Monday, May 31, 2010

Teenage approach to the Brontës

A letter to the editor of the Owen Sun Times praises the recent production of Jane Eyre the Musical by the Youth Theatre Coalition in Ontario.

May 22 was the final performance of the Youth Theatre Coalition's production of Jane Eyre: A Musical Drama played at the OSCVI for four nights with a matinee before the closing.
Those of us who have seen their first production (Cinderella) in the fall, were not surprised by the professionalism with which all aspects of the show were handled.
Being amateurs gave them a power that is often lost in this business -- they were pure, full of hope, and put their souls into each performance, not daunted by the low audience turnout. Their performances were based on the essence of what acting should be -- the ability to engage the audience's imagination into believing the story through one's acting ability using only the most necessary props, sets, sound and lighting effects, for emphasis and symbolism. (Unfortunately, all too often we find that today's performing arts depend on extravagant sets and technological wizardry for shock value and that if these would be stripped away nothing would be left.)
I am not writing merely to thank this dedicated young group for a work that could be envied by many professional companies, but specifically to let them know how very proud I am of them that they picked a gem mostly only known by their grandparents' generation, kept "faith", and "forgave" us each night for the waves of empty seats before them.
This production was much harder to put on, since the two months nightly rehearsals were during the most strenuous school period (when most testing is done and projects are due). To raise funds for this production they put on a dinner theatre in the middle of all this with completely different material.
For those who have not heard of them before, I have to mention that this group completely consist of tweens and teens from cast to producer, who have taken the initiative to materialize their dreams by forming a company for youth 10-20 years old (adult involvement is only as mentors). Credit is due, for they have chosen a good path from among all the enticing highways and byways; one that in today's world is "less traveled" unfortunately, but could be changed by where we as the audience place our loyalties. (Beatrice Balogh Chatsworth)
The Times presents The Secret Diaries of Anne Lister like this:
These are the same early 19th-century Yorkshire moors as the Brontë sisters showed us, but through entirely different eyes.(Alex Hardy and David Hayles)
And more from the teen age group, as The Sydney Morning Herald chronicles 'A day in the life of Megan Lee, 17, a student at Danebank Anglican School for Girls, Hurstville'. Apparently, this is what occupies her time and mind at 9am:
9am: With 10 pages of possibly indecipherable writing on Romantic paradigms in Wuthering Heights handed in, and with stresses alleviated, I savour the few moments when year 12 seems completely conquerable.
A few French blogs are carrying out a readalong of Wuthering Heights: La pile à lire d'Hécléa, Les fleurs d'Avalon... And Il tempo di leggere, in Italian, participates in one organised on this reading group (starting today). Novel Blogging posts about Jane Eyre and Flamingo House Happenings writes about Rachel Ferguson's The Brontës Went to Woolworths.

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Brontës and verses

Two Brontë-related DVD releases:

Kultur announces the DVD release of the Classic Literature Series. One of the DVDs is devoted to the Brontë Sisters:

The Brontë Sisters
Street Date: May 25, 2010
Run Time: 60 minutes
ISBN: 978-0-7697-8957-6
Territory: U.S. and Canada--Region 1

This film is a study of the popular and celebrated authors Charlotte, Emily and Anne Brontë. This absorbing film examines the women behind the famous name, the great works, the family and the locations key to lives of the Brontë sisters.

The Brontës remain among the most popular and best-known writers ever, a staple for hundreds of thousands of students whose works are still studied and read around the world. Literary greats like Jane Eyre, Wuthering Heights and The Tenant of Wildfell Hall are still read and enjoyed by millions around the world, and now you can discover the inspiration for these wonderful works, the locations which helped create legendary scenes and the political and social backdrop which shapes the writings of the Brontë sisters.
And
Six Centuries of Verse
Format: Box set, Color, DVD, NTSC
Language: English (Dolby Digital 2.0 Mono)
Aspect Ratio: 1.33:1
Number of discs: 3
Studio: Athena
DVD Release Date: April 27, 2010
Run Time: 410 minutes

Rediscover the music of the spoken word as John Gielgud (Arthur) conducts a grand tour of English-language poetry through the centuries. Compiled by poet and literary critic Anthony Thwaite, these works show the power of verse to stir the emotions and fire the imagination. They include not only classics by Chaucer, Shakespeare, Milton, Byron, Whitman, and Yeats, but also surprising, often-overlooked gems. Gielgud provides the literary and historical context for each, while readings by outstanding British and American actors reveal the rich textures and seductive rhythms in every line.
The performers include Peggy Ashcroft (A Passage to India), Lee Remick (Days of Wine and Roses), Stacy Keach (Mike Hammer, Private Eye), Ralph Richardson (Doctor Zhivago), Ian Richardson (Tinker, Tailor, Soldier, Spy), Julian Glover (By the Sword Divided), and Anthony Hopkins (The Silence of the Lambs), among others.

Episode 12 (Victorians, 1837-1901) features poetry by Emily Brontë. More information can be read on Monsters & Critics.

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Sunday, May 30, 2010

"Rochester, you sexy rascal"

The Rochester Democrat and Chronicle talks about the Rochester Institute of Technology’s The Future of Reading conference (June 9-12, 2010). One of the speakers, Margaret Atwood, says:

"How could I not have a secret fondness for a city that's named after Edward Rochester in Jane Eyre?" asks Atwood, tongue firmly in cheek. "Rochester, you sexy rascal." (Stuart Low)
Poor Col. Nathaniel Rochester, so easily forgotten.

B.R. Myers in The Atlantic criticises ruthlessly modern American prose. Talking about Don LeLillo:
Most of the author's thoughts, regardless of which character is speaking them, take the form of disjointed strings of elliptical statements. This must be what satisfies critics that they are in the presence of a challenging writer—but more often than not "the dry shrivelled kernel," to borrow a line from Anne Brontë, "scarcely compensates for the trouble of cracking the nut."
The line comes from the first sentence of Agnes Grey.

The Independent traces a profile of Simon Armitage:
Critics have praised his dry Yorkshire wit, and he has drawn on the region in numerous works; not least All Points North, the successful 1999 book in which he explored the quirks of the area described as "that bit of Yorkshire, where the M1 slashes across the M62, where Jarvis Cocker meets Geoffrey Boycott, Emily Brontë meets Ted Hughes, Peter Sutcliffe meets David Hockney". (Rachel Shields)
The New Haven Register makes a rather cryptic reference to the Brontës:
My daughter is an English major who would rather read dialogue by Charlotte and Emily Brontë than Lauren and Whitney Airball, thankfully. (Joe Amarante)
Ron Judd in The Seattle Times thinks that a Charlotte Brontë sketch is not sexy enough:
Dear Jeff Bezos: Love my Amazon Kindle reader. Love it. But for the love of God, can you please do something about those ghastly screen savers? If I have to go to sleep another night with visions of strange fish, flocks of birds, skulls on bookshelves, obscure Latin texts — or worse, the ghostly, pale visages of Harriet Beecher Stowe, James Joyce or Jane Austen on my brain, I'm sending the thing back.
Seriously, Dude: When the hippest, sexiest image on your handheld device is a sketch of Charlotte Brontë, you're simply not going to connect with the kids.
Sugarscape selects the "buffest" boys in literature:
Heathcliff from Wuthering Heights by Emily Brontë
The original brooding, tortured soul - Heathcliff is hands-down hot. His love affair with Cathy is SO passionate he makes Edward Cullen look like a damp piece of kitchen roll. But when his one true love betrays him he has this to say: 'I have not broken your heart — you have broken it; and in breaking it, you have broken mine So much the worse for me, that I am strong. Do I want to live? What kind of living will it be when you——oh, God! would you like to live with your soul in the grave?' (Kate Wills)
buecherwald enjoyed Jane Eyre, Giraffe Days and Chinwag with Cissie review Rachel Ferguson's The Brontës Went to Woolworths, Punky Fried and A forte for fashion love Wuthering Heights.

