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Friday, November 22, 2024

Museums and Heritage Advisor features Lucy Powrie, new Brontë Society chair.
As news broke last month of a new Chair at the Brontë Parsonage Museum, the 25-year-old appointee Lucy Powrie—touted as the youngest in its history—said public reactions had been positive, but she assumed not reactions would be so kind in private.
“I started to realise that there will be people who look at me and think I’ve been appointed because I’m young,” Powrie told Advisor.
The reality couldn’t be further from the truth. Powrie’s journey to becoming Chair began more than a decade ago when, as a teenager, she began recording videos for YouTube.
Among the books she read and shared with her growing audience was the Brontë back catalogue. The love of these books blossomed, leading her to join the Brontë Parsonage Society, which runs the Brontë Parsonage Museum in Haworth, Yorkshire.
Powrie went on to become the Society’s Young Ambassador in 2018, having sent an email to the museum’s comms and marketing lead (and now Director, Rebecca Yorke) explaining her interest in the Brontë and the growing audience of fans.
She has since run a Brontë bookclub on YouTube, held in-person events at the museum, and became “an advocate for young people visiting the museum”, which she said was a “dream come true”.
Last year Powrie became a trustee of the Society’s board. More recently, as the Society’s former Chair Julian Sladdin stepped down, an opportunity arose to lead the board.
“You don’t see many young people as Trustees, or Chair, Vice Chair”, Powrie said.
One of the concerns about stepping up to the role of Chair was “maybe I don’t know everything about a specific area”, she explained.
“I was aware of the barriers and I just decided I would step over them,” she explained; “it wasn’t like I had designs to climb up [the leadership ladder], but it was something I had to think very carefully about and just go for”.
“The biggest barrier to young people finding leading positions in museums is imposter syndrome. For a lot of young people, it wouldn’t occur that you could be on a board or could be involved, boards typically skew older.
“There’s also an assumption in welcoming young people onto a board that you have to alienate other demographics, which I don’t think is true.
“The point of a board is not that you are one person standing alone. It’s multiple people with a different background and experience all collaborating and providing feedback.”
Despite Powrie’s social media following, which runs into the tens of thousands, she does not consider herself an ‘influencer’; not least because she has since established herself as an author in her own right, publishing a series of Young Adult Fiction novels.
“I don’t try to influence people to read, I just want people to follow along and share their lives reading as well”, she said.
“As a teenager when I visited the museum it was so great, because I walked through the doors and there were people exactly like me, and my age, who loved the Brontës. I’d never seen that anywhere,” she said.
Powrie said her approach to creating a following online has been centred around building community and sharing experiences. Her approach as Chair will be much the same.
“People are always looking for [community], and they are so passionate about the Brontës. They want to talk about them, they want to share their opinions and theories. We’re talking about women who were born two hundred years ago but feel so relevant.”
According to The Sydney Morning Herald, there's no shame anymore in reading romance novels. Apparently there's no shame either in claiming that Jane Austen was a Victorian novelist.
Romance novels have a long history in Western ­culture. From Ovid’s Ars Amatoria to Samuel Richardson’s Georgian Pamela; or, Virtue Rewarded, to the Gothic sagas of the Brontë sisters and the Victorian social romance of Jane Austen, the genre has shape-shifted along with society. (Melanie Kembrey)
Vogue comments on the latest Wuthering Heights cast announcements.
It’s not yet clear who else will be filling out the predictably starry ensemble (personally, I hope Carey Mulligan makes an appearance again, as she has in Fennell’s past two hits, in some bonkers and unexpected role), though we do know that Fennell will be writing and producing as well as directing, and that the film is already in pre-production ahead of a UK-based shoot in 2025. So, I say to my fellow Brontë obsessives: this is not a drill. It’s time to blast Kate Bush and dig out your own battered copy of this literary classic once again. (Radhika Seth)
Brussels Brontë Blog has a post on the book The Brontës, My Mother and Me by Anna M Biley.

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