classic literature - that she is trying to get her teenage audience to share. That is why she is willing to ham it up occasionally as she talks about Emily Bronte’s Gothic novel in a recording studio at WGBH on a recent weekday. (...)
When Sawyer joined the project, she proved to be a natural on camera, with a likable and relaxed presence. But camera presence doesn’t pay the bills, and funding has been a struggle. “It’s kind of a race right now between finding the money to keep it going and kicking the plug out of the wall,’’ Osterlund says.
But you wouldn’t know it from the enthusiasm of the “60 Second Recap’’ team inside the recording studio as Sawyer segues from the overview of Bronte’s novel to a segment she calls “The Top Five Things You Need to Know to Understand ‘Wuthering Heights.’ ’’
No. 2 on the list is bound to be reassuring, not just to young readers but to some of us older ones who have had trouble scaling “Heights,’’ what with all those Catherines and Lintons. “If you feel confused at the beginning of this book,’’ says Sawyer, “remember this: You should.’’ (Don Aucoin)
Categories: , ,

Monday, November 09, 2009

Honorary Brontë Sister

Australia is still debating Wuthering Heights 2009. As seen in The West Australian:

Far better, I think, to stick to, say, Wuthering Heights, where the worst that happened was being assailed by a most unsatisfactory Heathcliff and a script which took far too many liberties with the book. Not a bit of guilt anywhere. Phew. (Pam Casellas)
Meanwhile the Indian Express seems to have given the title of 'Honorary Brontë Sister' to Bollywood actress Vidya Balan.
The Honorary Bronte Sister Recognition
Vidya Balan at a Paa promotional event
Vidya seems to be channelling a Victorian-era heroine in her attempt to move away from her boring old kurtas. Unfortunately for her, the experiment is not quite successful and this long kurta-meets-nightgown is actually making us nostalgic for her patented anarkalis. The bizarre patchwork at the sleeves and the hem and those ultra ugly platform heels are doing the actress no favours and neither is the messy Jane Eyre hairdo.
Pictures of the Paa promotional event can be seen here (we think they are from the event they are talking about). It does take some imagination to write such a description, we must say.

The Dayton Baby Boomer Examiner has 'ten ways Baby Boomers can avoid losing weight'. One of them is:
10. Dress badly. Convince yourself you are just a "lump of coal" (as the Bronte sisters would say), not a diamond in the rough. (Cynthia Rush)
Mmmmkay.

Many Wuthering Heights-y things on the blogosphere today: Shelf Love posts about the audiobook, Radio Darkness writes about the latest screen adaptation and also praises Josh Pyke's cover of Kate Bush's song, Today I Read has uploaded a pencil sketch of Cathering, Edgar and Heathcliff and My World of Literature posts a combined essay of Wuthering Heights and Jane Eyre. Mt Hope Chronicles writes about Jane Eyre too and Fidget reviews Shirley. Finally, Pining for the West discusses Glyn Hughes's Brontë.

YouTube user unlimitednuralisya has uploaded a copuple of behind-the-scenes clips from the Tokyo production of Jane Eyre the Musical: first part, second part.

Categories: , , , , ,

Meditation with Katia Labèque

The latest (solo) recording of the pianist Katia Labèque, Shape of My Heart, contains a track taken from Bernard Herrmann's Wuthering Heights opera: the orchestral interlude in Act IV, Meditation.

Reviews of the CD can be read on Audiophile Audition or The Guardian. There's also a promotional video on YouTube with no mentions of Herrmann's piece though. A sample of Katia Labèque's version can be listened to here.


Categories: ,

Sunday, November 08, 2009

Hair (not the musical)

The Independent reviews the latest book by Juliet Barker Conquest: The English Kingdom of France. The article begins with a reminder of Juliet Barker's previous Brontë work:

The books that first brought Juliet Barker renown were moving studies of the Brontës' lives and letters, and an immense life of Wordsworth. Her reinvention as a medievalist with her last book, Agincourt, seemed extraordinary, but in fact the interest in heraldry and chivalry predated her appointment as curator at the Brontë Parsonage Museum. (Suzi Feay)
Not exactly a reinvention but a rediscovery as Juliet Barker is doctorated in Medieval History.

Maureen Dowd talks about the 1948 film The Red Shoes (Michael Powell & Emeric Pressburger) in the New York Times:
There are many great works of art about obsession, from Heathcliff’s wailing to Ahab’s whaling, but this is surely the most gorgeously haunting. The destructive obsession portrayed here is not with a lover or outside object of desire. It’s about the tyranny of creativity.
In the same newspaper we find an article about the New York Public Library (which will celebrate its 100th anniversary in 2011) with a list of curious and/or odd things to be found there:
OTHER ODDITIES
● Truman Capote's cigarette case.
● The cane Virginia Woolf left on the riverbank the day she committed suicide. (which BrontëBlog was able to admire when we visited the Berg Collection).
● The original Winnie-the-Pooh.
● Hair from the heads of Charlotte Brontë, Walt Whitman, Mary Shelley and Wild Bill Hickok.
● Elizabeth Barrett Browning's slippers. (Robin Finn)
Another Twilight article with a Brontë connection. At least this one in The Independent quotes Stephenie Meyer saying something a bit different:
Meyer put a clause in the contract that the first film had to be PG-13 and has talked of giving airtime to the good kids, the ones who aren’t drinking and sexually active. “When I was in high school the people I related to were Jane Eyre and Elizabeth Bennet, because I wasn’t having that experience.” (Lesley White)
Jane Eyre appears as an example of the use of emerging technologies in education in the New Jersey Star-Ledger:
When the bell rings at the end of Carol Scheese’s Advanced Placement English class in Sparta, she knows that doesn’t mean the spirited discussion of "Jane Eyre" is over. Far from it.
For homework, Scheese often writes a question about the 19th-century novel on her password-protected class webpage. For homework, every student must join the online conversation, answering Scheese’s query and responding to two classmates. (Kristen Alloway)
A Brontëite in The Town Talk (Central Louisiana):
A few of my favorite "sets" of words include Ephesians 6:10-20, "Desiderata," "Jabberwocky," "Jane Eyre," the Declaration of Independence, the Bill of Rights and a fondly remembered children's book by Harvey Weiss titled "How to Ooze and Other Ways of Travelling." (Cynthia Jardon)
On the blogosphere today. Posts about Jane Eyre: Ok Libri (in Italian), Perseverance and Quantum Learning. And a post about Wuthering Heights on Platypus of Truth. Mr Amstrad has uploaded a slideshow on YouTube with pictures of the recent Kate Bush Gathering in Haworth.

Categories: , , ,

Jane Airhead

A young adult novel just published with a lot of Brontë references:

Jane Airhead
Kay Woodward
# Paperback: 144 pages
# Publisher: Andersen Press Ltd (5 Nov 2009)
# ISBN-10: 1842709763
# ISBN-13: 978-1842709764


What's not to love about Jane Eyre? Gothic and passionate, it features the ultimate male hero - Mr Rochester. And that gives Charlotte a top idea: she'll look for a new Mr Rochester for her lovely mum. So when Charlotte finds the ideal man, she can't believe her luck. He's dark, brooding and mysterious. He's PERFECT. But the real-life romantic hero also turns out to be sarcastic and rude. Does Charlotte really want her mum marrying him? Perhaps it would have been better if Mr Rochester had stayed between the covers of Charlotte's favourite novel...?
Wondrous Reads posts a positive review:
Jane Airhead is a humorous look at teen life and relationships, as seen through the eyes of Jane Eyre enthusiast Charlotte. The use of Jane Eyre references is a great homage to Charlotte Brontë, and has now made me want to check out the book. As someone who doesn't do too well with classic literature, this is quite an achievement on Kay Woodward's behalf. (Prophecygirl)
Categories: , ,

Saturday, November 07, 2009

Jane Eyre beauty and Charlotte Brontë's eau de parfum

The New York Times reviews the dance piece The Art of Making Dances by Chase Granoff at The Kitchen:

The performance begins strongly. As Kate Bush’s “Wuthering Heights” plays, the cast gathers around Mr. Granoff, who pours Champagne. Here, Joe Levasseur’s lighting works wonders, as he gradually darkens the stage until only two dancers remain. (Gia Kourlas)
The Telegraph & Argus presents one of the November activities at the Parsonage:
A magazine about women writers will this month host a roadshow at the Bronte Parsonage Museum.
Mslexia is offering two creative writing workshops and a talk by leading novelists Sarah Waters.
Writing a Synopsis, led by novelist Debbie Taylor, will help writers identify what their novel is really about and communicate this to an agent or editor.
The First Paragraph, led by author Jane Rogers, will help both short story writers and novelists write an arresting opening.
Sarah Waters, writer of bestsellers Tipping the Velvet and Fingersmith, will be in conversation with Debbie Taylor.
Sarah will talk about her writing career and her latest novel, The Little Stranger, which was in nominee for this year's Man Booker Prize.
The three events, part of the museum's contemporary arts programme, will be at November 28. (David Knights)
The Mirror insists on the Brontë-Twilight connections:
Romantic interest Edward Cullen, played by Pattinson in the film series, was turned into a vampire aged 17 to prevent him dying from flu. Meyer drew on classic leading men Edward Rochester (Jane Eyre), Mr D'arcy [sic] (Pride and Prejudice) and Gilbert Blythe (Anne of Green Gables) when creating the character. (Beck Robertson)
And The Daily Telegraph (Australia) insists on discrediting those associations:
Twilight lays claim to a dark, gothic-romantic pedigree, but to compare Twilight and other books in the series to classic works such as Jane Eyre and Wuthering Heights would be a mistake similar to comparing sitcoms with Shakespeare or the Spice Girls with Mozart. (Julia Arensen)
Fashion Tribes describes as follows the eau de parfum Amaranthine by Penhaligon:
Timeless quality and luxury, yes, but their women's fragrances have tended to evoke Charlotte Bronte and Jane Austin [sic]...not Anais Nin. Enter Bertrand Duchaufour, the French perfumer who rocks out to Radiohead and has a cult following rivaling Thom Yorke's. Amaranthine is as sensual a fragrance created for the House in its history, and so erotic, it would make Queen Victoria blush. (Michelyn Camen)
The Batavia Richmond Memorial Library as reported by The Daily News has received Emily's Ghost by Denise Giardina, The Mirror publishes a sentence particularly unfortunate describing the new BBC thriller Luther:
Jane Eyre beauty Ruth Wilson is a key witness in his first investigation. (Nicola Methven)
e-teatr.pl reviews some Polish performances of Susanne Schneider's piece Noce Sióstr Brontë:

"Noce sióstr Bronte" to, napisana w 1992 roku, sztuka niemieckiej autorki, która w tradycyjnym dramacie psychologicznym sportretowała trzy siostry Bronte jako odmienne, lecz uzupełniające się osobowości, zarówno ludzkie, jak i twórcze. Sztuka ma jasno zarysowane charaktery postaci - gwałtowna, namiętna i bezkompromisowa Emily, przenikliwa, inteligentna Charlotte i pragmatyczna, introwertyczna Anne - i prosty zamysł dramaturgiczny polegający na braku istotnych wydarzeń zewnętrznych, przy jednoczesnej obecności wydarzeń duchowych. Jak wiadomo, życie sióstr Bronte było dość monotonne. Wydarzenia przecinające tę monotonię to śmierć (z przepicia) ich brata Branwella, przedwczesna śmierć dwóch spośród nich oraz publikacje ich powieści, w przypadku Emily pośmiertnie. Te wydarzenia jednak nie rozgrywają się na scenie, a są tylko na koniec referowane. (Read more) (Google translation) (Jagoda Hernik Spalińska)

A couple of Swedish newspapers review Nuria Amat's 1997 novel La intimidad (Det mest privata in Swedish), which features a girl who looks for her dead mother in the pages of Jane Eyre. From Svenska Dagbladet:
Modern vars hemlighetsfulla död man inte talar om finns i en grav formad som en bok, men hon finns också i en bok som heter ”Jane Eyre” och som handlar om en galen kvinna gömd på en vind. (Google translation) (Ellen Mattson)
And from Helsingborgs Dagblad:
I romanerna söker hon sin döda mor och tycker sig kunna kommunicera med henne genom ”Jane Eyre”. (Google translation) (Kerstin Johansson)
More informationon the novel in Spanish here.