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New paperbacks (II)

New Brontë paperbacks by Harper Collins in the Collins Classics collection:

Jane Eyre
Charlotte Brontë
ISBN: 978-0-00-735080-3
Format: Paperback
Imprint: HarperPress
UK: 01 April 2010
Australia: 01 September 2010

HarperCollins is proud to present its new range of best-loved, essential classics.
'I am no bird; and no net ensnares me; I am a free human being with an independent will.' Bronte's infamous Gothic novel tells the story of orphan Jane, a child of unfortunate circumstances. Raised and treated badly by her aunt and cousins and eventually sent away to a cruel boarding school, it is not until Jane becomes a governess at Thornfield that she finds happiness. Meek, measured, but determined, Jane soon falls in love with her brooding and stormy master, Mr Rochester, but it is not long before strange and unnerving events occur in the house and Jane is forced to leave Thornfield to pursue her future.
Wuthering Heights
Emily Brontë

ISBN: 978-0-00-735081-0
Format: Paperback
Imprint: HarperPress
UK: 01 April 2010

Australia: 01 September 2010

HarperCollins is proud to present its new range of best-loved, essential classics.
‘Is Mr. Heathcliff a man? If so, is he mad? And if not, is he a devil?’ Set on the bleak moors of Yorkshire, Lockwood is forced to seek shelter at Wuthering Heights, the home of his new landlord, Heathcliff. The intense and wildly passionate Heathcliff tells the story of his life, his all-consuming love for Catherine Earnshaw and the doomed outcome of that relationship, leading to his revenge. Poetic, complex and grand in its scope, Emily Brontë's masterpiece is considered one of the most unique gothic novels of its time.
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Saturday, May 29, 2010

Riots in Yorkshire

John Mullan selects the best riots in literature for the Guardian:

Shirley by Charlotte Brontë
Riots have become common in the north of England, as mill owners such as Brontë's Robert Moore introduce machinery that threatens workers' livelihoods. Shirley and Caroline Helstone witness an attack on Moore's mill. "The mill-yard, the mill itself, was full of battle movement. There was scarcely any cessation now of the discharge of firearms; and there was struggling, rushing, trampling, and shouting between."
Elizabeth Gaskell's North and South also makes an appearance.

The Guardian talks about the recent Bradford murders connecting them with the 1970s Yorkshire Ripper and ... the Brontës:
All those years back, it seemed as if [Peter] Sutcliffe's paranoia, his work as a gravedigger, his hearing voices, the atmosphere of anxiety that his deeds and manner of operating unleashed, had a connection, however mysterious, with West Yorkshire and its past: the death-dogged Brontës, the moors, the industrial depression, the waste it left behind and the violence it generated. (Nicole Ward Jouve)
The British Guild of Travel Writers has released the results of a poll about Britain's Best Picnic spot. The Guardian and The Telegraph both announce that Top Withens has made it to number ten.
Top Withens near Haworth in West Yorkshire, home to the abandoned farmhouse which featured in Emily Brontë's Wuthering Heights novel.
Actually, the farmhouse didn't feature in the novel as such. At most, she used the place where it stood.

The New York Times reviews the book Inseparable: Desire Between Women in Literature by Emma Donoghue:
By this logic [Adrienne Rich’s seminal — sorry, it is a phallo­centric popular culture — 1980 essay “Compulsory Heterosexuality and Lesbian Existence,” which proposed a lesbian continuum” that includes all relationships between women, regardless of their sexual orientation], “Thelma and Louise” is a lesbian film even though its heroines don’t have a sexual bond, and “Jane Eyre” a lesbian novel because Jane, though heterosexual, develops (chaste) crushes on an older girl and her head­mistress. In fact, Donoghue regards “Jane Eyre” as the “founding text of the tradition” of narratives in which young women are collected in institutions like boarding schools, convents and colleges, where, isolated from men, they discover same-sex love. (Kathryn Harrison)
The Commercial Appeal lists the Memphis-area High School Musical Theatre Awards. A local student Jane Eyre production gets an award:
Lighting Design: Hutchison School for “Jane Eyre.”
The Cyprus Mail talks about Bronte (Sicily) and makes a predictable Brontë joke:
The Bronte brothers, black wine and their nuts... (...)
As we enter Bronte we are a far cry from the sisters of Haworth and Heathcliff’s wild moors of Yorkshire. (Lauren O'Hara)
The Hindustan Times reviews the film Brick Lane by Sarah Gavron:
Kaushik’s Mr Ahmed is however inclined towards more literary tastes. His spoken English may be far from perfect. He can still quote from memory Chaucer and the Brontë sisters, is interested in Hume and the birth of modern philosophy, loves equally Thackeray and Proust…(Mayank Shekhar)
The London Evening Standard discusses private tutors and a reference to Jane Eyre is compulsive:
'We're returning to the days of Jane Eyre,' says Bonas [MacFarlane]. One of his tutors is living in a hotel five minutes from his charge's elite boarding school: 'His parents want him to get the grades.' (Helen Kirwan-Taylor)
The Huddersfield Daily Examiner interviews film director Ben Sweet (second assistant director in Wuthering Heights 2009) who will shoot a movie in Yorkshire locations:
The locations round Huddersfield are second-to-none and you can’t recreate Yorkshire.
“Yorkshire is getting so much more interest from the film industry with the success of films like The Damned United and Wuthering Heights.
The Perthshire Advertiser reviews a concert of the Ukulele Orchestra of Great Britain which included their celebrated cover of Kate Bush's Wuthering Heights:
The show was a singing, twanging, toe-tapping ukulele magical mystery tour visiting Spaghetti Western territory, Life on Mars and Wuthering Heights[.] (Alison Anderson)
De10 (México) lists Wuthering Heights in their list of one-hit wonders:
"Cumbres borrascosas". Escrita por Emily Brontë, la novela cuenta la épica historia de "Catherine" y "Heathcliff", situada en los sombríos y desolados paisajes de Yorkshire, constituye una asombrosa visión metafísica del destino, la obsesión, la pasión y la venganza. (Rodrigo Fraga) (Google translation)
Elle Magazine (Spain) devotes an article to a visit by the writer Espido Freire (author of Querida Jane, Querida Charlotte) to Haworth and Yorkshire. The article appears with some nice pictures by Ximena Garrigues but regrettably they mistake the Parsonage with a Haworth shop (Peters of Haworth!):
"Para mí es un lugar misterioso la zona en la que crecieron estas mujeres y fueron infelices. ¿Por qué? ¿Qué les dio esta tierra? Devanar ese misterio me ha llevado años y me sigue intrigando. Creo que todavía no he agotado del todo el screto, y que aún seguiré viajando allí". (Susana Cifuentes) (Google translation)
Le Soleil (Canada) presents the exhibition Typically british, La peinture à l'époque de la reine Victoria:
Soixante fenêtres picturales sur la société qui a nourri les univers de Dickens et de Charlotte Brontë offriront l'occasion aux Québécois d'étoffer leur connaissance de l'Angleterre victorienne, cet été, au Musée national des beaux-arts du Québec (MNBAQ) (Josianne Desloges) (Google translation)
And the Associated Press 'Thought for Today' is by Charlotte Brontë:
Conventionality is not morality. Self-righteousness is not religion. To attack the first is not to assail the last
And a Brontëite and mum who loves Jane Ayre[sic] in the Evening Gazette, a bookstore owner and Brontëite in Åland in the Ålandstidningen, Aneca's World reviews Wuthering Heights 2009, Faith Adeline Reviews posts about Agnes Grey giving the novel 7 out of 10 stars, YouTube user wartburgengland2010 uploads a video discussing a visit to the Brontë Parsonage and both Electroluminiscence and nuvole upload to Flickr pictures inspired by Wuthering Heights.

