Charlotte Bronte’s Jane Eyre, heroine of her 1847 novel, is superficially a very different character from the glamorous, aristocratic and beautiful Hedda Gabler; a mousy and penniless little orphan, with nothing to offer the world but her sharp intelligence. Yet in truth, Hedda and Jane are in many ways heroines cut from the same mould; women too restless in spirit, and too eager to live, love, and stand alongside men as equals, to easily tolerate the attitudes of 19th century society.
In Jennifer Dick’s two-and-a half-hour outdoor version of the story – set in 19th century Scotland – Stephanie McGregor delivers a superb performance as Jane; funny, rebellious, passionate in her quest for true love and connection, and yet always, unlike Hedda, wise enough to know when only patience, hard work, and a deliberate turning towards the light, will offer any way forward.
In a richly rewarding evening, McGregor receives terrific support from Tinashe Warikandwa, Trish Mullin, Stephen Arden and Alan Steele, with a breathtakingly handsome Johnny Panchaud as her love Rochester. And throughout, in a fascinating twist, Jennifer Dick makes much of Jane’s quiet gift for drawing and sketching; raising questions about whether Ibsen’s Hedda might not have found a happier ending, if she had been able – like Jane – to find a creative outlet which she could take seriously, as a way of working through, and surviving, the worst of pain and loss. (Joyce McMillan)
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