by Anne Jamison, Department of English, University of Utah, Salt Lake City, UT 84112, USA
Special Issue The Past, Present and Future of Fan-Fiction
Received: 13 June 2022 / Revised: 21 August 2022 / Accepted: 22 August 2022 / Published: 5 September 2022
Abstract
Transhistorical accounts of fanfiction often refer to the Brontës’ juvenilia, but such references are largely cursory even as they make a claim about the siblings’ Angria and Gondal writings that needs more careful consideration. This essay offers a more thorough examination of what it means to claim “the Brontës wrote fanfic”, analyzing their family- and site-specific mode of creative production and consumption in relation both to established definitions of contemporary fanfiction and to their own sources and environment. Archival research has enabled me to situate some of the Brontës’ earliest texts in their original tiny, hand-produced format alongside the print periodicals and physical books that the young authors read and transformed. I analyze how the siblings’ books mimic the multiplicity and flexibility of authorship modeled in their local newspaper and how their drawing, marginalia, and corrections accentuate the interactive nature of the printed book. Viewing the Brontë siblings as a family fandom enthusiastically devoted to the creation and appreciation of transformative works helps make visible a model of authorship they share with contemporary fanfiction: authorship not just as collaboration but as play and exchange among diverse materials, sources, activities, media, writers, and readers. Then, as now, this mode exists simultaneously with commercial authorship but is distinct from it, as the siblings recognized, altering their plots, practice, and presentation for their novels.
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