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New paperbacks (I)

Brontë fiction republished in paperback these months:

Jude Morgan's The Taste of Sorrow appears in paperback in the UK:

The Taste of Sorrow
by Jude Morgan

* Binding: Paperback
* Headline Publishing Group
* ISBN: 9780755339006
* Publication date: 29 Apr 2010

Charlotte. Emily. Anne. The Brontë sisters - the drama, the passion, and a story that lives for ever...
Once upon a time there were three sisters, bound by love and suffering, growing up in wild isolation in a lonely house on the moor. Their story will astonish you: their passionate, dangerous closeness; their struggle against the world; their determination to rise above the fates of their parents and their other lost sisters, to become more than the world ever thought they could be. You don’t know their story, but you think they do. They were the Brontës.
Denise Giardina's Emily's Ghost will be released in paperback in July 2010:
Emily's Ghost
A Novel of the Brontë Sisters
by Denise Giardina

* W. W. Norton
* Paperback
* Forthcoming July 2010
* ISBN 978-0-393-33848-5

“A convincing reimagining of the Brontë story, perfect for Brontë fans.”—Booklist
Enigmatic, intelligent, and fiercely independent, Emily Brontë refuses to bow to the conventions of her day. She is distrustful of marriage, prefers freedom above all else, and walks alone at night on the moors above the isolated rural village of Haworth. But Emily’s life is turned upside down by the arrival of an idealistic clergyman named William Weightman. A heart-wrenching love story, Emily’s Ghost plumbs the depths of faith, longing, and romantic solitude.
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Friday, May 28, 2010

Andrea Arnold's deadline

We reported yesterday that Jane Eyre will be released on March 11, 2011, and today TeenHollywood posts an interview with Mia Wasikowska made before Jane Eyre started shooting and mainly focused on Alice, but which finishes with this question:

TeenHollywood: You must like a challenge because after playing an iconic figure like Alice you are playing Jane Eyre?
Mia: That’s right. I have kind of started preparing. I have re-read the book and want to be knowledgeable about all things connected to Jane Eyre. (Note: the film is now in post-production). (Lynn Barker)
And while on the subject of forthcoming movies, The Age gives an update on the status of Andrea Arnold's Wuthering Heights in an article about her previous film, Fish Tank:
It's a Friday night in London and Andrea Arnold is sitting in her garden, still revelling in the first warm day of the nascent northern summer. ''It's like honey after the cold winter,'' says the 49-year-old filmmaker, who has spent the entire week at her computer trying to finish a draft due on Monday morning of her adaptation of Emily Brontë's Wuthering Heights.
''It's a crazy, silly thing to do,'' Arnold says of her next project, a sigh turning into a burst of laughter as she ponders her predicament. A few hours earlier, when she'd begun to feel besieged by pressure, Arnold put on a mix-tape she'd made for an old friend living in Spain - Dizzee Rascal, Pulp, Jamaican ska, Rolling Stones, Happy Mondays - and danced around her kitchen. [...]
Both Red Road and Fish Tank sprang from Arnold's people watching. A passer-by will catch her eye and from that image she'll begin creating a story in her head for them - if it takes root it becomes a script. Wuthering Heights, a 19th-century gothic romance, is of a different stock but Arnold isn't certain that it will invoke change in her private, nurturing methods.
''The reasons I'm attracted to having a go at it is that it doesn't start in the same place as my previous films,'' she admits. ''But when it comes down to it I do have one image in my mind that keeps me going on Wuthering Heights when things get tough. It's kind of the same thing with everything I do - I latch on to something I can't let go of. Even when I'm miserable and cursing that thing that started me, I can't let go of it.'' (Craig Mathieson)
Previous adaptations of the novel are mentioned elsewhere too. Comic Book Movie actually comments on the number of adaptations:
One particular movie that has been refilmed more than twice is Wuthering Heights. I can't remember how many versions of the story I have seen. But why? I don't know. (Scorpioxfactor)
And the Spenborough Guardian mentions the 2009 adaptation in an article about Oakwell Hall and the forthcoming The Secret Diaries of Miss Anne Lister (May 31, 9 pm on BBC2):
OAKWELL Hall Country Park will once again be the star of the small screen this bank holiday weekend.
It's been less than a year since the Birstall manor house adorned our screens as it was one of the many locations used to film Wuthering Heights.The two-part drama, starring Tom Hardy and Charlotte Riley, was broadcast over the August bank holiday last year.
But of course there's more to Wuthering Heights adaptations than just the screen. The Herald (Scotland) talks to ballet dancer Hannah Bateman.
“She [Dangerous Liaisons' Marquise de Merteuil, in a choreography by David Nixon for Northern Ballet Theatre] [i]s definitely very different from the other female roles I’ve danced,” laughs Bateman, who – as the smitten Isabella Linton – has recently been on the receiving end of some bruising, abusive treatment from Heathcliff in NBT’s Wuthering Heights. (Mary Brennan)
Opera, too. The Baltimore Sun covers the vocal competition at the Annapolis Opera.
Third prize, the $1,500 Hughes Award, went to bass Adam Fry, who sang a delightfully comic "La calunnia" from Rossini's "Barber of Seville" and a pleasing "Man that is born of a woman" from Herrmann's "Wuthering Heights." (Mary Johnson)
And don't forget that that opera will be on stage at the Minnesota Opera next year.