Itinerant Idealist reviews Rebecca Fraser's biography of Charlotte Brontë, Romantic Outsider reviews the Northern Ballet's production of Wuthering Heights, Leeds Daily Photo posts a picture of the Thornton's Bell Chapel where Patrick Brontë preached. Brisbane Last Friday Book Club recommends Wide Sargasso Sea. The Giessener-Allgemeine reviews a local production of Simon & Norman's The Secret Garden and mentions Wuthering Heights.

Finally, Hark! A Vagrant has made it again. A new (and very funny) comic strip with the Brontë sisters as characters. Check it out here.

Categories: , , , , , , , ,

Herrmann and Persephone

Fragments from Bernard Herrmann's Wuthering Heights will be performed today, November 7, in Lewisburg, Pennsylvania:

The Bucknell Opera Company will mark its 20th anniversary with a gala concert on Saturday at 8 p.m. in the Rooke Recital Hall of the Weis Music Building.
The program, which is free and open to the public, is directed by Catherine Payn, associate professor of music at Bucknell.
The concert includes music from a wide range of favorite operas including “Les Contes d’Hoffmann,” “Merry Wives of Windsor,” “Lakme,” “La Cenerentola” and “Don Pasquale” as well as works from several contemporary American operas including “The Ballad of Baby Doe,” “Susannah” and “Tartuffe” as well as “Trouble in Tahiti” by Leonard Bernstein and “Wuthering Heights” by Bernard Herrmann. (The Daily Item)
Tomorrow, November 8, a talk at the Atlantic Cape's Mays Landing Campus (New Jersey):
Library Speaker Series Event to Focus on Girls' Literature

Writer and professor Holly Blackford will present "The Persephone Myth in Classic and Contemporary Girls' Literature," at the second installment of the William Spangler Library Speaker Series, 2 p.m., Sunday, Nov. 8, at Atlantic Cape Community College.
In her lecture, Blackford, professor of English at Rutgers University, Camden, will present her research into how the Persephone-Demeter myth functions in classic and contemporary girls' literature from Wuthering Heights and Little Women to Harry Potter and the Chamber of Secrets and Twilight. In the myth, the goddess of agriculture Demeter loses her only daughter, Persephone, when Hades, lord of the underworld, abducts her. In mourning for her lost child, Demeter lets the fruits of the earth wither. The fertility of the earth can only be restored when the gods return her child. They agree, provided that Persephone has not eaten of the underworld. Unfortunately, Persephone has eaten seeds of the pomegranate; thereafter she must spend the season of fall and winter as Queen of the underworld, returning to her mother in spring.
Categories: , , ,

Friday, November 06, 2009

Twilight Cleaning

The Twilight mentions continue but, as in this instance taken from The Daily Freeman-Journal, they are not always positive.

Meyer in interviews likens her novels to those of Jane Austen's or Emily Bronte's. Yet I scarcely recall these brilliant writers making such idiots out of their heroines. (Carrie Olson)
Speaking of Emily Brontë - she's one of the options to the question posed by GMTV in order to have a chance of winning £300 Marks and Spencer vouchers.
Who is one of the stars of Sunshine Cleaning?
Emily Blunt
Emily Watson
Emily Bronte
Two news outlets look back on the good old days of cinema and take a look at all the good movies released during the so-called best year in the history of cinema, Wuthering Heights among them: The Philadephia Daily News and the Ulster Herald.

Several topics in connection with Wuthering Heights are discussed on the blogosphere: Infinite Possiblogities posts about Wuthering Heights 2009, Expressions writes about the novel and Somnopolis talks about 'The Twilighting of Emily Brontë'. Steve Mollmann begins a review ov Villette stating that he doesn't 'get the love for the Brontës'. And finally, aes2008 asks for suggestions for a Jane Eyre tattoo.

Categories: , , ,

From Virginia to Nebraska

Two new student productions of Jane Eyre. The Musical (Gordon & Caird). In Virginia and Nebraska:

Jane Eyre. The Musical
Liberty University, Lynchburg, VA

* November 6, 7, 12, 13*, 14, 17, 19, 20 - 7:30pm
* November 7, 14 - 2:00pm
* November 8, 15 - 2:30pm

Complete cast and crew here.

Jane Eyre is a haunting retelling of the Charlotte Bronte classic about an orphan girl who grows up to become the governess of Thornfield Hall. There she meets and falls in love with the enigmatic Edward Rochester, an Earl with a dark secret. Having overcome the obstacles brought on by an abusive childhood, the death of a childhood friend and the prejudice inherent in a relationship between two people socially worlds apart, Jane marries Rochester. Her wedding day is marred when she discovers his secret: he already has a wife, a half-crazed lunatic hidden in the attic.
Jane Eyre. The Musical
Columbus High School
CHS Nantkes Performing Arts Center.
Columbus, Nebraska

November 6 and 7, 7:30 pm
The Columbus Telegraph has some more information:
When Jenna Stecker first read Jane Eyre in middle school, she didn’t like the novel.
But when she found out the fall musical at Columbus High School would be that story, the senior decided to check out the book again.
“I fell in love with it,” Stecker said of her second reading.
Now Stecker finds herself playing the main character in the production of the 1847 novel wr
itten by Charlotte Bronte. The story focuses on Jane, who as a child is abused by her aunt and then sent to live in an orphanage. Eventually she is hired to be a governess by Edward Fairfax Rochester. She falls in love with him, but a secret prevents them from marrying.
Stecker said she thinks adults will be able to relate to the story because it is about being in a relationship and having difficulty making it work.
Much of the story is told through song. The score will be played by an orchestra and several professional musicians.
(Julie Blum)
Photo by Blaine McCartney -- Columbus High student Caitlin Gilmore rehearses a song during practice for the play, "Jane Eyre" Wednesday afternoon at Columbus High School. (Source)

Categories: , ,

Thursday, November 05, 2009

What D.H. Lawrence thought of Charlotte Brontë

Let's begin today's newsround by taking a look at writers and the Brontës.

A few days ago we recalled Paul Auster's admiration for Emily Brontë, and today his own writing is differentiated from Wuthering Heights in the New Statesman.

What distinguishes Auster's execution from that of Coleridge in "The Rime of the Ancient Mariner" or Emily Brontë in Wuthering Heights or Nathaniel Hawthorne in The Scarlet Letter or Joseph Conrad in Heart of Darkness is that - as in the work of Stephen Poliakoff - the necessity of the telling is accorded far greater significance than the telling itself. This priority misses the reliance of the former on the latter. (Leo Robson)
Literary Minded features Emily Maguire, author of Smoke in the Room:
Jane Eyre is Maguire’s ‘touchstone book’, but more for her as a person, than a writer. ‘It’s just a really important book to me … I just love it’.
But as you can imagine - and have seen in the past - not everyone is so keen on the Brontës. The Telegraph reviews Poisoned Pens: Literary Invective from Amis to Zola by Gary Dexter:
Gary Dexter has wisely restricted himself to hatchet-jobs in which both attacker and attacked are writers. The result is a particularly articulate catalogue of spite and spleen that becomes, when the focus shifts from the page to the person, a real bitch-fest. De Quincey goes for Wordsworth’s legs ('not a well-made man’); DH Lawrence calls Jane Austen an old maid, and Charlotte Brontë, having written Jane Eyre, a pornographer. (Mark Sanderson)
What?! Why?!

Well, that's - erm - food for thought. And while we mull it over, we continue with a review of the film An Education in The Yorker.
As a coming of age story, it follows a fairly typical template, which Hornby acknowledges with knowing references to Jane Eyre, the book Jenny is studying in class. (Natalija Sasic)
Brief: Creative Loafing mentions the fact that Wolfmother recently performed Kate Bush's Wuthering Heights, and if anyone is curious about what he's doing now ATV Network traces a profile of Diederick Santer, who produced Jane Eyre 2006. It hasn't reached The Seattle Times yet that Ellen Page is no longer part of the forthcoming adaptation of Jane Eyre.
Talented, poised and just 22, Page seems ready to challenge herself - if her signing on for the title role of a big-screen BBC production of "Jane Eyre" last year is any indication. (Moira MacDonald)
It looks as if it no longer is any indication then.

Luetut 2006-2009 posts in Finnish about The Professor.

Categories: , , , , , ,

Gordon & Caird's Jane Eyre in the Netherlands

And yet another Dutch production of a Brontë-related piece (after De Brontë Sisters and Woeste Hoogten). Now's the turn of the Gordon & Caird's Jane Eyre musical:

Muziektheater Totaal
Jane Eyre, de musical
Theater De Lieve Vrouw, Amersfoort

Sold out:
6 nov 2009 19:30 De Lieve Vrouw, Amersfoort
7 nov 2009 19:30 De Lieve Vrouw, Amersfoort
New dates:
5 feb 2010 19:30 De Lieve Vrouw, Amersfoort
6 feb 2010 19:30 De Lieve Vrouw, Amersfoort


Reinier Bavinck - Musical Director
Monique van der Heijden - Director

Jane Eyre ... Menalda Bavinck
Mr Rochester ... Peter van Klingeren
Mrs Fairfax ... Kirsten Schreibers
Several Dutch press cuttings can be read here. The articles in Vathorst, dé Weekrant (and this or this), de Telegraaf, Scherpenzeelse Krant, de Woudenberger and Leusder Krant are the most recent ones. If your Dutch is fluent you can also check this interview with Kirsten Schreibers on Golfbreker Radio.

