The genesis of genius. The tiny books. - The tiny, hand-lettered, hand-bound books Charlotte and Branwell Brontë made as children surely qualify. Measuring about 2.5 by 5 centimeters, page after...
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The novels of the Brontë sisters are of course famously soaked in the moorland landscape around Haworth. Our walk to Top Withens takes the admirer to the heart of the sisters’ fascination with place (and may expose the unwary to the realities of a “wuthering” climate).The Huddersfield Daily Examiner continues giving options to visit the region this summer. This time--the best museums in West Yorkshire:
Red House Museum, Gomersal
Take a step back in time to the 1830s and discover the Spen Valley's Bronte connections at the Red House Museum.
The former cloth merchant's home has been decked out to give a taste of life in yesteryear, complete with an elegant parlour and a stone-flagged kitchen with a Yorkshire range.
Charlotte Brontë visited often and featured Red House in her novel Shirley - visitors can learn more about her connections to the area in the museum's 'Secret's Out' exhibition.
There's also a period garden with scented old roses, old fashioned blooms and a Serpentine Walk through tree-shaded lawns.
The museum's summer opening times are Tuesday to Thursday, 11am-5pm and weekends noon-5pm. The museum is closed on Mondays and Fridays. (Samantha Robinson)
Script writer Lana Turner said: “It’s a challenging story to adapt, spanning two generations, but I hope that I have managed to instill all the passion and wildness of Emily Brontë’s masterpiece and that people fall for Catherine and Heathcliff just as I have.”What's on North Ireland also talks about this touring production here.
Director Rebecca Gadsby said she hoped to bring the visceral thrill of Brontë’s novel to the stage with this production.
She said: “It’s gritty, captivating and all the drama happens on stage. Your heart will be in your mouth for two hours.”
“It sounds very punk rock, doesn’t it, to say that my film in its current form is banned in Britain,” said Soulmate’s Hollywood-based, Belgium-born director Axelle Carolyn.The SandPaper interviews the author Harper A. Brooks:
“It’s so absurd, because it really wasn’t the kind of film I ever imagined would cause a problem.
“The scares in it are pretty mild and there’s very little blood on show – it’s really just a spooky Jane Eyre, a gothic romance.
“Instead, it seems I’ve made a video nasty without even trying.” (Nathan Bevan)
She said her favorite authors are Jane Austen, Charlotte and Emily Brontë and Anne Rice. (Eric Englund)The Forty-Seven Words of the Broken Girl interviews K.M. Weiland, editor of the upcoming Annotated Jane Eyre:
Jane Eyre is a massive text: 190,000 words! What did Writer’s Digest want from you in terms of annotations? Did they have a list of topics they wanted covered? You had 40,000 words to work with in the annotations: did they have to be distributed fairly evenly throughout the text?Heed The Hedonist reviews the Taproot Theatre (Seattle) performances of Jane Eyre. The Musical; ...In Flames We Trust... interviews the Portuguese writer Carla M. Soares which picks Jane Eyre as one of her favourite novels; Patrice Sarath thinks that Jane Eyre is the first Mary Sue.
They were actually pretty hands-off. They gave me the word limit for the annotations, and then I came up with what I felt would be the best workable format and tossed a few ideas around with my editor. What I ended up doing was dividing the word count among the fifty or so chapters in the book, then further dividing that word count amongst the number of notes I’d come up with for that chapter. So some of the chapters have many short notes and some have only a few longer notes.