Then there's also the could-be's, as in this review of George A. Romero’s Survival of the Dead from the Boston Herald:
Transmuting a youthful seminal experience into his cycle of zombie movies probably sounded like a good idea, and it inspired his film’s singularly poetic image: the sight of a beautiful zombie woman (Kathleen Munroe) riding on horseback like something out of a Wild West version of “Wuthering Heights.” (James Verniere)
The Winnipeg Free Press has a couple of articles on the film Black Field, which we mentioned several times last year. First article:
Shot near Tyndall, Man., Black Field is largely set on a ramshackle homestead in the late 19th century where two sisters subsist, two years after the deaths of their father and brothers.
Maggie McGregor (Sara Canning of The Vampire Diaries) is the elder, distressed by the hard life in which she finds herself, but stoic in her resolve to maintain the family farm while caring for her 14-year-old sister Rose (played by the ethereally lovely young Winnipeg actress Ferron Guerreiro). [...]
In making this movie, Esterhazy attempted to transplant the gothic genre of the Brontë sisters to a desolate Canadian prairie setting, and she succeeds most spectacularly in the look of the film. In collaboration with gifted cinematographer Paul Suderman and production designer Ricardo Alms, Esterhazy saturates the frame with striking images -- diffused, lantern-lit interiors and the gorgeous, bare-treed desolation of an early prairie spring. (Randall King)
Second article:
"As soon as we wrapped on Black Field, she had to fly to Atlanta and start shooting a TV series," says Winnipeg director Danishka Esterhazy, 40. "We got her at the perfect time. We were so lucky."
The feeling was mutual for the Gander, Nfld.-born Canning, 22, although the combination of the dark romance of Vampire combined with the Brontë-esque trappings of Black Field put Canning at risk of being pigeonholed as a gothic girl. (Randall King)
And Uptown reviews the film as well.
Inspired by the dark romance of the Brontë sisters — whose novels she calls “early feminist literature” — Esterhazy started writing the screenplay for Black Field in early 2008. (Kenton Smith)
Does the 'whose novels she calls “early feminist literature”' bit sound sceptical to anyone else?

In the Guardian, author Helen Simpson also admits to having been influenced by Wuthering Heights... to get her first job.
... she entered a competition for a work experience placement at Vogue. She'd always liked clothes. "You had to write the story of your life in 700 words," she explains over coffee, sitting opposite me, neat and handsome in a cool green dress. "My first try was straight – lots of homework, lots of helping my mother – and boring as hell. So I made the whole thing up. I had us living in Yorkshire" (Simpson grew up in Willesden, north London) "and my father was a market gardener who used to leave every day at 2am to take narcissi down to Covent Garden. I had four brothers who were paratroopers. It owed a bit to Wuthering Heights. Lots of savagery and drama." When Vogue kept her on, she spent a year or so blushing through awkward encounters with people who stopped to ask how everything was at home. (Sarah Crown)
The PCC Courier reveals how author Jamaica Kincaid got to read Jane Eyre:
Brought up in the island of Antigua, Kincaid spoke about her gradual interest in writing, which sprouted from her rebelliousness in school. It is through the school's punishments that Kincaid would be exposed to literature works such as Paradise Lost and Jane Eyre. (Neil Protacio)
Novelist Jay McInerney writes in The Telegraph about his love for Jane Austen's heroines and of course can't help but mention what Charlotte Brontë thought about Jane Austen's work:
“Critics have remarked that there is no real delineation of true love in Jane Austen and that is true enough,” David Dachies claims in an influential and otherwise sensible essay entitled “Jane Austen, Karl Marx and the Aristocratic Dance”. “Austen knew only too well that in that kind of society genteel young ladies cannot afford true love. The only object must be marriage, and marriage with someone eligible. In Jane Austen, only the poor can afford passion.” It’s hard to believe a reader of sense could be so preposterously obtuse and misguided, although Charlotte Brontë made a similar argument a hundred years earlier (“The passions are perfectly unknown to her”). For all of their differences, a belief in true love, with passion as its signal component, is precisely what distinguishes Austen heroines from most of their contemporaries.
The Telegraph also suggests 'fun things to do with kids' in Yorkshire and the North East. The Brontë Parsonage Museum is a recommended stop:
Brontë Parsonage Museum
Misunderstood teens and romantic souls reading the Brontës get a fascinating insight into one of the world’s most literary families who lived here in Haworth amidst the brooding moors. Don’t take small ones, though – Charlie played havoc running into roped off areas. We took solace in Branwell Brontë’s local pub The Black Bull, where we pretended to Phoebe that we hadn’t heard the barman mention the pub was haunted.
Church Street, Haworth, Keighley, West Yorks (01535 642323)
Adults 6.50, five-16s £3.50 (Ben Hatch and Dinah Hatch)
Voxy informs about another sort of literary travel in Australia and New Zealand:
Escape from the cold and cosy up by the fire with a free gift of Penguin classics at Peppers Resorts and Retreats this winter.
From Rotorua to Tekapo, Peppers is offering the ultimate winter indulgence for book lovers. Guests staying at any of the four premium resorts will be treated to a set of six popular classics including some of the most talked about titles of all time, from Wuthering Heights to The Great Gatsby, for both him and her.
The Winter Classics package includes two nights luxury accommodation, full breakfast each morning, a delicious afternoon tea, a set of six Popular Penguin classics and a steamy hot chocolate or glass of red to relax and unwind by the fire.
Indulge your inner bookworm this winter at select Peppers Retreats and Resorts along with superb food and wine and impeccable service while enjoying total mind and soul relaxation in sumptuous surrounds.
Tim Holland comments on an article from the latest issue of the Brontë Society Gazette on ToTheCenter. A Writer's House and Kabaret Kulturel (in French) post about Jane Eyre. Spring Dawns at Heights writes about J. L. Niemann's Rochester. YouTube user TheKodakman and Flickr user Bazzadarambler have both been to Haworth/Brontë Country.

And finally, Les Brontë à Paris, the Brontë Sisters (in Dutch) and Poe Forward's Poe Blog all mourn the death of Anne Brontë 161 years ago today.

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A sunset 161 years ago

Picture Source: The Scarborough Connection

There are many memorable little anecdotes of Anne Brontë's last trip to Scarborough, the one from which she would never return. The one we cherish the most is the one that places her the day before her death watching

the most glorious sunset ever witnessed. The castle on the cliff stood in proud glory, gilded by the rays of the declining sun, the distant ships glittered like burnished gold, the little boats near the beach heaved on the ebbing tide waiting for occupants. The view was so grand, so fine, so far beyond description the dear invalid was drawn in her easy chair to the window to enjoy the scene with her friends. Her face became illumined almost as much as the glorious scene she gazed upon. . .
according to Ellen Nussey, who was there.

