Review - Villette at the West Yorkshire Playhouse - *Review by Richard Wilcocks* Charlotte Brontë’s *Villette*, which was recognised by knowledgeable readers in nineteenth century Brussels as a close parallel...
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The Victorian Novel and MasculinityIncludes: 1. Masculinity, Power and Play in the Work of the Brontës by Sara Lodge.
Edited by Phillip Mallett
Publication Date January 2015
'The old ideal of Manhood has grown obsolete,' wrote Thomas Carlyle in 1831, 'and the new is still invisible to us.' The essays in this volume explore the way Victorian novelists tried to answer the question of what it meant to 'be a man': how manhood was learned, sustained, broken, or restored, and how the idea of the manly was shaped by class, schooling, region and religion, and by scientific and medical debate. Topics covered include the playful subversion of gender roles in the early writings of Charlotte Brontë; changing patterns of working class masculinity in London and Manchester; Dickens and the nurturing male; boyhood and girlhood in Eliot's The Mill on the Floss; the challenge to patriarchy in sensation fiction; manhood, imperialism and the adventure novel; masculinity and aestheticism; Hardy's reluctant, failed, or damaged men; and Conrad's studies of men isolated or divided against themselves.
Relics of Death in Victorian Literature and CultureIncludes :2. The miracle of ordinary things: Brontë and Wuthering Heights.
Cambridge Univesity Press
Cambridge Studies in Nineteenth-Century Literature and Culture
Nineteenth-century Britons treasured objects of daily life that had once belonged to their dead. The love of these keepsakes, which included hair, teeth, and other remains, speaks of an intimacy with the body and death, a way of understanding absence through its materials, which is less widely felt today. Deborah Lutz analyzes relic culture as an affirmation that objects held memories and told stories. These practices show a belief in keeping death vitally intertwined with life - not as memento mori but rather as respecting the singularity of unique beings. In a consumer culture in full swing by the 1850s, keepsakes of loved ones stood out as non-reproducible, authentic things whose value was purely personal. Through close reading of the works of Charles Dickens, Emily Brontë, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead.