Podcasts

  • With... Adam Sargant - It's our last episode of series 1!!! Expect ghost, ghouls and lots of laughs as we round off the series with Adam Sargant, AKA Haunted Haworth. We'll be...
    1 week ago

Saturday, May 30, 2009

Saturday, May 30, 2009 12:27 am by M. in , , , , ,    No comments
The Prague Post reviews the Prague Fringe performances of The New Victorian Manifesto. It seems that the actual Brontës are less in it than we expected:
Yes. Well. Hmm. A curio, Victorian or otherwise. The blurbs seem to promise something that was seldom seen in this evening, which was in equal parts frustrating, unique and, at times, unintentionally entertaining. What is this new Victorian manifesto? Not a clue, unless it was vocalist-keyboardist Nick Pagan's dictum that true poets and artists must continue to aspire in the face of adversity - something he banged on a bit more than his Casio. I went expecting this singular soul, who speaks in an accent somewhere between Mid-Atlantic and Liberace, and who has worked with Siouxsie and the Banshees, to meld contemporary music with the verse of Thomas Hardy, Emily Bronte, Matthew Arnold, et al. And, while there were two examples of this at the top of the program, the rest of the hour was spent being forced to acknowledge Pagan's own versifying (a song about Prozac was particularly forgettable) or find him creatively trying to shoe-horn the Beatles and John Cale into this vague Victorian manifesto. The oddity of the evening was enhanced by a startling time-warp in the room. There was Pagan, mop-topped and passionately attacking his keyboard, as if still auditioning three decades ago for a chance to open for Spandau Ballet. But to his left were two sleek, elegant French musicians (Catherine Lubatti on electric violin and Damien Soupizet on eclectic [sic] guitar), both brilliant, and both seemingly visitors from a more promising future. Under what circumstances did these people meet? It's one of the hour's greatest questions. Still, STILL, Pagan is unlike anyone else. He is his own man, complete with his own loves and manias, and more power to him. He's a true original, and, in this dull age of stifling conformity, I salute him. (Steffen Silvis)
The Provincetown Banner reviews a local production of The Mystery of Irma Vep (at the Wellfleet Harbor Actors Theater):
The Wellfleet Harbor Actors Theater jumps into its 25th season with this Charles Ludlam play, subtitled “A Penny Dreadful.” It is, and is intended to be, an over-the-top send-up of everything from “Jane Eyre” and especially “Rebecca” to Edgar Allen Poe and every other book, poem and movie of the genre. (Sue Harrison)
Broadway World presents yet another production of the Charles Ludlam's play by The Atlanta Shakespeare Company at The New American Shakespeare Tavern in Atlanta, Georgia. And The Arizona Daily Star talks about another one by the Live Theatre Workshop in Tucson:
"It's a wonderful spoof of movies like 'Rebecca' and 'Wuthering Heights,' " said [Leslie J. ] Miller, adding that puns are plentiful, too. (Kathleen Allen)
Amanda Ash in The Times-Colonist gets a nomination for this most unBrontëite of references. Reviewing Jumpin' Jack by Lyle Victor:
The play is filled with witty one-liners and laugh-worthy expressions, but as a whole, it feels like reading Jane Eyre. An 80 minute one-man play is simply too long.
The Chicago Tribune reviews Lilian Pizzichini's biography of Jean Rhys: The Blue Hour:
Yet she was holed up in a bungalow in Cornwall working for decades on what would be considered her masterpiece, "Wide Sargasso Sea," which evokes Rhys' childhood and rewrites one of the most famous screeching mutes in literary history, Charlotte Bronte's lunatic Bertha Mason in "Jane Eyre."
"I wanted to write her a life," Rhys said of Antoinette Cosway, her tragic Creole heiress. Lilian Pizzichini's goal in her new biography, "The Blue Hour," is also to rescue Rhys from the caricature of a life of ill repute and drunken dissolution. (Kate Zambreno)
A local musician competing in the Edmonton Provincial Music Festival (Canada):
Jordyn Appleby is competing in the musical theatre category, which includes singing and dancing in costume from a stage production. Her piece is a song called Forgiveness from the musical Jane Eyre. (Crowsnest Pass Promoter)
And in Xalapa, México at the Festival de la Lectura:
Hoy, los estudiantes volverán a estar en el Festival de la Lectura, de 12:00 a 14:00 horas en la Casa del Lago, mostrando está técnica de grabado y regalando a los asistentes grabados de las portadas de la Biblioteca del Universitario.
Algunos de los autores de los grabados de la colección son los siguientes: (...)Cumbres borrascosas de Emily Brontë. (Juan Carlos Plata in Diario de Xalapa) (Google translation)
And even more students with Brontë leanings. In Volgograd, Russia, the winner of the regional competition Герой нашего времени (The hero of our time) is Надежда Дружинина which devoted her work to Jane Eyre according to Volgograd.ru.

RealTV News announces the broadcast of Jane Eyre 2006 in Europa, Europa TV for Latin America.

Ratschlag24 reviews James Birdsall's Die Welt der Brontës:
Die Schwestern Anne, Charlotte und Emily Bronte faszinieren ihre Leser seit anderthalb Jahrhunderten und bereits seit 1850 interessieren sich Literaturtouristen für die Orte, an denen die Familie lebte und die in ihren Romanwelten beschrieben wird. Der Bildband „Die Welt der Brontes“ zeigt auf wunderschönen Fotos Häuser und Orte, die mit der Familie verknüpft sind. Das Pfarrhaus in Haworth, in dem die Brontes den größten Teil ihres Lebens verbrachten, ist selbstverständlich zu sehen, aber auch die Apotheke, in der sich ihr Bruder Branwell mit Opium versorgte, ist noch erhalten und die von ihrem Vater, dem Reverend, erbaute Sonntagsschule. Hinzu kommen Orte, die in den Texten beschrieben werden, und für die es – mal gesichert, mal wahrscheinlich - ein Pendant in der Realität gibt. Charlotte beschreibt in Jane Eyre das Dorf Morton, und man darf annehmen, dass sie dabei den Ort Hathersage vor Orten hatte. Wo Wuthering Heights liegt, das bleibt allerdings weiter ungeklärt.
Nun kann man sich fragen, warum man einen Bildband braucht, wenn in den Romanen doch alles dargestellt wird - reicht das nicht? Schon. Aber irgendwann möchte man eben genauer wissen, wie ein Herrenhaus beschaffen ist, das „nicht gerade riesig, aber doch von stattlichem Ausmaß“ ist, wie die karge Heidelandschaft aussieht und die Bilder von den engen Dorfgässchen geben sowieso vor, die Zeit sei stehen geblieben. (Pia Helfferich) (Google translation)
And hearing aids and Jane Eyre in the Bemidji Pioneer, Cornucopia of Books reviews Wuthering Heights, Concursori (Romania) invites you to win a copy of Charlotte Brontë's The Professor in Romanian just by answering a very easy question.

Categories: , , , , ,

0 comments:

Post a Comment