If that scene had been put at the end of a book, all sorts of deep meanings and interpretations would have been put forth and discussed, so symbolic and powerful it is.

Rest in peace in your perfect place for sunset-watching, Anne.

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Wuthering Heights in Wales

A student production of Jane Thornton's Wuthering Heights adaptation opens today in Newtown, Wales:

Coleg Powys BTEC Performing Arts students of Severn Star Productions presents
Wuthering Heights
Adapted by Jane Thornton
Theatr Hafren, Newton, Powys, Wales

This is an intense story of the passionate and near demonic love between Catherine Earnshaw and Heathcliff. Her betrayal of him exacts a violent revenge which will reverberate through time. This amateur production is presented by arrangement with Josef Weinberger Limited.

28th and 29th of May 2010 at 7.30pm.
Pictures of the rehearsals can be seen here.

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Thursday, May 27, 2010

Release date for Jane Eyre 2011: March 11

Many movie websites are posting this press release from Focus Features.

Jane Eyre will begin its platform release in selected cities on Friday, March 11th, 2011. The film based on Charlotte Brontë’s classic novel just wrapped principal photography and is directed by Cary Fukunaga, whose debut feature was Focus’ award-winning Sin Nombre. Mia Wasikowska, Michael Fassbender, Jamie Bell, Juid Dench, Sally Hawkins, Tamzin Merchant, and Imogen Poots star in the romantic drama. In the story, Jane Eyre (Ms. Wasikowska) flees Thornfield House, where she works as a governess for wealthy Edward Rochester (Mr. Fassbender). The isolated and imposing residence – and Mr. Rochester’s coldness – have sorely tested the young woman’s resilience, forged years earlier when she was orphaned. As Jane reflects upon her past and recovers her natural curiosity, she will return to Mr. Rochester – and the terrible secret that he is hiding…The screenplay adaptation is by Moira Buffini; Ruby Films’ Alison Owen, an Academy Award nominee for Elizabeth, and Paul Trijbits are producing Jane Eyre. Christine Langan, Creative Director of BBC Films, is executive-producing for the BBC.
Let the count down begin then! If the release is confirmed it will put the premiere closer to the Berlinale than to Venice.

In other news, the Yorkshire Post tells the story of an Australian couple who have travelled to Yorkshire after discovering their personal Brontë connections:
Davina and John Greenwood, from Melbourne, visited Dewsbury Minster this week where 200 years ago a distant ancestor, the Rev John Buckworth, appointed Patrick Brontë as curate.
Mrs Greenwood is a distant relative of Patrick Brontë's brother William, who lived in Ireland and whose descendants have ended up in the United States, New Zealand, Australia, England and Scotland.
After a short stint at Dewsbury Patrick Brontë moved to Haworth where the rugged Yorkshire landscape inspired his daughters to pen the novels that became literary classics.
Mr Buckworth married the eldest daughter of local mill owner John Halliley, from whom Australian-born John Greenwood gets his middle name, Halliley.
Several generations of Hallileys in Australia can now trace their family tree back to people living in West Yorkshire in the early 1800s and before.
Last year Dewsbury Minster – a parish church in the 1800s – celebrated the 200th anniversary of Patrick Brontë's appointment as curate.
The Greenwoods were helped in their pilgrimage by Brontë enthusiast Imelda Marsden, 64, from Mirfield, who pointed out all the local connections.
As well as the Haworth connection, there are many other places in Yorkshire with links to one or other of the famous sisters.
Charlotte Brontë's lifelong friend Mary Taylor lived at Red House, Gomersal, which is now a museum.
The Greenwoods also toured the graveyard at Dewsbury Minster, where a number of Mr Greenwood's ancestors are buried, and took in Haworth and the Dales. (Andrew Robinson)
Readers of the Fortean Times share intriguing sleep stories and one of them tells a Brontë anecdote:
In Charlotte Brontë’s book Villette, her heroine, Lucy Snowe, accidentally takes too much opium, and spends an evening intensely tripping. When Ms Brontë was asked how she, a parson’s daughter in a remote Yorkshire village, could accurately describe what opium felt like, she said that every night, before she went to bed, she deliberately thought about this particular scene as she fell asleep. On the third night of trying this, she dreamt the entire scene in its entirety, with all the sensations and visions Lucy had.
Of course, this could have been a way of covering up the fact that her brother was an opium addict, and she probably got the facts from him. She did say, however, that she often used this method when she wasn’t sure how to write a scene, or how a character thought or felt. Many creative types use directed dreaming when they’re stuck. I’ve used it myself to overcome writer’s block. Sometimes it works spectacularly and sometimes my subconscious refuses to co-operate at all and I end up with incredibly dull dreams. [...]
Michelle Birkby
Hounslow, Middlesex
The story is told by Mrs Gaskell in her Life, chapter XXVII.

The New York Times also uses a Brontë-related quote to make a point about long(er) skirts:
JEAN RHYS knew a thing or two about style and, in particular, about the hauteur conveyed by the sweep of a hem. In her novel “Wide Sargasso Sea,” a Goth-tinged prequel to “Jane Eyre,” Christophine, a servant, lets the tail of her skirt fan out behind her — a gesture of breeding, the reader is told. Hitching up one’s hem, on the other hand, sends quite a different message. When your man is abusive, Christophine advises her young Creole mistress, just “pick up your skirt and walk out.” (Ruth La Ferla)
Radical Brontëite Tanya Gold includes a Jane Eyre simile in an anticle on online dating in the Daily Mail.
. . . but - but! - he later asks her: 'Have you ever heard of a man called Robert Louis Stevenson?'
Global_Gadabout duly freaks out, for she has been wronged.
'I had studied English at Oxford!' she wails, with all the thwarted melodrama of Jane Eyre discovering Rochester has a mad wife in the attic. I just wanted to slam her head into a fridge door.
The Daily Freeman features another Brontëite, author Carol Goodman.
Goodman’s fascination with the dark and brooding literature of the legendary Brontë sisters is translated to “Arcadia Falls,” a richly imaginative book critics have described as “genuinely haunting” and “superb storytelling.” (Paula Ann Mitchell)
The Picayune Item mentions Jane Eyre in a review of the Lost finale (BEWARE of spoilers!):
As the dust settles, I think back to what makes for great entertainment. I think back to my journey with Frodo Bagins in Lord of the Rings, Rose and Jack in Titanic, Luke and Leia in Star Wars, Jane in Jane Eyre and I can now add Jack Sheppard of Lost to a list of great characters who kept me captivated. (Tracy Williams)
And the Bay Area Reporter mentions the recent San Francisco Symphony concert featuring Stravinsky's Ode (which includes a movement for the rejected soundtrack of Jane Eyre 1944).

