means simply reading the actual novel.
Coercive or controlling behaviour in an intimate or family relationship became a criminal offence in the UK in December 2015. The legislation was the result of a long campaign by the charity Women’s Aid to extend understanding of domestic abuse beyond physical violence. But, over 150 years earlier, Emily Brontë placed coercive control at the heart of her celebrated gothic romance, Wuthering Heights.
The novel is often read as a great love story. It has inspired a Kate Bush song and many stage, film and TV adaptations. But Heathcliff is an abused child who becomes an abuser – and teaches his son to copy, continue and refine his abuse.
In the novel, Cathy declares that “My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff!” Coercive control, like Cathy’s love, may not be fully visible, but it nonetheless underpins the emotional logic of Brontë’s plot.
Wuthering Heights is a novel of two halves. The first focuses on spirited, passionate Cathy, caught between her tamely domestic husband Edgar Linton and the thrilling wildness of Heathcliff, her soulmate from childhood. To revenge himself on Cathy for marrying Edgar, Heathcliff elopes with Edgar’s infatuated sister Isabella. Isabella initially sees Heathcliff as a brooding romantic hero, but she soon repents, fleeing with their baby son Linton.
Heathcliff’s abuse of Isabella is sometimes physical, but more often psychological. He takes care, as he tells the family servant Nelly Dean, to “keep strictly within the limits of the law” to avoid giving Isabella “the slightest right to claim a separation”.
The law grants him ownership of his wife’s money and property, but subtler refinements of abuse include humiliation, isolation from family and friends, and deprivation of food, privacy and personal care. At Wuthering Heights, Nelly is shocked to see Isabella unwashed, shabbily dressed. She’s “wan and listless; her hair uncurled: some locks hanging lankly down”.
Isabella has already reported that she is forced to sleep in a chair because Heathcliff keeps “the key of our room in his pocket”. Heathcliff delights in humbling her before Nelly and his own servants, calling her “an abject thing”, “shamefully cringing”, “pitiful, slavish, and mean-minded”.
Isabella escapes Heathcliff clad only in “a girlish dress” and “thin slippers”, and goes into hiding with her brother’s financial help. After her death, Heathcliff recovers their son Linton and uses him to engineer a second coercive marriage to his cousin, Cathy and Edgar’s daughter Catherine. [...]
Brontë’s plot was rooted in a real-life local case of domestic torment. In 1840, a Mrs Collins came to Haworth Parsonage to ask Emily’s father Patrick’s advice about her alcoholic, abusive husband. He was Patrick’s colleague and fellow clergyman, Rev. John Collins, assistant curate of Keighley.
Unusually for the time, Patrick advised her to leave him and take her two children with her. In April 1847, just seven months before Wuthering Heights’ publication, Mrs Collins returned to Haworth to thank him. She told the Brontë family how she had settled in Manchester with her children, supporting them all by running a lodging house. (Katy Mullin and Hannah Roche)
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