With... Adam Sargant
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It's our last episode of series 1!!! Expect ghost, ghouls and lots of
laughs as we round off the series with Adam Sargant, AKA Haunted Haworth.
We'll be...
5 months ago
I was reading a letter by a Victorian traveller to her sister, Henrietta, when I suddenly realised that the letter-writer and the character I'd seen on screen were one and the same. It was an astonishing revelation. I had attended two productions of Top Girls in the intervening time and had never realised the protagonists had lives beyond the boundaries of the play. It was like discovering that Jane Eyre was alive and well and teaching at a local primary school.
Sarah May is interviewed in The Independent:
2 - A use of Brontë as a synonymous for gothic:Critics often describe May's prize-winning debut as experimental, but May says she couldn't have written The Nudist Colony any other way. "I wasn't deliberately trying to find a new voice. I now think that if I wrote it again, I'd write it as a children's book. I've learnt so much technically since then. I've just reread Jane Eyre. The sentences are so long, broken up by endless semi-colons. There's a really beautiful inherent rhythm to it. "
But Brothers of the Head isn’t some clunky comet streaking in from beyond the outer reaches of cinema’s worst cross-over ideas to crash and burn on screen. Somehow, Keith Fulton’s and Louis Pepe’s movie works, and works well. Defying classification (the best analogy is David Cronenberg reinventing the TV rise-and-fall rock-star bio), this film mixes Dickensian characters with Brontë gothic. This strange brew also bubbles out of a raw, punkish energy and one actor’s startlingly fierce performance. (Brian Gibson in VueWeekly)
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