The Midland Daily News takes a look at Wuthering Heights and some of its adaptations.
The 1939 version of “Wuthering Heights” was nominated for numerous academy awards but that was the year that “Gone With The Wind” swept up the Oscars. The 1972 version, however, is the best one in my opinion. Actually filmed in West Riding of Yorkshire of England, the wild beauty and intense loneliness of the English moors adds much to the overall mood of the picture. (The 1939 version was shot on a studio lot in Hollywood.) Laurence Olivier and Merle Oberon were in their thirties playing the young lovers while Timothy Dalton and Anne Calder-Marshall were in their early twenties, matching the ages of Cathy and Heathcliff in the book. The third version lacks a good script and ends up with wooden characters. Ralph Fiennes glowers and rages as Heathcliff but you never feel the agony of his unrequited love for Cathy that the book so tragically portrayed. (Virginia Florey) (Read the complete article)
Speaking of Wuthering Heights, the Las Vegas Weekly posts something that surely comes straight out of some journalist's textbook judgin by what we often see in our newsrounds:
The phrase: Heathcliff
Obscurogance level: Medium
Definition: Naw, not the cartoon tabby of your Sunday comics. I mean the brooding, bitter and vengeful anti-patriarch of Emily Brontë’s celebrated gothic novel Wuthering Heights. Abused as a foster child in the Earnshaw household in Yorkshire, Heathcliff nonetheless turns his simmering wrath to his advantage and grows up to become rich, a nicety that allows him to exact lifelong revenge against the Earnshaws. But Heathcliff’s slow-burn vendetta ultimately turns him into a tortured, hollow wraith, and he dies a broken man. Drop a Heathcliff to describe a particularly complicated, tormented jerk or psycho—when “jerk” or “psycho” just lacks a certain finesse.
Sample: “Can you just let it go already? Don’t be a Heathcliff about this.” “So what if he’s my ex-boyfriend? We were just talking. You don’t have to go all Heathcliff on me.” (Andrew Kiraly)
On the blogosphere: Wuthering Heights is discussed by Stuff Leaking Out Of My Brain and No Time to Blog. Readin' and Dreamin' posts about Agnes Grey and Les Brontë à Paris writes in French about Anne Brontë's time as a governess at Thorp Green. Also in French is Les élucubrations de Fleur's review of Charlotte Brontë's juvenile writing Stancliffe's Hotel. Finally, The Little Professor posts a July 1857 review of The Life of Charlotte Brontë in connection to Wuthering Heights.

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Two new Spanish Heights

Two new editions of Wuthering Heights (of previously released translations) appear or have appeared recently in the Spanish market:

Cumbres Borrascosas
Emily Brontë
Prologue: Alejandro Gándara
Translation: Cristina Sánchez-Andrade
Collection: Tiempo de Clásicos. 2.
ISBN: 978-84-9841-396-0
Ediciones Siruela, 2010 (Rustica con solapas)
This is a paperback release of this previous hardback edition. The book is presented as follows in El Norte de Castilla:
De "Cumbres Borrascosas", Alejandro Gándara afirma que es uno de los mejores ejemplos que existen de la llamada "literatura inmortal", es, añade en el prólogo, una de las obras mayores de todos los tiempos, escrita además con "esas palabras destinadas a pesar en el corazón humano y en el de la vida".
"Cumbres Borrascosas", la única novela que escribió la poeta Emily Brontë, es además la "obra de cabecera" de la directora de Siruela, Gloria Grande de Andrés, quien ha dicho a Efe que la colección "Tiempo de Clásicos", recién inaugurada, es "un valor seguro en todas las épocas, no sólo en las de crisis". (Catalina Guerrero) (Google translation)
El Periodiquito says:
De Cumbres borrascosas, Alejandro Gándara afirma que es uno de los mejores ejemplos que existen de la llamada “literatura inmortal”, es, añade en el prólogo, una de las obras mayores de todos los tiempos, escrita además con “esas palabras destinadas a pesar en el corazón humano y en el de la vida”.
Cumbres borrascosas, la única novela que escribió la poeta Emily Brontë, es además la “obra de cabecera” de la directora de Siruela, Gloria Grande de Andrés, quien ha dicho que la colección “Tiempo de Clásicos”, recién inaugurada, es “un valor seguro en todas las épocas, no sólo en las de crisis”. (Google translation)
Another upcoming reissue comes from Valdemar, a publishing house specialised in fantastic, horror and genre literature. It's interesting how the promotion of the novel focuses on those elements:
Cumbres borrascosas
Emily Brontë
Translation: Rafael Santervás
Valdemar
Collection: El Club Diógenes / CD-287
2010
ISBN: 97884-7702-671-6

Según Lovecraft Cumbres Borrascosas es una historia totalmente aparte como novela y como obra literaria de terror, con sus enloquecidos paisajes y las vidas atormentadas y violentas que en ellos se desarrollan. Heathcliff, variante del héroe malvado byroniano, es un niño raro y huraño que aparece abandonado en la calle; sólo habla una especie de extraño galimatías, y es adoptado por una familia. Entre Heathcliff y Catherine Earshaw –hija de la familia de acogida– nace un vínculo más profundo y terrible que el amor humano.
El misterioso terror de Emily Brontë no es un mero eco gótico, sino la tensa expresión del estremecimiento del hombre ante lo desconocido. En 1846, tres de las hermanas Brontë, se propusieron escribir una novela cada una. La primera en llegar a las librerías fue la de Charlotte, Jane Eyre, un melodrama gótico que tuvo un éxito inmediato. Anne escribió Agnes Grey, y Emily la inmortal Cumbres Borrascosas, una historia de amor imposible que se prolonga más allá de la muerte. (Google translation)
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Wednesday, May 26, 2010

High School Brontës

The Telluride Daily Planet reports that the local high school will provide Bible courses next year. And here's one of the reasons given in their favour:

The point is to teach students to catch and understand these biblical allusions, and not just miss them entirely. “Jane Eyre” — a commonly read novel in a high school literature class — contains more 170 biblical allusions. (Celine Wright)
Another high school, albeit fictional, is the one in Glee. LA Dance Examiner posts a recap of the latest episode of the series:
It all begins with Principal Figgins (Iqbal Theba) informing Tina (Jenna Ushkowitz) that wearing goth isn't going to be allowed. Why? He's afraid of vampires. Do you think Figgins has read "Jane Eyre"? Plenty of goth, but no vampires. (Ian Ono and Jana Monji)
Well, he might have read Jane Slayre.

Would he know the (very obvious) answer to this quiz question posed by The Fort-Wayne News-Sentinel?
18. Being a governess apparently was no easy job in Victorian novels. Name the teacher Charlotte Brontë created and Mr. Rochester loved. (Betty Stein)
If he doesn't know the answer or wants to know more about it and he has an iPad, Jane Eyre and other public-domain texts might be all he reads on it, according to The Sydney Morning Herald.
Prospective iPad owners intending to download a good read from Jodi Picoult, Stieg Larsson or Martin Amis will have to settle instead for the likes of Charles Dickens, Mark Twain and Emily Brontë.
Apple's new combination tablet computer and e-book reader, which launches on Friday, will debut with an online bookstore that only sells titles by long-gone authors whose works have passed into the public domain. (Stephen Hutcheon)
Or he could back to university and attend James Franco's lectures at Yale. Entertainment Weekly's Shelf Life remarks on it in connection to the website Hot Guys Reading Books.
Now we know that James Franco isn’t the only looker who can lose himself on Catherine and Heathcliff’s English moors for days on end. (Daniella Grossman)
The Financial Times reviews the San Francisco Symphony concert featuring Stravinsky's Ode.
The hunting music of the second part recycles a rejected Jane Eyre film score. (Allan Ulrich)
See this old post to read more about this Jane Eyre-Stravinsky connection.