Categories: , ,

Wednesday, November 04, 2009

Obsessed by heroes and villains

As a follow-up to the recent arrival of several Brontëana items back in the Brontë Parsonage Museum, The Telegraph and Argus has an article, a video and three images:

An example of the early writing of one of English literature’s greatest authors has been given to the Bronte Parsonage Museum.
The tiny script, praising the Duke of Wellington, was written by Charlotte Bronte in miniature book format when she was 13.
The author also produced a pen and ink drawing of a make-believe monument to the English hero.
Along with other personal possessions, the items were given to the museum by Tony Hart when he travelled to Haworth from his home in Manitoba, Canada.
They are now on show along with a gold brooch set with garnets, a beautifully carved ivory visiting card case and card and a signed engraved portrait of Charlotte Mr Hart’s great grandfather was the nephew of Mary Anna Bell, the second wife of Arthur Bell Nicholls, Charlotte’s husband who married her in 1854 and lived at the Parsonage until 1861.
Ann Dinsdale, Bronte Parsonage Collections manager, said the items, especially the written documents, were extremely valuable.
She said: “It’s very rare for such a wonderful group of items to emerge under any circumstances, but we feel extremely fortunate and grateful to Mr Hart.
“Some of these items are unique within the context of the museum’s collection and so to have them return to Haworth is very special.”
For scholars, the miniature writing was the most fascinating because it was another example of Charlotte’s early work.
“The whole family was obsessed by heroes and villains of the day– specially Napoleon and Wellington,” said Mrs Dinsdale The items are now on display at the Bronte Parsonage Museum as part of an exhibition on Charlotte Bronte. (Clive White) (Picture source)
To watch the video, go to the article or click here. EDIT: Also in the Keighley News.

The Brontë Parsonage Blog also reports the new arrival.

Anthony Cummins, from the Guardian, writes:
What's the most depressing piece of Penguin merchandising? Notebooks featuring the classic covers of much-loved titles that cost more than the novels themselves. [...]
The most recent addition to this gift range (only 84 shopping days to Christmas!) is perhaps the most depressing: a series of £14 notebooks, bearing yet more classic covers. It's depressing because the blank books cost more than the latest Penguin editions of the novels. [...] The Penguin Popular Classic's yours for £2.50, or for £6.99 have an annotated edition introduced by Brontë scholar (and Booker prize judge) Lucasta Miller.
Well, we do love these notebooks. In our humble opinion, Wuthering Heights as a masterpiece is invaluable, so you can't really measure things by how much it costs. In fact, Wuthering Heights is available FOR FREE and completely legally all over the Internet - does that make everything else that is more expensive simply depressing? Why not look at it the opposite way and find it a positive thing that a masterpiece is available to everyone? This notebook is clearly a whim for book-lovers; there are plenty of cheaper notebooks everywhere for most budgets. But there's only one Wuthering Heights and it should be available for everyone whatever their budget.

Speaking of Wuthering Heights, Country Life looks at country house ghosts.
There are much darker creations, too, such as the ghost of Catherine in Emily Bronte's Wuthering Heights (1847). (John Goodall)
Wuthering Heights is also the sibject on several blogs: The Scruffy Bookshelf, El Panteón de las letras (in Spanish) and Today, I Read. A Word to the Wise has posted a 'general chronology of the Brontë Sisters'. And Lectures et Farfafouilles reviews Jane Eyre (in French).

EDIT: An alert from the Tuscany, Italy. A dramatized reading of Jane Eyre:
Castiglione della Pescaia: Secondo appuntamento di ri-lettura creativa con gli attori del Teatro Studio di Grosseto alla biblioteca “Italo Calvino”. Mercoledì 4 novembre alle 16.30 i partecipanti “interpreteranno” il romanzo “Jane Eyre” pubblicato nel 1847 dalla scrittrice inglese Charlotte Bronte, un classico della letteratura femminile.
L’incontro fa parte del ciclo “Donne di carta” con cui la direttrice della biblioteca Patrizia Guidi ha scelto di proporre scrittori e scrittrici che trattino personaggi e temi femminili. Il romanzo, scritto in forma autobiografica, è considerato il capolavoro di Charlotte Bronte che ha approfondito l’evoluzione della protagonista sotto gli aspetti sociali, morali, affettivi ed intellettuali. Anche la trama avvincente è stata proposta in varie versioni cinematografiche.
“Ciò che viene proposto con questi incontri – spiega il Teatro Studio – non è di analizzare criticamente il testo ma di rivivere l’opera scendendo nell’emozione. Alcune tecniche di mediazione proprie del teatro vengono utilizzate come mezzi espressivi per stimolare l’ascolto e sollecitare la partecipazione al ‘gioco’”. (Maremma News) (Google translation)
Categories: , , , , ,

Shaped by the theatre

April de Angelis's Wuthering Heights theatre adaptation is published by Samuel French Ltd:

Wuthering Heights
A new adaptation by April De Angelis from the novel by Emily Brontë
Play - Full Length
Samuel French LTd.
£8.50
ISBN: 0573114951
ISBN-13: 978057311495-3


M8 F7, 1 boy, may be played by M6 F4 with doubling. Extras. Various simple settings. Period early Victorian
A brand new adaptation brings Emily Brontë’s passionate and spellbinding tale of forbidden love and revenge to life on stage. Set on the wild, windswept Yorkshire moors, Wuthering Heights is the tempestuous story of free-spirited Catherine and dark, brooding Heathcliff. As children running wild and free on the moors, Cathy and Heathcliff are inseperable. As they grow up, their affection deepens into passionate love, but Cathy lets her head rule her heart as she chooses to marry wealthy Edgar Linton. Heathcliff flees broken-hearted, only to return seeking terrible vengeance on those he
holds responsible, with epic and tragic results.
“I was relieved to see an adaptation of this wonderful Emily Brontë novel that was true to her creation.” Birmingham Mail

Heathcliff. Cathy. Edgar Linton. Young Cathy: daughter of Cathy. Nelly Dean: servant. Mr Lockwood: tenant of Thrushcross Grange. Hindley: Cathy's elder brother. Hareton: Hindley's son. Joseph: servant. Mr Linton: Edgar and Isabella's father. Frances: Hindley's wife. Mary: young servant. Isabella Linton: Edgar's younger sister. Zillah: servant. Jabes Branderham: a reverend. Servant. Lad. Band of Musicians.
And Emily Brontë's novel also features in
Shaped by Stories
The Ethical Power of Narratives

Marshall Gregory
University of Notre Dame Press
Paper Edition 2009
240 pages
ISBN 10: 0-268-02974-1
ISBN 13: 978-0-268-02974-6


In his latest book, Marshall Gregory begins with the premise that our lives are saturated with stories, ranging from magazines, books, films, television, and blogs to the words spoken by politicians, pastors, and teachers. He then explores the ethical implications of this universal human obsession with narratives. Through careful readings of Katherine Anne Porter’s “The Grave” and Thurber’s “The Catbird Seat,” as well as David Copperfield, Wuthering Heights, and other works, Gregory asks (and answers) the question: How do the stories we absorb in our daily lives influence the kinds of persons we turn out to be?
Chapter 9 is named Ethical engagements over time : reading and rereading David Copperfield and Wuthering Heights.

Categories: , , ,

Tuesday, November 03, 2009

Bing Heights

Alert reader Michael Kim has pointed us to today's (November 3rd) Bing background picture (in the US). It seems that someone at Microsoft has visited Yorkshire or read Wuthering Heights recently:


Categories: ,

The Autumn bookshelf and other news

The Hillsboro Times-Gazette has an article on the 'Autumn bookshelf', a concept in which we also believe. One of the novels selected for this time of year is undoubtedly Wuthering Heights:

I still cannot smell mint cappuccino without feeling the cold wind of the moors.
"Wuthering Heights" is one of those books you sit down to read on a misty Sunday afternoon and find yourself suddenly a part of, far away and immersed in the lives of its characters. The first time I read it, I sat beside the Christmas Tree on a cold December afternoon, sipping mint chocolate cappuccino and completely oblivious to the world around me, while Emily Bronte's masterpiece took me through the mysterious lives entangled in two manors on the windblown moors of 19th-century England. When I was finished, I really felt like I had seen Cathy Linton's ghost moving down the neglected stone halls of Wuthering Heights!
While I am not the prolific reader of classic literature that I ought to be, these dark autumn nights and misty Sunday afternoons sometimes take me down cobblestone London streets and wide wet countryside, through ravaged battlefields and into dank French prisons. (Katie Wright)
Two other books are mentioned in the press today in connection to the Brontës. The California Literary Review discusses the already-mentioned Cranioklepty: Grave Robbing and the Search for Genius by Colin Dickey.
The 19th century science known as phrenology — which posited that the human skull conforms to the shape of the brain within, which in turn expresses in physical form one’s innate moral and intellectual faculties (crudely, that by feeling the shape of a person’s head you could tell whether he or she had great intellectual or creative powers, or was more likely a criminal) — had a brief but rich heyday. It influenced the thought and writings of the Brontë sisters, Charles Dickens, George Eliot, and especially Walt Whitman, as well as scientists and physicians of the time. (David Loftus)
And The Miami Herald reviews Normal People Don't Live Like This, by Dylan Landis.
The Brontë sisters, Gustave Flaubert, Jane Austen -- their young women grew up with two paths: spinster or head of household, caged with or without dignity. But Leah could destroy herself in so many different ways. You hold your breath. What'll it be? (Susan Salter Reynolds)
We wouldn't just narrow it down to those two options - what about the (in)famous Fallen Woman, for instance?

The Columbus Telegram carries an article on the forthcoming production at Columbus High School: Jane Eyre, the Musical.
When Jenna Stecker first read Jane Eyre in middle school, she didn’t like the novel.
But when she found out the fall musical at Columbus High School would be that story, the senior decided to check out the book again.
“I fell in love with it,” Stecker said of her second reading.
Now Stecker finds herself playing the main character in the production of the 1847 novel written by Charlotte Bronte. The story focuses on Jane, who as a child is abused by her aunt and then sent to live in an orphanage. Eventually she is hired to be a governess by Edward Fairfax Rochester. She falls in love with him, but a secret prevents them from marrying.
Stecker said she thinks adults will be able to relate to the story because it is about being in a relationship and having difficulty making it work.
Much of the story is told through song. The score will be played by an orchestra and several professional musicians. (Julie Blum)
The Brontë side of the blogosphere is all about Jane Eyre today: A Certain Slant of Light, The Tin Angel and Women in Literature.

