The negative reception to ‘Wuthering Heights’ comes as no surprise, Emerald Fennell just wants to shock
When the announcement that Emerald Fennell, director of the controversial 2023 film Saltburn, would be tackling an adaptation of Emily Brontë’s classic gothic novel Wuthering Heights, people seemed divided. Unfortunately for Fennell, as more information has been revealed, anticipation for the project has teetered closer towards despair and trepidation rather than genuine excitement.
Now, with the first test screening for the film going down rather poorly, it’s clear more than ever that Fennell’s flaccid style of provocation simply doesn’t work. (...)
With BDSM and stereotypically disgusting imagery, like eggs and slugs, mixing with the erotic, it seems like Fennell is desperate to make the kind of film that will get everyone talking. (...)
Wuthering Heights is one of the most iconic novels of all time, and it really doesn’t need disgracing in such a way by Fennell. The first mistake that the filmmaker made was casting 35-year-old Margot Robbie as Cathy, the 18-year-old protagonist, which seems completely absurd.
If this isn’t proof that Fennell is more interested in profit and internet buzz around her movies, why else would you tragically miscast your leading role with a massive Hollywood star? Paired with leaked images of shooting the film, which show Robbie in incorrect period outfits, it’s no surprise that Wuthering Heights has already received backlash after one test screening.(Aimee Ferrier)
While, Brontë’s novel isn’t traditionally a “textually” gay story, it’s had its fair share of queer readings and scholarly interpretations, particularly as it explores ideas like repression and forbidden love.
So little is known about Brontë’s private life that some have theorized she may have been a lesbian or queer, pointing to Wuthering Heights as an indication of such, examining Heathcliff and Catherine as two parts of a singular identity, the masculine and the feminine. It’s worth noting she initially published the novel under a male pseudonym, Ellis Bell, which was mostly likely just a workaround for a misogynist industry—but at least indicates she was down for a little gender-play.
Of course, given Emerald Fennell’s track record, maybe she’ll find some way to make Wuthering Heights more explicitly clear—we wouldn’t put it past her!
All we can do now is wonder. At this point, we can’t even count on the aforementioned hanging scene or horse-rein BDSM to make it into the final product. These early test screenings are meant to see what does and doesn’t work for audiences, so it’s not uncommon for films to get major edit overhauls after the fact. (Cameron Scheetz)
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