It's Wuthering Heights Wednesday at: She Is Too Fond of Books, Views from the Page and the Oven, Lakeside Musing, Book Chatter. Read React Review is discussing Jane Eyre today. And YouTube user MrDestructo has uploaded a wonderful video of Brontë Country.

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A week of activities culminates in the Brontë Society's AGM

A press release from the Brontë Parsonage Museum:

A WEEK OF ACTIVITIES CULMINATES IN BRONTË SOCIETY’S AGM WEEKEND

The Brontë Parsonage Museum in Haworth is gearing up for a busy week of activities in the forthcoming half-term holiday which will culminate with the Brontë Society’s AGM weekend.

On Bank Holiday Monday 31st May the Parsonage museum will be inviting children to find out more about the toys that the Brontës might have played with as children and try their hand at making some old fashioned action toys of their own. The ‘Toytastic’ activity is free with the normal admission charge to the museum and is running on a drop-in basis with children welcome to join in the fun and make a toy anytime between 10.30am to 4.00pm.

On Wednesday 2nd June short talks and guided walks focusing on the Brontës and the fascinating history of Haworth will be taking place throughout the day. Again these will be free for both adults and children.

Friday 4th June is a ‘kids go free’ day at the museum, with children up to the age of 16 able to come into the museum completely free of charge. Friday also sees a new exhibition of paintings open at the museum. The art works are based on Brontë dresses and have been produced by artist Victoria Brookland who will be talking about her work at the West Lane Baptist Centre at 3.30pm (admission £5 or free to day ticket holders to the museum).

On Saturday 5th June, local children’s author, Robert Swindells will read from and talk about his Branwell Brontë inspired book, Follow a Shadow (10.00am at the West Lane Baptist Centre) and the Brontë scholar, Lyndall Gordon will lecture on the influence of the Brontës on the nineteenth-century American poet Emily Dickinson (11.00am, also at the Baptist Centre). Later that evening, two influential literary scholars, Lucasta Miller and Elaine Showalter, will be in Haworth to discuss the influence of the Brontës on womens’ writing generally. The event, which also takes place at the Baptist Centre at 8.00pm, is a rare opportunity to hear the US based critic Showalter. Tickets are £10.

On Sunday 6th June renowned graphologist Diane Simpson will discuss her fascinating research into the Brontës’ handwriting and what it reveals about Charlotte, Branwell, Emily and Anne. This event takes place at the Baptist Centre at 3.00pm and tickets are £7.

Throughout the week, from 31st May to Friday 4 June, 2 for 1 vouchers will be available at various shops and tea rooms in Haworth enabling two people to enter the museum for the price of one!

There are lots of other events taking place over the weekend which are open to members of the Brontë Society. For information on how to join the Society or any of the events listed please contact Peter Morrison 01535 640195/ peter.morrison@bronte.org.uk or Andrew McCarthy 01535 640194
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Tuesday, May 25, 2010

Did Lost take place on Gaaldine?

Hardly anything to report today from Brontëland. The combination good weather + Lost finale seems to have absorbed it all.

And just for the record, the Brontës invented an island - Gaaldine - in the South Pacific long before Damon Lindelof, J. J. Abrams and Jeffrey Lieber did.

Anyway, The Herald-Palladium has a Q & A with Olivia Postelli, captain of the St. Joseph High School Academic Challenge team, whose favourite books include Jane Eyre.

Shirley is reviewed by Reformaiden, Jane Eyre by Letras para el alma in Spanish and Wuthering Heights by CaLet in Portuguese (and we notice that the Twilight-looking cover really knows no borders). Finally, Les Brontës à Paris translates into French the beginning of Agnes Grey.

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Brontë in Bristol

New chances to see the Left-2-Write Theatre Company's performances of Polly Teale's Brontë:

Tobacco Factory’s Brewery Theatre
291 North Street, Southville, Bristol

Brontë by Polly Teale
Tuesday 25 - Wednesday 26 May
Start time: 8pm
The previous Bath performances have been reviewed by the Bristol Evening Post:
THE story of the Bronte family is as compelling as any of the novels penned by the sisters.
Performed by a Bath Spa University cast, it exposes the frustrations, emotions and fears of Charlotte, Emily and Anne by looking not only at their lives but through two of their characters.
It is the use of Imogen Rose as the physical embodiment of the young writers' thoughts which gives the production its special quality. She crawls around the stage in turn as Bertha, the insane, imprisoned wife of Rochester in Charlotte's Jane Eyre and as Cathy, the passionate lover of Heathcliff in Emily's Wuthering Heights.
Kirsty Hudson as Charlotte portrays the superior, ambitious older one of the trio seeking to boss the Yorkshire household. The intensely private Emily, who only wanted to write for herself, is suitably repressed as played by Florence Eedle and Sian Davies is the most bubbly as Anne who spends her time as referee between the other two.
There are also good performances from Josh Barnard as the drug-taking drunken brother Branwell and Gerry Fitzpatrick who carries all the other roles including the blind priestly father Patrick Bronte who outlived all his children and Arthur Bell Nicholls the curate who was Charlotte's husband in the final year of her life.
Writer Polly Teale, under the direction of Megan Fitzgerald, seems to draw double conclusions about the Brontes' lives and works showing that although on one hand they were trailblazers for the views and rights of women they were also, at heart, unfulfilled fantasists. (Alan King)
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Monday, May 24, 2010

Jane's Sunglasses

The final episode of Lost is, of course, being commented on and reviewed everywhere. On Salon they even manage to slip a Brontë reference:

