The heroes of Byron’s works helped establish one of the most popular tropes in literature, that of the Byronic hero. This pervasive archetype is still as popular today as it was when Emily Brontë sat down to write Wuthering Heights, especially on the big screen. (...)
Heathcliffe (sic) from Wuthering Heights (Coky Giedroyc, 2009)
Heathcliff, the puppy-murdering foundling from Emily Brontë’s classic gothic novel Wuthering Heights, has been portrayed by some of the UK’s finest actors, including Lawrence Olivier (1939), Timothy Dalton (1970) and Ralph Fiennes (1992). For me, Tom Hardy’s version of the notorious anti-hero in the 2009 ITV series is the most faithful representation of Brontë’s original character.
Probably the illegitimate child of Mr. Earnshaw (though there is, admittedly, not much evidence), Heathcliffe is bought to Wuthering Heights as a child, where he develops an intimate relationship with the nearby moors and with Cathy Earnshaw. After being dehumanised and abused by his step-siblings (at one point, they refer to him as the “imp of Satan”), he becomes bitter, cruel and violent. But despite his flaws (of which there are many), we can’t help but sympathise with him. (...)
Mr Rochester from Jane Eyre (Cary Joji Fukunaga, 2011)
Edward Rochester is the brooding, mutton-chopped anti-hero of Charlotte Brontë’s Jane Eyre. Adapted for the big screen countless times over the years (most recently in 2011), it follows the trials and tribulations of an orphaned girl as she navigates the harsh and unfeeling world of early Victorian England – typhus outbreaks included.
Dismissed as “plain” by her contemporaries, Jane meets the mysterious Mr Rochester (tall, dark, handsome, and riding a rather fetching horse) during a walk and immediately falls for his rude manner and rugged good looks. He certainly has his charm, but he’s also keeping his mad ex-wife locked in the attic, which, I think it’s fair to say, is a bit of a red flag.
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