La Sezione Italiana della Brontë Society added 2 new photos. - La Sezione Italiana della Brontë Society: Agosto 2016, suggestione in brughiera .... qualcuno arriva all'improvviso a cavallo, sono forse Heathcliff e Cat...
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|Devil's Eye (Source)|
William Atkins and Benjamin Myers: Lives, Landscape, LiteratureThursday 16 October,Caught by the River gives some more information about the Heathcliff Adrift exhibition:
Durham Cathedral, Chapel of the Nine Altars
This special event celebrates the dramatic landscape of the moors, in both words and pictures. William Atkins’ The Moor: Lives, Landscape, Literature is a deeply personal journey across our nation’s most forbidding and most mysterious moors.
Atkins will read from his work, surrounded by Heathcliff Adrift, an exhibition of poems and images from author Benjamin Myers (winner of the 2013 Gordon Burn Prize) and photographer Nick Small, covering Heathcliff’s ‘missing’ three years in Wuthering Heights, when he leaves Haworth a boy and returns a wealthy man, and the moorland landscape, as seen through his eyes. Extracts from Myers’ haunting poems will be read aloud during the event.
The Moor was The Guardian’s book of the week and described as ‘an ambitious mix of history, topography, literary criticism and nature writing, in the tradition of WG Sebald, Robert MacFarlane and Olivia Laing.’
A clever idea cooked up by a triumvirate of Caught by the River pals and contributors – Nick Small, Ben Myers and Will Atkins – Heathcliff Adrift is a series of narrative poems, a selection of which are being reproduced and exhibited in Durham Cathedral for the duration of Durham Book Festival 2014.
Ben says of the idea’s genesis: “It was conceived while walking the moors of the West Riding in Yorkshire and born out of the questions: where did Heathcliff go and what did he see? The work runs alongside stunning landscape photographs taken by Nick Small which explore the idea of what happened to Heathcliff during his ‘missing’ three years in Emily Brontë’s Wuthering Heights, an era in which the industrial revolution was in its earliest days and the ragged beauty of the landscape was under threat from the arrival of mechanisation.”
Nick says: “This collaboration between Ben and I was born on the pages of Caught by the River. Having exchanged correspondence over an number of years we finally met in the fitting environs of a Hebden Bridge pub, with beer in hand and in the company of chief alchemist Jeff. When Ben asked me to provide photographs to accompany his Heathcliff poems we both found that we referenced the peerless collaboration between Ted Hughes and Fay Godwin, “The Remains of Elmet” as our inspiration. The photographs are taken on the South Pennine Moorland between Calderdale and Haworth. The intention was not to create a literal narrative accompaniment to the poems. Instead, I wanted to present a series of images that would convey the wild and weird nature of the landscape that is my “back yard” and to explore some of the emotional themes that the landscape itself evokes: love, fear, life, death, awe, euphoria and, above all, time(lessness).”