Oxford University Press publishes an authoritative selection of texts by Emily Brontë:
Edited by Francis O'Gorman
Oxford University Press
ISBN: 9780198868163
January 2024
Emily Brontë is one of the few modern writers in English whose distinction as a novelist is matched by her distinction as a poet. She lived and died more or less completely out of the public eye and only towards the end of the nineteenth century was her writing widely recognized. Wuthering Heights (1847) and the small but vital corpus of poetry have subsequently become some of the most celebrated writing in nineteenth-century literature. This new edition in the 21st-Century Oxford Authors series presents Emily Brontë's work as it was first known to the reading public, together with what manuscript evidence survives of what she had originally intended. It also reproduces the slender amount of personal writing that Emily Brontë left behind and both early criticism and early poems about her. Emily Brontë's sister Charlotte was significant in the initial reception of Emily's work, and this edition allows the reader to see Charlotte Brontë's interventions into her sister's texts and to evaluate them. Centrally, though, this edition is about how Emily Brontë, a remarkably original voice in literature, was first read. Here, primarily, is the Emily Brontë in and of her own lifetime.
The Table of Contents includes:
Introduction
Note on the Text
List of Illustrations
List of Abbreviations
TEXTS
Poems in MS from 1838 to 1846 later included in 'Poems by Ellis Bell' (1850), ed. Currer Bell, with other personal documents
[Emily Brontë], Contributions to Poems by Currer, Ellis, and Acton Bell (1846)
[Emily Brontë], Ellis Bell, Wuthering Heights: A Novel (1847)
APPENDICES
i:Currer Bell [Charlotte Brontë]'s accounts in 'Wuthering Heights' and 'Agnes Grey'. By Ellis and Acton Bell. A New Edition Revised, with a Biographical Notice of the Authors, a Selection from their Literary Remains, and a Preface, by Currer Bell (1850)
ii:Early Poems About Emily Brontë
iii:First Criticism
EXPLANATORY NOTES
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