More scholar work:
Robert L. Herbert
Naive Impressions from Nature: Millet's Readings, from Montaigne to Charlotte Brontë
The Art Bulletin
September 2007, Volume LXXXIX Number 3, 540-562
In 1865 Jean-François Millet copied many passages from Montaigne, Palissy, Piccolpasso, Grimm, Germaine de Staël, and Charlotte Brontë, confirming the erudition evident in his letters. In his 1865 Salon review, Alfred Sensier, writing under the name Jean Ravenel, used some of these copies supplied by the artist; he quoted from Millet's letters and from the latter's heretofore undated and little-known manifesto “Notes sur l'art,” to make Millet his undisclosed collaborator. Millet's extracts, featuring sixteenth-century writers, give evidence of the distinctive character of his naturalism, a “rustic language” corroborated by his own collection of sixteenth-century art.
David Yost
A Tale of Three Lucys: Wordsworth and Brontë in Kincaid's Antiguan Villette
MELUS: Journal of the Society for the Study of the Multi-Ethnic Literature of the United States, 31:2 (12006) 141-56
Sarah Selby
Wuthering Heights and Pop Culture: or, Googling Heathcliff
Journal of Georgia Philological Association 1 (2006) 158-74
Categories: Journals, Scholar
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