Categories: , , , , , ,

Wuthering Covers (II)

Some more Kate Bush's Wuthering Heights covers:

Disko-Operative featuring Allanah D. Allanah D was 11 years old at the time of recording:
The Italian singer Zenîma in a 2001 recording:

Nicole Droguet and Tea For Two in a live performance:The Norwegian singer Helene Bøksle in a TV appearance:

Categories: ,

Monday, November 02, 2009

New Brontë Treasures Arrive in Haworth

The Brontë Parsonage has kindly sent us the following press release and images:

New Brontë Treasures Arrive in Haworth

A remarkable cache of new Brontë treasures have recently been donated to the Brontë Parsonage Museum by a private owner living in Manitoba, Canada. The items were given to the museum by Mr Tony Hart, whose great grandfather was the nephew of Mary Anna Bell, the second wife of Arthur Bell Nicholls. Nicholls’ first marriage was to Charlotte Brontë and took place at Haworth Church in 1854, although Charlotte died the following year, possibly in the early stages of pregnancy. Mr Hart’s great grandfather emigrated from Ireland to Canada in the 1870s.

The items donated all belonged to Charlotte Brontë and include a gold brooch set with garnets, a beautifully carved ivory visiting card case and card, a fragmentary manuscript by Charlotte, dated 1829 and entitled ‘Anecdotes of the Duke of Wellington’, an ink drawing of a ‘Wellington monument’ accompanying the manuscript, and a signed engraved portrait of Charlotte. The items would have been taken to Ireland by Arthur Bell Nicholls in 1861 after Charlotte’s death and may have been given to Mr Hart’s great grandfather as keepsakes.

It’s very rare indeed for such a wonderful group of items to emerge under any circumstances, but we feel extremely fortunate and grateful to Mr Hart for donating what is certainly a very valuable collection indeed to the museum. Some of these items are quite unique within the context of the museum’s collection and so to have them return to Haworth after so many years, and all the way from Canada, is very special.

Ann Dinsdale
Collections Manager


The new items are now on display at the Brontë Parsonage Museum and can be seen along with many other treasures from the museum’s collection as part of an exhibition focusing on Charlotte Brontë.
EDIT 3/11/2009: The Yorkshire Post relays the news and includes this image of the just-arrived brooch. (Picture source)

If you are in the area we would suggest a trip to welcome these beauties.

Well, onto something else. 411mania believes in the fact that there are only seven basic plotlines, one of which is...
Rags to Riches - Someone who has seemed to the world quite commonplace is shown to have been hiding a second, more exceptional self within. Think the ugly duckling, Jane Eyre and Clark Kent (Leonard Hayhurst based on this link)
The Sun comments on Wolfmother's take on Kate Bush's Wuthering Heights and they share an accoustic version of the cover (we posted a live version last night).
I never thought I'd hear WOLFMOTHER singing KATE BUSH.
But that's exactly what happened when the heavy metal rockers - famed for their head-banging sets - popped by the Sun Studios.
Prior to performing Wuthering Heights - which you can watch below - the usually-wild frontman ANDREW STOCKDALE cooed: "This is quite nerve wreckwracking.
"Kate is my idol.
"I wish she could be here with us now in her red dress.
"That would be my dream. I've thought about that a lot."
Well, it is not the first time that a hard rock band play version of the song, think Angra, White Flag or China Drum, for instance.

Wuthering Heights - on various 'formats' - is actually the subject on a few blogs: Vanishing Point and Popped Density (about the novel), Mutually Said: Poets Vegan Anarchist Pacifist and Kill Your Darlings (about the 2009 two-parter). Meanwhile, Jane Eyre is featured on Women in Literature, A Healthy Dose of Hip, Ronda Sturgill, Leap of Faith and Mundane Mirror. Poethead writes briefly about Anne Brontë and posts a poem by her, The North Wind.

Finally, we are late in pointing out Dsudyka's Etsy shop with her now sold-out Brontë in New Zealand.
This is a limited edition archival inkjet of a watercolor I made some time ago. The title is "Bronte in New Zealand". It was very loosely inspired by the Jane Campion movie "The Piano". I loved the film's imagery: the juxtaposition of the layered, complicated victorian era clothing and women's hairstyles and the wild, fecund landscape of a temperate New Zealand rain forest. The bird on top of her head is a Tui. Tui's are native to New Zealand.
Categories: , , , , , ,

Wuthering Covers (I)

Just some Kate Bush's Wuthering Heights covers which can be traced in the stormy YouTube seas:

The electronic Spanish band Góngoras in a live performance (October 12, Apolo 2, Barcelona)
The Italian singer Anna Campolattano in a live performance (October 2009, Cafè Feel Rouge, Palermo)
The tribute band The Dutch Kate Bush

Wolfmother in a live performance during their encore, live at London Coronet (21-10-09)

Categories: ,

Sunday, November 01, 2009

Hardly the stuff of fairytale romance

A new review of Brian Dillon's Tormented Hope appears today in The Guardian:

Dillon's subject, though, isn't simple physical deterioration but rather the tricks the mind plays on the body - or hypochondria. In his accounts of nine individual sufferers (including James Boswell, Charlotte Brontë, Charles Darwin, Florence Nightingale, and Marcel Proust), Dillon shows how often work is connected to the disorder. For Boswell, fear of inactivity and sloth became a mania ("Resolve: be busy and recover mind.") For Brontë, Darwin and Nightingale, being permanently half-ill enabled them to withdraw from society and devote themselves to their projects. Proust cultivated his invalidism like some exotic plant, and "worked, ate, socialised and sometimes slept" in his bed. (Jerome Boyd Maunsell)
The film An Education by Lone Scherfig is also reviewed in The Guardian:
It is also a pity that in order to build her up as a rebellious outsider, Jenny's two closest chums are presented as giggly admirers and the other girls in her class as dull, unimaginative frumps incapable of responding to King Lear and Jane Eyre with a sensitivity and intelligence comparable to Jenny's. (Philip French)
Susan Daly is not really very happy with Rochester knighted as literary hero number one. She writes in The Independent (Ireland):
I take it quite personally that Mr Darcy (first name Fitzwilliam, but best not to dwell on that) has not topped a new list of the most romantic literary heroes as voted by Mills and Boon readers. That spot went to Mr Rochester, keeping wives in attics since 1847.
I understand that taking umbrage over which 19th century figment of the imagination fills his fictional breeches better is a bit like debating whether Spandau Ballet or Duran Duran was the finer band of the '80s. They were both a bit ridiculous, if we're honest.
Nonetheless, the first literary hero you take under the covers with you, reading by torch when your mother yells up the stairs to turn out the light, is special. Edward Rochester was not a man you would want to be alone with in a darkened room.
In Charlotte Bronte's Jane Eyre, he was dismissive of his daughter, uncharitable towards his wife and menacing towards Jane. Reader, I despised him.
At one point, when Jane refuses to become his mistress (because that's what she would be, what with the first Mrs R still wearing a hole in the floor upstairs) he threatens that he may not be able to control his passion. "His voice was hoarse; his look that of a man who is just about to burst an insufferable bond and plunge headlong into wild licence," wrote the breathless Bronte. An implicit threat of rape -- hardly the stuff of fairytale romance, is it?
Mr Darcy was not without his faults but the whole attraction was that he repented and changed his ways through the love of a good woman. The words leopard and spots had yet to become linked in my very limited lexicon of love. Rochester, I seem to remember, needed to be blinded and crippled before he came to his senses. (...)
On the other hand, Wuthering Heights has somehow seen Heathcliff and Cathy's doomed passion recast as epic romance in screen versions. It helps with the bosom-heaving that he has been portrayed by the very beautiful Laurence Olivier and Ralph Fiennes. I have a suspicion that although we're all meant to be feminists now, the adolescent attraction to unsuitable bad boys lingers. Heathcliff -- so singularly demonic that he doesn't even have a last name -- is mad, bad and dangerous to know. Yet there is not one girl-child of the 1980s who has not looked wistfully out her bedroom window, practising her best Kate Bush wail: "Heathcliff, It's me, It's Cathy, I've come home ... "
The point here is that Jane Eyre is hardly the stuff of fairytale romance. It's much more.

The formula for a perfect marriage is discussed in The Scotsman:
If only Cathy had been just a couple of years younger, might she and Heathcliff have escaped from the gloomy Yorkshire moors and settled down to a life of domestic bliss in a town house in Kensington? (Dani Garavelli)
According to the Trinidad & Tobago Express the collective book Trinidad Noir edited by Lisa Allen-Agostini & Jeanne Mason contains a story with Wide Sargasso Sea echoes:
Meanwhile, Vahni Capildeo, Trinidadian now living in Oxford, England where she studied Old Icelandic, submitted a terse story that intertexts with Jean Rhys's Wide Sargasso Sea. (Sheila Rampersad)
The Malta Independent has a weird Brontë references describing a clip of a 'real' exorcism:
In the clip, the woman was barking, swearing and crawling on all fours (her face was obscured) much like Rochester’s wife in Jane Eyre. (Pamela Pace Hansen)
The Bristol Herald Courier has also another weird reference. From a review of Cranioklepty: Grave Robbing and the Search for Genius by Colin Dickey:
Although phrenology eventually did become somewhat of a real science when brain studying got involved, and although some still saw phrenology for what it was (a scam), many prominent people went head-over-heels for personal “skull readings.” Author Walt Whitman was said to have carried his reading with him for years. George Eliot, the Bronte sisters and Charles Dickens added phrenology to their stories.(Terri Schlichenmeyer)
A couple of authors and Brontëites: Stephanie Morrill is interviewed on aTeenzFaith.com:
Who were your favorite authors or books as a teen?
My favorite book as a teenager was Wuthering Heights by Emily Bronte, although saying that makes me sound like I’m much more of an “intellectual” than I really am.
And Isabelle Merlin on sassisam:
Do you have a favourite writer or a novel?
It’s not easy to pick just one but two novels I loved as a teenager and still re-read with lots of pleasure are Jane Eyre by Charlotte Bronte and Madam Will You Talk by Mary Stewart. In fact I love all Mary Stewart’s books, she’s probably been the biggest influence on my writing.
The Independent devotes an article to Hebden Bridge's extraordinary rate of suicides and the documentary Shed Your Tears and Walk Away. Sylvia Plath is buried in Hebden Bridge and Requin Art and Design devotes a post to her poetry including her poem Wuthering Heights. Something this foggy day posts her husband's (Ted Hughes) poem on Emily Brontë.

the Brontë Sisters has some new posts. Mundane Mirror and Cynthia (in French) are reading Jane Eyre, Thềm xuân posts about Wuthering Heights in Thai. British Invasion Brontes (good name, indeed) proposes a Halloween derivative of Wuthering Heights:
“Wuthering Frights”
When Heathcliff goes out at night to commune with the spirit of his lost love, he discovers Cathy’s ghost isn’t the only specter haunting the moors. In this spine-tingling update of the classic love story, Emily Bronte’s Byronic hero takes on a legion of ghouls and zombies in his own uniquely bad-tempered style, and strives to keep the moonlit meadows safe for his own other-worldly romantic interludes.
On Flickr, a picture of Top Withens uploaded by Tidalist and Ade McO-Campbell uploads some new Jane Eyre illustrations.

