Page wall post by The Brontë Society - The Brontë Society: Shirley published 26 October 1849. The first reviewer declared the opening chapter 'vulgar ... unnecessary ... disgusting' and divined...
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Speaking the Language of the Night. Aspects of the Gothic in Selected Contemporary NovelsIncludes: Refracting Spaces in Desai’s Fire on the Mountain and Brontë’s Jane Eyre.
Peter Lang GMBH
Year of Publication: March 27, 2014
ISBN 978-3-631-62803-4 pb. (Softcover)
ISBN 978-3-653-02858-4 (eBook)
This study contributes to the emerging field of Global Gothic. It focuses on the survival and evolution of Gothic subgenres and tropes in selected contemporary novels, produced in geographies and histories far away from its Western cradle. Some Gothic features identified as universal such as the relationship between space and character, the sublime, the process of Othering, uncanny doubles and the dissolution of identity are explored. This study maintains that the novels under scrutiny, written by a wide variety of authors such as Adiga, Desai, Ishiguro, Müller, Pamuk, Roberts and Rushdie, facilitate a fruitful dialogue between West and East under the sign of Gothic. A diverse critical apparatus is employed, including texts from Bhabha, Kristeva, Deleuze and Guattari, Derrida, Mishra and others.
How to be Well Read: A guide to 500 great novels and a handful of literary curiositiesJohn Sutherland includes in his selection Jane Eyre, Wuthering Heights and Jean Rhys's Wide Sargasso Sea.
Published by Random House Books, part of Cornerstone Publishing (May 2014)
As the annual flood of published novels grows ever greater, it’s a hard a job to keep up, let alone sort the wheat from the chaff. Fortunately, literary sleuth and academic John Sutherland is on hand to do precisely that. In the course of over 500 wittily informative pieces he gives us his own very personal take on the most rewarding, most remarkable and, on occasion, most shamelessly enjoyable works of fiction ever written – the perfect reading list for the would-be literary expert.
His taste is impressively eclectic. An appreciation of Apuleius’s The Golden Ass – arguably the first-ever novel – is followed by a consideration of Ian Fleming’s Goldfinger. The Handmaid’s Tale is followed by Hangover Square, Jane Eyre by Jaws. There are imposing Victorian novels, entertaining contemporary thrillers and everything in between, from dystopian works to romance.
The flavour of each is brilliantly evoked and its relative merits or demerits assessed. At the same time, John Sutherland shows how the work fits into a broader context – whether that of the author’s life or of other books from the same genre or period. And he offers endless snippets of intriguing information: did you know, for example, that the Nazis banned Bambi or that William Faulkner wrote As I Lay Dying on an upturned wheelbarrow; that Voltaire completed Candide in three days, or that Anna Sewell was paid £20 for Black Beauty?
Encyclopedic and entertaining by turns, this is a wonderful dip-in book, whose opinions will inform and on occasion, no doubt, infuriate. It is also effectively a history of the novel in 500 or so bite-sized pieces.