Wide Sargasso Sea by Jean Rhys
Wide Sargasso Sea is Jean Rhys’ explicitly anti-colonialist response to Jane Eyre. The novel follows Antoinette Cosway, a formerly rich Jamaican heiress of Creole descent who eventually becomes the “madwoman” in Mr. Rochester’s attic. Antoinette tells her own story, in which she is not mad at all, but forced into a hopeless situation by her tyrannical English husband, who is not named in the book. As the book unfolds in the days after the Slavery Abolition Act 1833, Antoinette’s own racism and the consequences of her family’s choice to be slaveowners form a pivotal point in her downfall.
Rhys, who was born in Dominica, takes a scalpel to an iconic Gothic tale to look at British oppression in the Caribbean, the horror of white supremacy and slavery, and both men’s brutal treatment of women, and the way elite women can trade an illusion of safety to become complicit in the abuse of the lower class.
Mexican Gothic by Silvia Moreno-Garcia
High Place stands in the Mexican countryside, home to Howard Doyle, an ancient Englishman and his sons, one handsome but threatening, the other shy. When Noemí’s cousin Catalina asks her to leave her city life and come to High Place it’s shortly after her marriage to Virgil—and Catalina clearly feels that she’s under some sort of threat. Noemí is used to life as a pampered debutante, but she soon realizes that she’ll need to become an amateur detective to help her cousin. Is Virgil truly a threat? What are the secrets that seem to haunt Howard? And why has the High Place itself begun to appear in Noemí’s dreams, showing her images of grotesquerie and beauty that haunt her waking life and hint that she may never be able to leave? Can a house have a will of its own?
The author of Gods of Jade and Shadow takes all the tropes of a classic Gothic and transports them to the Mexican countryside, where the fading English elite fight to hold on to their power—even if it means living in thrall to ancient evil.
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