Finally, Brontës.nl highlights several Dutch and Belgian reviews of the Theater Artemis production of Wuthering Heights:
De Morgen:
(...) Schrijver Jeroen Olyslaegers bewerkte Brontës klassieker op vraag van regisseur Floor Huygen. Beiden hebben duidelijk elk hun visie op het verhaal en die tweespalt laat zich nog voelen op scène. Focust het eerste deel voornamelijk op Huygens fascinatie voor de tegenstelling tussen cultuur en natuur met een weids sfeerpalet aan geluid en beeld, dan wordt daarna overgegaan op het psychologisch huiskamerdrama dat Olyslaegers er bijna Ibsen-gewijs van maakt. Olyslaegers focust vooral op het eerste deel van het boek, de uitwaaierende verhaallijnen (vooral het tweede deel van het boek) laat hij slim genoeg in enkele lijnen samenvatten door de meid Nelly. An Hackselmans vertolkt deze subtiel, tegelijk grappig relativerend, maar ook als een soort visionaire heks. Olyslaegers ingedikte versie alsook de acteerprestaties maken van Brontës verhaal een brok dynamiek. De wilde liefdesdansgevechten tussen Theus en Smit en de dronken steeds zieliger wordende broersfiguur (Fabian Jansen) voorop. Enkel de matte vertolking van Roos van Vlaenderen als Cathy's schoonzus Isa , ontgoochelt. Dat strekt zich ook uit naar het slot van de voorstelling: de rek raakt eruit, het feitelijke drama (niet Catherines dood wel haar noodlottige niet-keuze) is allang gepasseerd. Dan rest enkel nog de obligate tearjerkerscène met een muziekje, maar daarvoor hebben we Vitaya al.(Read more) (Liv Laveyne) (Google translation)
de Volkskrant:
(...) De slanke blonde Joris Smit als ongeciviliseerde Heathcliff gaat slinks om met zijn verholen woeste inborst. Niemand is sympathiek in deze regie van Floor Huygen. Dat maakt de voorstelling zwaarmoedig maar ook vreemd fascinerend. Zoals het boek. (Annette Embrechts) (Read more) (Google translation)
Deadline.nl:
Dat is jammer. De zes spelers gebruiken soms vage, bijna clichématige zinnen als ‘Hij is meer mezelf dan ik ben.’ Deze zweverige uitspraken onderscheiden zich niet van zinnen die gebruikt worden door een dozijn waardeloze amateurschappen. Door het totaalplaatje wat simpeler te houden, zou de impact van het stuk veel groter kunnen zijn. Niet bepaald een moet-je-heen dus, maar de gezelschappen zijn ook niet ten dode opgeschreven. (Ykwinno Hensen) (Read more) (Google translation)
Brabants Dagblad:
(...)Tekstschrijver Jeroen Olyslaegers speelde het klaar zonder de roman van Brontë onderuit te halen. Hij bracht het aantal rollen terug tot zes en vatte het hele tweede deel van het boek samen in enkele regels van de dienstmeid Nelly. Een slot dat alles in het verhaal mooi op zijn plaats laat vallen. De doordachte regie van Floor Huygen maakte er ook echt een indrukwekkende belevenis van, waarin de hoofdlijnen van de roman goed tot hun recht komen. (...) (Mieske van Eck) (Read more) (Google translation)
Categories: , , , , , ,

Viva Brontë

1. Our Canadian readers will be happy to know that VIVA will devote this month of November to Brontë and Austen:

AUSTEN AND BRONTË: POETRY AND PROSE MOVIE EVENT
It’s a fiction face off this month with VIVA’s Austen and Bronte: Poetry and Prose movie event, giving viewers screenings of themed films every Sunday throughout November.

Wuthering Heights (1992) premieres Sunday, November 1 at 6:30 p.m.
Pride and Prejudice (2005) airs Sunday, November 1 at 9 p.m.
Jane Eyre (1997) airs Sunday, November 8 at 6:30 p.m.
Emma (1997) airs Sunday, November 8 at 9 p.m.
Wuthering Heights: Part 1 (2008) premieres Sunday, November 15 at 7:30 p.m.
Northanger Abbey (2006) premieres Sunday, November 15 at 9 p.m.
Wuthering Heights: Part 2 (2008) premieres Sunday, November 22 at 7:30 p.m.
Sense and Sensibility (1995) airs Sunday, November 22 at 9 p.m.
Lost in Austen: Part 1 (2008) airs Sunday, November 29 at 7 p.m.
Lost in Austen: Part 2 (2008) airs Sunday, November 29 at 8 p.m.
Lost in Austen: Part 3 (2008) airs Sunday, November 29 at 9 p.m.
Lost in Austen: Part 4 (2008) airs Sunday, November 29 at 10 p.m.

All times ET.
2. And today, November 1, is the closing day for the Andrea Galer: The Craft Of The Costume Designer exhibition at Fenton House.
From Oct 17, Sat & Sun 11am-5pm, Wed-Fri 2pm-5pm, ends Nov 1
Film and television production costumes, from shows including Jane Eyre 2006, Bleak House and Miss Austen Regrets.
Categories: , ,

Saturday, October 31, 2009

Setts, clampers, vampires and a new Ruben Toledo cover

Let's begin with some Haworth-related news. Keighley News discusses the cost of restoring all the setts in Main Street:

Repairing or restoring all the damaged setts in and around Haworth’s historic Main Street would cost about £1 million.
The figure was announced by Haworth, Cross Roads and Stanbury Parish Council chairman John Huxley, who is part of a working group set up to investigate how to carry out the work.
Cllr Huxley said a report on the issue has suggested different methods of preserving the setts, including imposing a 7.5 tonne vehicle weight restriction.
Cllr Peter Hill said there has already been one concrete, positive outcome of the increased attention on the state of Main Street.
He said in future, any contractors digging up the road would be obliged to employ a sett specialist to ensure the stones were properly replaced.
Cllr Huxley said Bradford Council was now considering what effect a figure of £1 million would have on its budget.
He said a complete restoration would take years to finish.
The parish council declined an invitation from British Telecom to “adopt” the traditional red phone booth in Sun Street, Haworth, for £1.
Councillors were informed that BT was planning to remove the phone but leave the booth in place.
Parish clerk Glyn Broomhead said he understood that in the last 12 months only 105 calls had been made from the phone box.
Cllr Barry Thorne warned the cost of maintaining the structure would be “enormous”, adding that even replacing broken window panels would be extremely expensive.
Cllr Huxley said the council should respond “thanks but no thanks” to the invitation.
Haworth is to be twinned with its namesake, in New Jersey, USA.
Cllr Peter Hill, who has recently visited Brontë Country’s American counterpart, said he would be putting together a “twinning statement of goodwill” to formalise the partnership.
He said there was scope for Haworth New Jersey’s school, along with its volunteer fire brigade and ambulance services, to link up with similar organisations here.
He emphasised the initiative would not cost the parish council any money. (Miran Rahman)
The Guardian brings up again those (in)famous Haworth clampers in its letters section:
On a recent visit to the beautiful Bronte town of Haworth, I had the misfortune to park in the Changegate Road car park operated by Car Stoppers Limited. I paid £1.60 and returned to my car in plenty of time to find it had been clamped. The clamper was still there and I proved that I had paid the fee. He insisted the ticket had been turned round and the expiry time "was not clearly visible". I paid £75 to have the clamp removed but he told me to take the matter up with his boss. I appealed but heard nothing. I am a pensioner on a fixed income. JG, Oldham

