“I came across this passage in which Gaskell writes this character assassination of Lydia Robinson – she calls her this ‘wretched woman’ who tempted Branwell into this ‘deep disgrace of a deadly crime’. She doesn’t name Lydia but it would have been clear to people reading who this woman was. In fact Gaskell was forced to retract when Robinson threatened to sue, but it really set the tone for how Brontë fans and academics have viewed Lydia Robinson since then and I began to wonder whether anyone had written the story of the affair with Branwell from her point of view.
“I also liked the idea of putting another woman in opposition with the Brontë sisters.
“As much as I love Charlotte’s writing her heroines are often of a similar type – poor and plain, young and virginal – and here is this older, beautiful, wealthy woman who has had five children, but she is still a woman and she is still trapped.
“You can see this hostility in Charlotte’s writing towards women who are more conventionally attractive and that’s something I wanted to explore. So while the book is a commentary on 19th century society, it is also bringing in some of the concerns of 21st century feminism as well.”
Brontë scholars have long been divided on the details of the affair, so Austin is prepared for the fact that her book might ruffle a few feathers.
“I’m sure there are going to be people who will disagree with me and I’d love to engage in that debate,” she says. “But while I think what I wrote could have happened, and I’ve tried hard to stay true to the historical record, it is a novel and I made choices to make it as interesting a novel as possible.”
She includes an author’s note detailing what is true and what is not, but as she says. “I’m a novelist and we like telling great stories.” And it is a great story, extremely adeptly told by Austin. She’s already working on her next novel – and she’s definitely one to watch. (Yvette Huddleston)
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