S3 E3: With... Noor Afasa
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On this episode, Mia and Sam are joined by Bradford Young Creative and poet
Noor Afasa! Noor has been on placement at the Museum as part of her
apprentic...
1 day ago
The Jacket Copy column of Los Angeles Times contains a story particularly interesting for the readers of this blog:THE Dublin-based literary magazine the Stinging Fly was founded in 1997 as a venue for new writers from Ireland and around the world. The winter issue, just out, boasts seven pieces of fiction set in such far-flung locales as Los Angeles and Donegal (who says relative location isn't everything?), as well as works by 16 poets and a quartet of book reviews.You can read the complete article in the Winter 2007-08 issue of Stinging Fly. The relevant fragment reads:
Also in the issue is a piece by London literary agent Lucy Luck that details the pleasure she found in reading as a child. Her sense of joy quickly dissipated when she entered secondary school and was subjected to the "reading of 'proper books.' This was very different from the stories I'd been loving -- these were books read for instruction, so that essays could be written. It was all a bit like hard work."
Luckily, "Jane Eyre" got under her skin, and her enthusiasm was rekindled. "Now the written word defines much of my day," she continues, confessing: "Though there is nothing to compare to the thrill of being the first to appreciate a new literary talent, it can be exhausting to only read unpublished books when there are still so many published ones I've not managed to start." (Jacket Copy)
It was all a bit like hard work. That is, until I was made to read Jane Eyre. I had started out bored by this insipid, irritatingly plain and correct girl, and it was all very old-fashioned. But Thornfield Hall and Mr Rochester got under my skin, and I found myself reading late at night to find how it would end. Once I finished the novel, I reread it, and then I read it again. (Lucy Luck)Categories: Jane Eyre, Journals



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