Another case of a seemingly out-of-control clamper operating on private land. The operation is run by local resident Gareth Evans whose activities in Haworth have been highly controversial. His company once clamped the ex-speaker of the Commons, Baroness Boothroyd, who told me that Car Stoppers was out of order in the way she and her friend were treated. It was winner of the RAC Dick Turpin Award for the nation's worst clamper in 2003, but that dubious accolade seems to have had little impact. Motorists can be tied up in small print in the firm's terms and conditions – the fact you can prove you paid seems to be of little concern. Capital Letters has tried to contact Mr Evans with no success. I would have pointed out what strikes me as apparent breaches of the Companies Act in the paperwork. Take action in the county court to challenge the practices of this business. The penalty notice states the ticket number you purchased, which proves it must have been visible. It will cost you £30 but, believe me, it will be worth it to make Mr Evans jump through a few hoops. (Steve Playle)
On October 29th The Museum at FIT in New York invited Ruben and wife Isabel Toledo to share their stories of fashion and art (including Ruben Toledo's recent covers for Penguin classics like Wuthering Heights). The Columbia Spectator talks about it and gives some interesting news:
Wuthering Heights, Pride & Prejudice, and The Scarlet Letter were the three books chosen to feature Toledo’s interpretations. The artist said that the books were just fascinating, citing Wuthering Heights as his favorite. (...)
[Elda] Lotor [editorial director for Penguin Classics] and Toledo surprised the crowd by revealing that three more classics will undergo a Toledo makeover: The Picture of Dorian Gray, Dracula, and Jane Eyre.
And now for some other class of vampires, the undead ones. The Independent makes and A to Z of vampires and uncovers a Jane Eyre quote:
J is for Jane Eyre
Jane Eyre suffers a terrible fright when a nocturnal visitor comes to her bedroom; the next day, she tries to explain to Mr Rochester that what she saw was no common English ghost: "This, sir, was purple: the lips were swelled and dark; the brow furrowed; the black eyebrows wide raised over the blood-shot eyes. Shall I tell you of what it reminded me?... Of that foul German spectre – the Vampyre." In fact, the suspected vamp is the first Mrs Rochester. Note that at this time – Jane Eyre was published in 1847, exactly 50 years before Dracula – it is Germany, not Transylvania, that is held to be the homeland of vampirism. Miss Brontë was probably thinking of the many German Romantic poets who wrote on the theme, including Goethe. (Kevin Jackson)
The Telegraph-Journal interviews Susan Vida Judah, textile artist and Brontëite:
q Your favourite hero of fiction?
a Charlotte Brontë's Jane Eyre. Jane, a talented, empathetic, hardworking, honest and passionate girl, with a strong sense of conscience, is skilled at studying, drawing and teaching - characteristics anyone would like to emulate.
Another Brontëite is Anna Keesey according to The Linfield Review:
Keesey also said she appreciates the works of 19th-century women writers such as Charlotte Brontë, author of “Jane Eyre.”
The Mirror's Weakest Link Test includes a very, very easy Brontë-related question:
11. In literature, who does the character of Jane Eyre marry in Charlotte Bronte's novel of the same name: Mr Rochester or Mr Winchester?
Hollywood Today interviews Syrie James, author of The Secret Diaries of Charlotte Brontë:
I was astonished to discover that much of Jane Eyre was inspired by Charlotte’s own experiences,” says The Secret Diaries of Charlotte Brontë author Syrie James. “Despite her difficult circumstances at home, including the fact that her brother became an alcoholic and a drug addict and her father nearly went blind, she and her sisters Anne and Emily [who wrote Wuthering Heights] all became published authors at the same time. I can’t think of any other family in history who’ve achieved a similar literary feat. I knew it would make a fabulous story, and it had never been told.”
The Secret Diaries of Charlotte Brontë tells the story of Charlotte Brontë from her point of view. In her diaries, she’s very honest about who she is. Brontë has traveled a bit and fallen in love, but that love was not to be. Brontë is secretive, as all the Brontë sisters are about their writing. When they admit what they’re doing, they’re there for each other. The Secret Diaries of Charlotte Brontë was selected by the National Women’s Book Association as a Great Group Read of 2009.
“While in Yorkshire, touring the former Roe Head School which Charlotte attended in her youth, the Director of the school took my husband and me up into the spooky, rambling attic and told us old legends of the Ghost of Roe Head,” says James. “He and others have seen strange apparitions, including an inexplicable, icy presence which haunted the main hall. I feel certain that legends of the same mysterious, attic-dwelling ghost influenced Charlotte’s Jane Eyre.”
“Her father’s curate, the tall, dark, and handsome Arthur Bell Nicholls, carried a silent torch for Charlotte for more than seven years before he had the nerve to propose,” says James. “Charlotte greatly disliked him for many years, but her feelings eventually changed. She came to love him with all her heart.”
For her research, James poured over countless Brontë biographies. She read all the poetry of the Brontës, their published novels, Charlotte’s juvenilia, and her voluminous personal correspondence. More than 500 letters exist, preserved by Charlotte’s publisher’s literary adviser William Smith Williams and her friend Ellen Nussey. James studied the art of the Brontës which she found “quite remarkable”. She also read everything she could find about the life of Arthur Bell Nicholls.”
“I went to Haworth, England,” says James. “I walked the village’s steep, narrow main street, and made an extended visit to the Brontë Parsonage Museum, which has been preserved to reflect the way it looked when the Brontës lived there. I haunted the church and the rooms and lanes where Charlotte and Emily and Anne lived and walked, and strolled through that gloomy graveyard in the pouring rain. I visited the Brontë library, where I was allowed to hold and read a selection of original letters and manuscripts penned by Charlotte and other members of the Brontë family.
 What an unforgettable thrill!” (...)
“It seemed to make sense to write my next novel from the perspective of another 19th century British writer,” says James. “This time focusing on the life and romance of Charlotte Brontë, the famed authoress of one of my all-time favorite books, Jane Eyre. I wanted to know and understand the woman who wrote this remarkable novel, which is still so popular today. As I did my research, I was quickly captivated by the true story of Charlotte’s real-life romance.”
Even thought James’ book is called a dairy, it’s not written in diary format. There are occasional references where Charlotte addresses her diary. The book is more conversational, as though Charlotte is telling you a story. James researched her subject thoroughly. Charlotte, her friends, and family come off as plausible. James adds details that are available. The drama isn’t over done. James’ characters are real people. As you read you can understand their feelings and why they do the things they do.
James makes Charlotte’s relationship and subsequent marriage to Arthur Bell Nicholls romantic, as Charlotte might have written herself. After reading this book you’ll want to go back and read the Brontë’s books. At the back of The Secret Diaries of Charlotte Brontë there are is an afterward, question-and-answer section for the author, and excerpts from some of Charlotte’s letters, as well as some poems by the Bronte siblings. (
Gabrielle Pantera)
The Jane Eyre references of the film An Education are mentioned in the Washington Post's review:
After a few more impromptu encounters, Jenny and David begin to date, and suddenly Jenny's world of Latin declensions and "Jane Eyre" is carbonated with a heady cocktail of concerts, nightclubs and the slow, deliciously slippery slope of sexual seduction. (Ann Hornaday)
Some performances of a theatrical adaptation of Henry James's The Turn of the Screw at the Campbell House Museum seem to invite The National Post to make a Jane Eyre reference:
The governess, herself the child of a stark and oppressive home with romantic notions derived from reading Jane Eyre, does passionate, even hysterical, battle for the children's bodies and their souls. (Robert Cushman)
Los Angeles Times finds unlikely Jane Eyre echoes in Barbados:
Then there are the Barbadians themselves, people who are the very definition of friendly locals. And the fact that 300 years of British rule have left the island with some interesting Anglo-Caribbean quirks, including stone churches straight out of "Jane Eyre" and cricket players with dreadlocks. (Janis Cooke Newman)
El Tiempo (Spain) recalls the Brontëite in Siri Hustvedt:
Desde niña quiso escribir. "Fue un deseo que comenzó cuando tenía 13 años y vino directamente de la lectura -dice Siri-. Siempre fui una lectora apasionada y alrededor de los 11 ó 12 años me sentí capaz de digerir libros 'adultos', sobre todo novelas. Leí vorazmente -a Dickens, las Brontë, Austen, Twain- y de la experiencia con esas grandes novelas incubé la fantasía de convertirme en escritora". (María Paulina Ortiz) (Google translation)
ABC (Spain) is really quite confused about the origins of the gothic trends:
Yo no sé ustedes, pero reconozco que fue ayer cuando me enteré que la mítica película «Cumbres borrascosas» (1939), basada en la obra de Emily Bronte, es el germen de la novela gótica. Tal cual. Quién nos iba a decir que ese estupendo dramón, llevado al cine por Willian Wyler y protagonizado por Laurence Olivier y Merle Oberon, iba a derivar en el desarrollo de un movimiento que se sigue por igual en todos los continentes y países. Desde Japón a España. Vivir para ver. (María Isabel Serrano) (Bing translation)
Indeed.

L'Occidentale (Italy) has an article about Britain through its literature:
I romanzi delle Brontë o di Jane Austin danno una visione positiva della campagna e negativa della città industrializzata, di cui Dickens offre squarci spaventosi. (Daniela Coli) (Google translation)
Коммерсантъ (Russia) talks about sequels and mentions Wide Sargasso Sea:
Это своеобразный приквел к знаменитому роману Шарлотты Бронте "Джейн Эйр", рассказанный от лица одного из самых неприятных персонажей — первой жены графа Рочестера. Роман Джин Рис стал, таким образом, феминистским и антирасистским ответом Шарлотте Бронте, которая осмелилась изобразить гордую креолку в виде жалкой и отталкивающей полубезумной злодейки.
Злободневность романа принесла ему популярность, вполне сопоставимую с популярностью "Джейн Эйр". Журнал Time включил его в свой список ста лучших англоязычных романов XX века, его экранизировали в Голливуде в 1993 году, по нему сняли сериал, и он стал основой либретто оперы. (Google translation) (Константин Пряничкин)
Mademoiselle V stays in London reviews Wuthering Heights 2009 in French, Liratouva2 (also in French) posts about Jane Eyre, Ladyloo Land retells a scene from Wuthering Heights with a particular Halloween feeling, Oyunun başı sonu… posts about Jane Eyre 2006 in Turkish, the RPP Blog has a reminder of this weekend's broadcast (see our sidebar) of Mi Novela Favorita: Jane Eyre (in Spanish) in Perú.

Categories: , , , , , , , ,

Brontë Studies, Volume 34, Issue 3

The new issue of Brontë Studies (Volume 34, Issue 3, November 2009) is already available online. We provide you with the table of contents and abstracts:

Articles

Mr Wise and Mr Wood: Two Brontë Bibliographers in Harmony. Part 1
pp. 185-208(24) Author: Duckett, Bob
Abstract:
An account of an exchange of letters in 1917 between the bibliographer, Thomas J. Wise, and Bradford's City Librarian, Butler Wood, concerning the compilation of A Bibliography of the Writings in Prose and Verse of the Members of the Brontë Family (1917) edited by Wise. Wood, the Bibliographical Secretary of the Brontë Society, compiled an earlier bibliography in 1895 and carried out research for Wise. Despite Wise's later fall from grace, the two men had a high regard for each other at this time. This exchange of correspondence gives an interesting insight into the process of bibliographical research at that time, the result of which has been of lasting value. A few other letters are also featured.

Melting Miss Snowe: Charlotte's Message to the English Church
pp. 209-219(11) Author:
Armitage, Nicholas
Abstract
Lucy Snowe, Charlotte Brontë's heroine in Villette, paints an unflattering image of Roman Catholicism. But Charlotte distanced herself from Lucy, something that should perhaps encourage us to see the anti-Catholic rhetoric of the novel as at least partly a literary device. Lucy's identification of Catholicism with Sentimentalism appears to be mirrored by her own identification of Protestantism with Reason, such that Charlotte may be saying that in their different ways, both understandings of Christianity romanticize self-sacrifice. Her message seems to be that the true gospel is neither of these, but a liberty which is paradoxically better demonstrated by the Catholic Paul Emanuel than by the Protestant Lucy herself.

How Lucy Snowe Became an Amnesiac
pp.
220-233(14) Author: May, Leila S.
Abstract

This essay is an attempt to refute the thesis of Nicholas Dames's book of 2001, Amnesiac Selves: Nostalgia, Forgetting, and British Fiction, 1810-1870, as it applies to Charlotte Brontë's Villette. Dames sees Lucy Snowe, the long-suffering narrator of the novel, as the victim — or the perpetrator — of an extreme case of amnesia that constitutes 'the death of memory'. I argue that Dames's thesis involves a misreading of the role of memory in Charlotte Brontë's novel, a novel that, perhaps more than any other Victorian novel, is about long-term memory in all its detail and painfulness. I further argue that Dames's error is partially motivated by an over-emphasis on his part of the role of phrenology in Villette.

Arctic Spectacles in Jane Eyre and Villette
pp. 220-233(14) Author: Cadwallader, Jen
Abstract
Although a number of Brontë scholars have studied the many similarities between Jane Eyre and fairy tales such as Cinderella and Beauty and the Beast, one significant difference between the novel and its fairy-tale influences is Jane's physical plainness. This essay examines Jane's appearance specifically as a contrast to fairy-tale heroines such as Jeanne-Marie Leprince de Beaumont's Beauty in her version of 'Beauty and the Beast'. As a contrast to the fairy-tale beauties invoked throughout the novel, Jane's plainness takes on the dimension of social critique. This essay demonstrates, through an examination of the significance of female beauty in Charlotte Brontë's juvenilia and in nineteenth-century renditions of Beauty and the Beast, that Charlotte uses plainness and beauty to condemn an upper-class system of values which, by emphasizing the importance of a woman's appearance, limited her ability to develop selfhood and achieve autonomous action.

