With... Adam Sargant
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It's our last episode of series 1!!! Expect ghost, ghouls and lots of
laughs as we round off the series with Adam Sargant, AKA Haunted Haworth.
We'll be...
3 weeks ago
Cornelia Parker’s work often deals with deconstruction of monuments, be it people or places. The photographic works on view are from her series “Brontëan Abstracts” in which she examines the mythology surrounding the Brontë sisters – Anne, Charlotte and Emily. Parker uses an electron microscope to scan artifacts and objects owned by the Brontës such as a lock of hair, a quill pen, a needle. The magnification both abstracts them and reveals their essence. Other photographs focus on both the conscious and subconscious marks left by the sisters — such as ink blots on the lined paper, deletions from the original manuscripts and holes in the pincushion.Picture: Cornelia Parker Brontëan Abstract (Emily Brontë’s hair) 2006 13 7/8 x 11 7/8 inches (35 x 30 cm)framed: 21 1/2 x 20 inches (54.6 x 50.8 cm) SEM image printed as Bromide BW print on fibre based paperEdition 1/5 with 2 AP’s. Source.
Franklin’s lead-poisoned, murderous, and ultimately frozen-to-death 1840s voyage will be the subject of the Velaslavasay Panorama’s “An Evening of Arctic Novelty” on Thursday and Friday nights. The program will feature a lecture about the Franklin Expedition by Arctic historian Dr. Russell Potter – but it won’t be any old lecture. (...)Finally, this Russian blog comments Jane Eyre 2006 in Russian.
The saga was so drawn out that it captured even the imaginations of popular writers. “Dickens, George Eliot, and the Brontë sisters were big on polar explorers,” says Potter, who also mentions that Charles Dickens himself mounted panoramas on the fate of Franklin’s crew. (Alfred Lee)
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