If I want to contemplate the nature of good and evil, I'll turn to Nietzsche or Hannah Arendt (or, for that matter, Joss Whedon), and if I want ruminations on love, give me Emily Brontë or John Updike (or "Big Love"). From "Lost" I wanted less profundity and more fun. (Laura Miller)
TheatrePort reviews the Houston performances of the revamped Gordon & Caird's Jane Eyre musical:
I did not see the first production but I can tell you, without hesitation, that you are in for quite a treat with this new production of Jane Eyre.
First of all, Paul Gordon's music and lyrics are absolutely beautiful, with haunting and soaring melodies that perfectly capture the feel and flavor of the epic adventures of Jane Eyre, Charlotte Brontë's Victorian heroine.
Secondly, John Caird's book follows Brontë's novel faithfully, even employing Eyre as the narrator of her fascinating journey as in the novel. (...)
Thirdly, Kristina Sullivan's tour de force performance in the title role is so compelling and beguiling, that we are in the palm of her hands and, because she sings and acts the role with such passion and perfection, we willingly, completely, and wholeheartedly give ourselves over to her grace and charm.
Undoubtedly, Sullivan gives the best musical theatre performance of the year as Jane Eyre and she alone commands our highest attention.
The emotional and vocal range of this role is challenging, to say the least, and Sullivan meets and highly exceeds the demands of this role on every possible level.
Sullivan brilliantly, yet painfully, sings "Painting a Portrait," realizing that she is not as beautiful nor as privileged as Rochester's ladies in waiting.
Fourthly, Luther Chakurian's rich and powerful portrayal of Rochester, the master of Thornfield Manor who captures Jane Eyre's heart, gives equally as strong and stunning a performance as Sullivan's.
Duets such as "The Pledge," "Secret Soul," "My Hope of Heaven," "What Can I Do," and the final "Brave Enough for Love" are so beautifully realized by Chakurian and Sullivan that we know we are in the presence of greatness.
So with two superb romantic leads in a Victorian musical, what could not make a more beautiful evening of fine musical theatre?
Add to this picture a splendid supporting cast and Jane Eyre becomes a gorgeous portrait.
Mia Gerachis is wonderful as the young Jane.
Lauren Selig is charming and convincing as Helen Burns, who befriends Jane and teaches her the value of "Forgiveness," beautifully sung from her death bed.
Allison Sumrall is excellent as the stout and formidable Mrs. Fairfax, who runs Thornfield Manor with an iron fist.
Christine Zavakos is strong as the mysterious Grace Poole, who guards the secret of Thornfield Manor.
Catherine Taylor shines and soars as Blanche Ingram as she sings of "The Finer Things," one of the best-performed songs of Act II.
Taylor's and Sullivan's duet, "In the Light of the Virgin Morning," is a memorable melodic moment.
John Gremillion is charming as St. John Rivers in "The Call," where Jane realizes that she cannot go with him to India as a missionary but must return to Thornfield Manor to Rochester, who has captured her heart.
Philip Duggins lovingly directs his enchanting cast with simple staging on multiple levels, which adds interest and intrigue to Jane Eyre.
Set design by Amanda McBee is superb as she provides multiple levels and lots of stairs upon which the players can play.
Mc Bee's backdrops are beautifully and skillfully realized.
Costume design by Libby Evans is superb.
No detail is overlooked as she creates beautiful Victorian costumes, from the simple and peasant to upper-class couture and their servants' attire.
Rick Spitz masterfully conducts the Jane Eyre Orchestra, comprised of ten musicians, who brilliantly bring to life Gordon's sumptuous score. (
buzzbell)
WWD announces that the new eyewear collection by designer Jason Wu contains a model named Jane after Jane Eyre. We quote from Refinery 29:
Each piece is named after a famous woman, with four larger frames named after Amelia Earhart, Joan Jett, Mia Farrow, and Jean Seberg. Plus, for all the literary types, there are five more styles named after some of literature's most famous heroines: Think Elizabeth Bennet, Jane Eyre, and Scout Finch. (Kristian Laliberte)
Regrettably, we don't have yet any picture of such model.
EDIT: Thanks to reader Emanuella Mondeli for sending us this link to see the model:
Model: Jane
Charlotte Brontë’s Jane Eyre is often considered one of the greatest feminist works of literature, and it’s not hard to see why–the book’s titular character thinks, speaks, and acts for herself when it comes to both love and life. Make like the Victorian story’s empowering heroine and don a pair of these glasses–an optical rendering of Jason’s super-popular Seberg sunnies.
Tribune Magazine reviews Lives Like Loaded Guns: Emily Dickinson and Her Family’s Feuds by Lyndall Gordon. Belinda Webb says:
Dickinson, despite her parents’ emotional paralysis, and doubtless compensating for that, channelled her own emotions into intense friendships, writing poetry and reading books, favourites of which were the Brontes: Jane Eyre, Wuthering Heights et al. Wild emotions, in these books, are given what must have seemed to her attractive expression; something with which she could identify.
Bildungsroman interviews authors Adele Griffin and Lisa Brown who both include Brontës on their top-ten:
Lisa Brown: Wuthering Heights by Emily Brontë
Adele Griffin: Jane Eyre by Charlotte Brontë ; The Wide Sargasso Sea by Jean Rhys
Aneca's World reviews Elizabeth Newark's sequel Jane Eyre's Daughter, Suite101 publishes (in Spanish) an article about Emily Brontë, devi09 posts a couple of Jane Eyre 2010 icons and Les Brontës à Paris reviews the French edition of Daphne du Maurier's The Infernal World of Branwell Brontë.

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Emily's Poetry

Two very different poetry compilations feature Emily Brontë's poetry:

The Children's Treasury of Classic Poetry
Compiled by Nicola Baxter
Illustrated by Cathie Shuttleworth
ISBN 10: 0754822761
Publisher: Anness Publishing
Publication Date: 20/05/2010

Introduce children to the joys of poetry with this intricately illustrated collection of classics - a book that will delight both the young and the old. It includes a range of well-known rhymes such as the Owl and the Pussycat; It's Raining, It's Pouring and Star Light, Star Bright. It features a wide range of well known writers including Emily Brontë, Shakespeare, Alfred, Lord Tennyson, William Blake and John Keats. It also includes an 'About the Poets' section with a brief biography for each included poet. How doth the little crocodile Improve his shining tail And pour the waters of the Nile On every golden scale! So begins Lewis Caroll's classic rhyme, included in this beautifully illustrated collection of children's poetry. Carefully selected, the poems open up an enchanting world of rhythm and language, feeling and fantasy to introduce children to a lifetime of pleasure in poetry. The collection gathers together classic poems on a number of themes. Colourful and charming illustrations on every page capture the magic of imaginary worlds.
The Cambridge History of English Poetry Edited by Michael O'Neill
University of Durham
Hardback
Cambridge University Press
ISBN-13: 9780521883061
01 May 2010

Poetry written in English is uniquely powerful and suggestive in its capacity to surprise, unsettle, shock, console, and move. The Cambridge History of English Poetry offers sparklingly fresh and dynamic readings of an extraordinary range of poets and poems from Beowulf to Alice Oswald. An international team of experts explores how poets in England, Scotland, Wales and Ireland use language and to what effect, examining questions of form, tone, and voice; they comment, too, on how formal choices are inflected by the poet’s time and place. The Cambridge History of English Poetry is the most comprehensive and authoritative history of the field from early medieval times to the present. It traces patterns of continuity, transformation, transition, and development. Covering a remarkable array of poets and poems, and featuring an extensive bibliography, the scope and depth of this major work of reference make it required reading for anyone interested in poetry.
Including: "34. Emily Brontë, Arnold, and Clough Michael O'Neill".

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