Three Quartets: the Rossettis, the Mendelssohns and the Brontës
pp. 247-254(8) Author: Emberson, Ian M.
Abstract
The article presents a comparison of the childhoods of three early nineteenth-century families: the Rossettis, the Mendelssohns and the Brontës. In each case there were four exceptionally gifted children, fairly close in age, talented in more than one branch of the arts, and interacting with one another. They were all somewhat apart from their immediate surroundings, and yet ultimately managed to blend different cultural influences into outstanding achievements. There is also a consideration of the link between their childhood activities and the work they produced as adults.

A Brontë Reading List: Part 3
pp. 255-262(8) Author: Ogden, James
Abstract
This is the third part of an annotated bibliography mainly of essays, either in scholarly and critical journals, or as chapters in books, 2003-2008. The first and second parts are published in Brontë Studies, 32:2 (July 2007) and 33:3 (November 2008).

Recent Acquisitions at the Brontë Parsonage Museum
pp. 263-268(6) Author: Dinsdale, Ann

Reviews pp. 269-278(10)
Categories: , ,

Friday, October 30, 2009

The mother of all soap operas and the father of all the Brontës

If you are in Australia, don't forget to watch the second - and final - episode of Wuthering Heights 2009 this Sunday. The Brisbane Times has a reminder.

Wuthering Heights ABC1, 8.30pm
Surely the mother of all soap operas, Wuthering Heights was Emily Bronte's only novel and viewers who don't much care for overblown costume dramas will be forever glad of the fact. But for those who enjoy a romp on the moors, cruelty, deception, eternal love cursed by venality and amorality unfettered by decency and shame, well, it's a pity she wasn't as prolific as her sisters.
In this second and final instalment, Heathcliff's fiendish machinations reach the plane of high art, Cathy finds herself in the worst of all possible worlds and without giving the game away ... What am I saying? This is Wuthering Heights , for heaven's sake – everyone knows what happens. It all ends in tears. (Pat Sheil)
And the Sheffield Telegraph includes a Brontë alert for today which might be interesting for Brontëites around Ecclesfield (UK).
Patrick Father of the Brontës, one man show with Colin Pinney, as the Rev Patrick Brontë recounting the story of his son Branwell and his famous novelist daughters – Emily, Charlotte and Anne, EPPIC Theatre, Wells Lane, Ecclesfield, Friday, 7.30pm (£5, 2402624)
The theatre's website provides us with more info about this piece included in the Off the Shelf Festival of Writing and Reading:
Colin Pinney, as the Reverend Patrick Bronte, reveals the story of Patrick's son Branwell Bronte and his famous sisters: Charlotte Bronte who wrote Jane Eyre, and three other novels: Emily, author of Wuthuring [sic?] Heights: and Anne, who wrote Agnes Gray and The Tenant of Windfell [sic?] Hall.
Such were the times that all three were forced to pretend they were male authors. The fame of the Bronte's rests on their novels, but they were equally proud of their verse, from the "simple-minded rhymes" of the Reverend Patrick Bronte to the compelling poetry of Emily and her brother Branwell - "My Unhappy Brother" as Charlotte called him.
The performance includes comments made by the Bronte's on one another's works and springs a few surprises in verse and pose from the Bronte's, their friends and their critics.
Also mentioned are such diverse characters as Miss Finch the Scourgemistress, Tom Spring the champion prize fighter of England, and the stationmaster at Ludden [sic?] Foot.
For One Night Only
Friday 30th October 2009
Start 7.30 prompt
Colin Pinney's one man show was previously presented at the Swaffham Assembly Rooms (Norfolk), last Sunday October 18th, 3.00pm.

The Independent has an article on Paul Auster, who is, as you know, an admirer of Emily Brontë.
They say he's a postmodern master of meta-narratives, with his spools of stories within stories, but he cites the likes of Emily Brontë over Baudrillard as a source of inspiration. (Arifa Akbar)
The Times has a lengthy piece on '70 facts you didn't know about Marvel' and this is what they say about Wolverine's past.
Wolverine's origin story was kept a mystery for 26 years. Most superhero comics deal with origin stories in the first few issues but Wolverine was different. His writers fed readers only snippets of his past - he fought in the Second World War, sinister government scientists erased his memories and covered his bones with an indestructible metal alloy, he may have been the first mutant, his real name is not Logan but James - but these served only to make him mysterious. Marvel eventually relented to fan pressure in 2001 and published Wolverine Origin. The series is set in late 19th century and tells the story of a servant girl who befriends a frail, pampered boy from a rich family. After a series of Bronte-like tragedies, the boy eventually turns into the rough, beer-swilling clawed killer fans know and love. (Owen Vaughan)
And now for the dear otherworldly creatures who visit us so often lately: vampires and zombies.

Zombies (or something like them) in The Herald (Scotland), in the appropriately-entitled article, 'The whole country’s trapped in a kind of zombie trance':
There was much circling over A Discovery of Witches by the US academic Deborah Harkness. This novel tells the story of scientific researcher Diana Bishop, who dis­covers an ancient alchemical manuscript in the Bodleian and unleashes all manner of supernatural folk, among them the dashing, Heathcliff-like, Jaguar-driving vampire, Matthew Clairmont, who may be 1500 years old but is still able to pull women. (Roger Tagholm)
And vampires in The Tyee:
There is no point in bemoaning the issue. Times change and so we get a thin gruel of left-over ideas and rehashed hash. The success of Twilight, which is simply another bastardization of Jane Eyre (poor yet plucky girl, wins the heart of smoldering aristocrat, vaults over all class and economic distinctions) still works, even if is only a faint echo of the original. If Edward Cullen is no Rochester, on television, the vamp man is even further reduced into a smudgy charmless lunkhead named Stefan Salvatore in The Vampire Diaries. (Dorothy Woodend)
On the blogosphere: The Squeee has watched Wuthering Heights 1978 and Life and Times of a "New" New Yorker posts about Wide Sargasso Sea.
EDIT:
An alert from Tampa, Florida:
TEMPLE TERRACE LIBRARY GREAT BOOKS ROUNDTABLE:
This group meets every month (except December and August) on the LAST SATURDAY of each month, from 1:00 P.M. to 2:30 P.M., at the Temple Terrace Library, 212 Bullard Parkway, Tampa, Florida The group is free and open to the public, although copies of the reading selections are lent out free only to those who hold a Hillsborough County library card. For more information on joining this group, contact the moderator, Patrick DeMarco at TampaBayArea1@greatbooksdiscussionprograms.org or at 813-672-9052.

10/31/09: JANE EYRE (Charlotte Bronte)
Categories: , , , , , , , ,

Victorian Sensation Fiction and Servants

Two new scholar publications with Brontë content:

From Wollstonecraft to Stoker
Essays on Gothic and Victorian Sensation Fiction
Edited by Marilyn Brock

ISBN 978-0-7864-4021-4
notes, bibliographies, index
220pp. softcover 2009


This collection of 13 essays examines the work of Victorian authors Wilkie Collins, M.E. Braddon, Letitia Elizabeth Landon, Mary Wollstonecraft, J. Sheridan Le Fanu, Bram Stoker, Charles Dickens, Robert Louis Stevenson, Elizabeth Gaskell, Henry James and Charlotte Brontë. Each essay explores their use of archetypal Gothic elements, such as dark secrets and forbidden sensations, to depict nineteenth-century attitudes to class, gender, race, colonialism and imperialism.
The Brontë essay is “Portrait of a governess, disconnected, poor, and plain”: Staging the Spectral Self in Charlotte Brontë’s Jane Eyre by Laurence Talairach-Vielmas.

Victorian Servants, Class, and the Politics of Literacy
Jean Fernandez

Routledge Studies in Nineteenth Century Literature
ISBN: 9780415804387
ISBN-10: 0415804388
Publisher: Routledge
Publication Date: 09/03/2009
Pages: 218


In this volume, Fernandez brings the under-examined figure of the Victorian servant out of obscurity in order to tell the story of his or her encounter with literacy, as imagined and represented in nineteenth-century fiction, autobiography, pamphlets and diaries. A vast body of writing is uncovered on the management of servant literacy in Victorian periodicals, advice manuals, cartoons, sermons, books on household management, and pornography, thereby revealing that the domestic sphere was a crucial war zone in the battle over mass literacy. By attending to how fictional and nonfictional texts of the age feature literate servant narrators, she demonstrates how the issue of servant literacy as a cultural phenomenon has profound implications for our understanding of the nexus between class, mass literacy, voice and narrative power in the nineteenth century. The study reads canonical fiction by Mary Wollstonecraft, Emily Bronte, Elizabeth Gaskell, Wilkie Collins, and R.L. Stevenson alongside popular detective fiction by Catherine Crowe, the Diaries of Hannah Cullwick, and best-selling pamphlets of the age, while introducing to Victorian scholarship hitherto little known or unknown servant autobiographies that address life history as an engagement with literacy.
The Brontë chapter has the title Oral Pleasures: Repression and Desire in Emily Bronte's Wuthering Heights (1847) and Elizabeth Gaskell's The Old Nurse's Story (1862).

Categories: , ,

Thursday, October 29, 2009

Back to Charlotte Brontë Villa and other news

A bit of virtual travelling to begin with, as the Belfast Telegraph takes us on a trip to Haworth.

