Natalie Ibu is about to make her National Theatre debut directing a new play about the Brontë sisters, but the Kardashians keep creeping in. “I’m constantly comparing them, because they’re the ultimate disruptors – and they’re also three sisters with a brother that no one really remembers. We may not like what they stand for, but they are successful and exquisite at what they do,” she says.
Ibu is well aware that some will see this as an appalling slight against the 19th-century daughters of a country clergyman, who disrupted the canon by producing some of the most important novels in the English language. She means no disrespect, either to them or to those who know and revere their work, “but the idea that we can’t talk about the Kardashians in the same breath as the Brontës I find deeply offensive,” she says. “Our audiences are cultural consumers who go wherever they find something they like. I want them to be fans of theatre in the way that they’re a fan of Harry Styles.”
It’s Monday morning on the week before rehearsals proper begin, and a day of pre-production consultations lies ahead for Ibu, who strolls in from her Airbnb clutching a takeaway coffee. Underdog: The Other Other Brontë was brought to her attention after it won Sarah Gordon the Nick Darke playwriting award in 2020. And though it was very different to Ibu’s usual work – including a recent hit show for young people, Protest, she thought: “Yes, we have to do this.” It is a co-production with Northern Stage, where Ibu has been artistic director for the last three years.
The underdog is Anne Brontë, who died at just 29 having never quite achieved the success of her two older sisters. The play explores the role that sibling rivalry played in her eclipse, particularly with Charlotte, who altered Emily’s poetry, and is known to have suppressed Anne’s novel The Tenant of Wildfell Hall for years by vetoing a second print run after the first edition sold out.
In a key scene, Anne berates her sister for gazumping her novel Agnes Grey with Jane Eyre. “Charlotte has this great line, ‘I’m telling you, the novels could not be more different. Mine is strange and gothic and intense. Yours is … realistic.’ She is creating a narrative that excuses what she’s done. But it also makes an important point: that male writers tread over the same ground, with endless stories about kings, and no one questions them. So why can two women not write in the same space?” (...)
People with an established relationship with the Brontës are welcome, she says, but it’s also for the 17-year-old girl who thinks they have nothing to say to her.
“My own relationship with the Brontës began with this play – I’m very honest about that,” she adds. (Claire Armitstead)
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