The news of the involvement of the BBC in the new Jane Eyre TV adaptation with Aimee Lou Woods in the title role is all over the place. Now they include a statement from the Brontë Parsonage Museum:
When asked about potential collaboration, Mia Ferullo, digital engagement officer at the Brontë Parsonage Museum in Haworth, said: 'We’re always happy to help research and facilitate museum visits.
'This resurgence of the Brontës in popular culture helps us to do our work in preserving our designated collection and making it publicly accessible to visitors and researchers.
'A lot of readers connect to Jane, partly because the novel is one they pick up as a teenager.'
Ms Ferullo said screen adaptations introduce the Brontës’ work to new audiences, which in turn supports the museum’s mission.
She said: 'We’re open to different creative interpretations of the novels and I think each generation will have their own version that is their favourite.'
She also welcomed the casting of Aimee Lou Wood as Jane Eyre and drew parallels with Emma Mackey’s portrayal of Emily Brontë in the 2022 film Emily, which attracted younger visitors to the museum.
She said: 'Her Sex Education co-star Emma Mackey portrayed Emily Brontë in the 2022 film Emily and we noticed that there was a draw for younger audiences to visit the museum.
'I’m looking forward to seeing Aimee Lou Wood’s Jane.'
(Amelia Short in Great British Life)
This new production is adapted for the stage by Nick Young and Ross Muir, and directed by Nick Young. Young is a director who has worked for the RSC and Connaught Theatre in Worthing; he also founded Rainbow Shakespeare, which creates open-air Shakespeare productions for family audiences. Muir is an Artistic Director, producer and actor who has performed in a range of Shakespeare classics and enjoyed playing Santa! Jane Eyre is performed by an ensemble cast of five actors and features original music and songs.
(...) reflects on the early impact of choreographer Pina Bausch; her residency at Edvard Munch’s former studio at Ekely in Norway; the physicality in the paint of Lovis Corinth; the “razor-sharp sentences” of the writer Annie Ernaux and her fascination with Charlotte Brontë’s Jane Eyre; and the inspiring vision and “ecology” of the film-maker Agnes Varda.
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