Nestled amid the bleak Pennine moors, overlooking the Worth Valley, lies the quaint hilltop village of Haworth.
It’s a picturesque little place, with its cobbled main street, flower-fronted brick houses, cosy restaurants and pretty tearooms, not to mention the rolling hills and vast, lonely countryside that surround it.
And it’s to this place that tens of thousands of tourists make a pilgrimage each year, to follow in the well-trodden footsteps of the world’s most famous literary family, the Brontes.
Charlotte, Emily and Anne Bronte wrote most of their classic novels while living in Haworth, when their Northern Irish-born father Patrick was parson at the adjacent Church of St Michael and All Angels.
The trio drew inspiration from their environs, particularly Emily, who looked to the wild and windy moors as the backdrop for her one and only novel, Wuthering Heights.
Today, the old parsonage is a museum, maintained by The Bronte Society. Exhibiting original manuscripts and letters belonging to the sisters and their brother Branwell, as well as furniture, clothes and personal possessions, the museum is a mecca for Bronte devotees from around the globe.
Yet despite its position as the second most popular destination for literary tourists — next only to Stratford-Upon-Avon — Haworth somehow manages to retain its olde-worlde charm.
There’s still a sense of the Brontes’ presence here. Everywhere one looks there is a connection to the family — Villette’s coffee shop, Rochester art gallery, a gift shop called Eyres and Graces, Ye Olde Bronte Tea Rooms, Heathcliffe Mews. Even the local taxi firm, Bronte Cabs, borrows the name.
The October weekend I chose to visit with my friend, Michelle, was off-peak and was fairly quiet. The base for our break was the five-star Ashmount Country, a homely guest house set in beautiful gardens, just a minute’s walk from Main Street and the moors.
Like almost every aspect of Haworth life, there’s a link back to the Brontes. Ashmount once belonged to Dr Amos Ingram, physician to Patrick Bronte and daughter Charlotte, author of Jane Eyre, Villette, Shirley and The Professor.
Charlotte was the last surviving sibling of six and watched, one by one, as her four sisters, Maria, Elizabeth (who both died as children), Emily, Anne and brother Branwell passed away.
Patrick Bronte, who lost his beloved wife from cancer less than a year after moving to Haworth, outlived all his children. Not one of the six lived beyond the age of 40.
Ashmount today cleverly combines the character of a bygone age with modern facilities — much like the village itself.
Our first port of call was the Bronte Parsonage Museum. The old Georgian house, which has been extended since the Brontes lived there, looks onto the graveyard, adding to the ghostly atmosphere. Inside, each room has been laid out as close as possible to what they would have looked like in the Brontes’ day and most of the objects on display actually belonged to the family — the miniscule manuscript books that they made as children, letters, drawings, even Charlotte’s wedding bonnet.
There’s something quite poignant about standing in the same room that Emily penned my favourite novel, Wuthering Heights, and where it is rumoured she breathed her last breath, lying on the sofa in the dining room.
The following day we woke early to begin our trek across the moors, but the heavy downpours put paid to that. Instead, we opted for a ride on the Keighley and Worth Valley steam train, which has been used in numerous films including The Railway Children.
When the rain finally stopped, we took a taxi to the nearby village of Stanbury. Our destination was Top Withins, the remains of an old farmstead high on the moors, which many believe to be the inspiration for Wuthering Heights itself.
Quite a few public footpaths lead out of Haworth and form part of the 43-mile Bronte Way, but the route from Stanbury is shorter, and given the weather conditions that day, a more sensible option.
We had our lunch at the Wuthering Heights pub, situated on the edge of the moors. How could we resist? And then, clad in our walking boots, heavy coats and jumpers, we set off on our journey.
Our path took us high up onto the moors, passing one or two isolated farmhouses that remain there. We by-passed the walk to the Bronte Waterfall and Bridge, and headed on towards Top Withens instead, praying the rain would stay away. It would be no fun to be caught out in a downpour up there, with nowhere to shelter and miles to walk before finding any kind of civilisation.
I expected the moors to be teeming with tourists, but we only met a handful of ramblers on our trek.
I was struck by the beautiful colours of the moorland — golden, green, purple and red — and the rapid changes in the weather.
One moment, the sun flitted across the moors, bathing the countryside in a warm glow, next, the skies turned dark and threatened to spoil our walk.
But it was the strong winds up at Top Withins that really brought home to me just how inspirational these moors were for Emily Bronte. It nearly knocked us off our feet as we battled against it.
In Emily’s classic novel we are told “Wuthering Heights is the name of Mr Heathcliff’s dwelling. ‘Wuthering’ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed, one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house.”
These days, only one tree remains by the ruins of the old house, bravely defying the blustery gales. Standing there in eerie silence, looking over the moors, we could almost hear the sound of horses’ hooves galloping up the path or the chatter of farmhands as they set to work at the Heights.
Unfortunately we didn’t see the ghosts of Cathy and Heathcliff wandering the windswept moors and we never made it as far as Ponden Hall, believed to be the inspiration for the Linton’s home, Thrushcross Grange.
With dark clouds gathering ominously overhead, we decided to walk back through the moors to Wuthering Heights, where the host was much more hospitable than his fictional counterpart. But we both agreed we’d come back to Haworth and soon, to continue our Bronte journey.
For anyone who’s ever enjoyed a Bronte novel, or who likes to ramble in the great outdoors, Haworth is definitely worth a visit.
But you don’t have to be a literary know-all or a hill-walker to find this West Yorkshire village a magical place. Like the three Bronte sisters who lived and wrote there, all you need is some romance in your soul and a vivid imagination. (Maureen Coleman)
Those on the other side of the pod might enjoy going on a little pilgrimage (just joking!) to the Charlotte Brontë Villa in Riverdale (NY), which according to The Riverdale Press, is
probably the most interesting apartment building in Riverdale. . .
Now seriously, a more interesting visit might be to see the exhibition on Edgar Allan Poe 'From Out That Shadow' is at UT's Ransom Center through January 3rd. And while you are in the Ransom Center you might like to know that...
In fact, the Ransom Center has a fairly extensive hair collection, including the locks of George Washington, Napoleon, Byron, Charlotte Brontë, Elizabeth Barrett Browning and Marie Antoinette. (Jeff Salamon in The American-Statesman)
And one more thing to do, this one today and only if you are a teenager. As seen in The Contra Costa Times.
Wuthering Heights Book & Movie Event: 6-8:45 p.m. Oct. 29. Teens are invited to discuss the classic book, "Wuthering Heights," by Emily Bronte. Participants will watch the 1992 movie starring Juliette Binoche and Ralph Fiennes. (At the Concord Library at 2900 Salvio St., Concord. Phone: 925-646-5455)
This film is not included, however, in The Brontë Collection, which is reviewed by Edge San Francisco.
Back in 2005, the BBC may have set too high a standard for its period pieces with its five-star production of Charles Dickens’ Bleak House, starring the magnificent Gillian Anderson. Even masterpieces like I, Claudius (1976) look a little shabby in comparison. Today’s audiences expect dramas to be gripping from start to finish and, before Bleak House, the BBC didn’t always deliver. So why is it putting The Brontë Collection in its follow-up queue?
Now out on DVD are three BBC adaptations of three novels from Victorian England’s preeminent literary family-Emily Brontë’s Wuthering Heights, Charlotte Brontë’s Jane Eyre, and Anne Brontë’s The Tenant of Wildfell Hall.
Even as a period drama, The Tenant of Wildfell Hall (2008) is remarkably current in flavor à la Bleak House. Yet the film anthologists curiously culled the 1967 television serial of Wuthering Heights and the 1983 serial of Jane Eyre to stand beside it. Ultimately, "anachronistic" is the only word to describe this newly released collection.
The BBC’s 1967 production of Wuthering Heights is an intriguing film study in that it aligns with the stark, dark realism of the then-current New Wave movement in British cinema, but it also demands more patience than today’s ADD audience may be able to muster. Moreover, it seems to have been filmed live from a rogue hot-air balloon with camera angles sweeping from ground to aerial without warning. On the upside, a young Ian McShane with his perennially brooding charm puts Laurence Olivier’s overly mannered Heathcliff to shame. Likewise, Drew Henley plays the drunkard Hinley to the hilt, mirroring the last days of the Angry Young Men era in British theater.
This BBC collection then makes a quantum leap-sixteen years and several pop-cultural eras forward-to its 1983 production of Jane Eyre. Alexander Morton seems to have devised his pedestrian script with an audience of homebound, crocheting spinsters and widows in mind. All the characters and the heroine herself constantly accuse Jane Eyre of being "passionate," but Zelah Clarke is nothing but dowdy in the role. Also, if they wanted to portray Rochester as a sexy-ugly villain, they shouldn’t have cast an all-out hottie like Timothy Dalton who barely approaches "hideous" even after he winds up a blind burn victim. Meanwhile, the story of the decorous but cruel society drags like an overstuffed laundry bag in the rain.
When we fast-forward to 2008, however, we find The Tenant of Wildfell Hall storming in as the collection’s dark-horse winner. Tara Fitzgerald is grand and alluring as Helen Graham, a reclusive painter who has moved into the derelict Wildfell Hall mansion with her young son. Fiercely possessive of her son and decked out in widow’s weeds, Helen arouses the suspicions of the townspeople who hear on good account that she’s a fallen woman. As they attempt to ostracize her from her new village, Gilbert Markham (Toby Stephens) pursues Helen as his destined mate and comes to discover that she has fled an abusive husband who can’t seem to lay off the sauce or the sluts. While it seems a bit contrived that Gilbert would pine for Helen, who is downright rude to him, the drama’s intrigue and pathos make it a strong successor to 2005’s Bleak House.
If you must watch adaptations of Jane Eyre and Wuthering Heights, there are many worthier candidates for viewing than those represented in The Bronte Collection. Better to save a few bucks and, if at all possible, buy The Tenant of Wildfell Hall separately. (Kyle Thomas Smith)
The band Wolfmother played a version of Kate Bush's Wuthering Heights.
But the most surprising and unexpected delight of the evening is the encore's Kate Bush cover. Stockdale and his fellow crazy-haired lead guitarist Aiden Nemeth take to the stage with just a mic and guitar to belt out 'Wuthering Heights' to an unsuspecting audience. (Matt Hamm on ClickMusic)
The Film Fanatic reviews Jane Eyre 1934 and gives it 3/10 (agreed! But watch it if you can - you'll laugh out loud at just how bad it is). And The Little Professor brings pop culture to Victorian novels and mixes couples' names à la Brangenlina.

EDIT: An alert from Jerago, Italy:
Nell'ambito degli ultimi incontri della rassegna Duemilalibri, una serata d'eccezione a Jerago con Orago: giovedì 29 ottobre, alle 21, il Castello Visconteo di Jerago aprirà i suoi battenti per ospitare Silvio Raffo, protagonista di un appuntamento dedicato alla letteratura gotica e di fantasmi, “Il piacere del terrore”, itinerari di letteratura “gotica” italiana e inglese.
L'atmosfera suggestiva della sala dove avverranno le letture sarà preparata da un percorso di fiaccole sul viale d'ingresso al castello, alla maniera delle scenografie di film horror d'antica data. Saranno interpretate le pagine più famose dei classici del genere fantastico (da "Il castello di Otranto"di Horace Walpole a "Jane Eyre" di Charlotte Bronte, a "Giro di vite" di Henry James) fino a giungere alla presentazione degli ultimi tre libri di Raffo, tutti aventi a che fare con il mystery o l'elemento soprannaturale. (Google translation)
And another one from Concord, California:
Concord Library
Oct 29 (Thu) 6:00PM MOVIE: discuss classic mentoned in Twilight and Evermore: Wuthering Heights, then watch the Wuthering Heights movie.
Categories: , , , , , , , ,

Henry Hastings in Milan

Last Saturday 24th October 2009 at 5 p.m. Professor Maddalena De Leo gave a talk at the British Council in Milan (Italy) concerning her last publication, a first edition and translation in Italian of Charlotte Brontë’ novelette Henry Hastings. The event was organized by the Italian section of the Brontë Society and by Albusedizioni, the publisher of the nice little book.
Professor De Leo then explained why she long ago had chosen to translate this particular tale by Charlotte by saying that it is extremely fascinating. The talk ended with a video reproducing some moments of the York Conference 2009 and the flowered moor at Haworth and, last but not least, a little party for all the people present.

Categories: , , ,