This thesis aims to present the character of Bertha in Charlotte Brontë’s Jane Eyre as a
representation of feminism and Jane’s transformation into an independent player in her
relationship with Rochester by examining the similarities in struggle, circumstance, and
oppression between the two women. A focus on feminist theory and critical race theory
will inform this thesis. By viewing Bertha as a mirror and a window for Jane, both for
Jane to realize her potential independence and to witness the oppression Bertha faces as a
woman of color in Victorian England, it becomes clearer that Bertha should be read and
recognized as an individual rather than vaguely characterized as a madwoman and a
simple plot device for Jane’s development.
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