Wednesday, June 15, 2011

Wednesday, June 15, 2011 12:13 am by M. in    No comments
A book with Brontë mentions has just been released:
Nom de Plume
A (Secret) History of Pseudonyms
By Carmela Ciuraru
ISBN: 9780061735264
ISBN10: 0061735264
Harper Collins
On Sale: 6/14/2011
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Mary Anne Evans. Charles Dodgson. Eric Blair. William Sydney Porter. Or, as they are more commonly remembered, George Eliot, Lewis Carroll, George Orwell, and O. Henry. For these writers and many others, from Mark Twain to Stan Lee to Robert Jordan, the invocation of a nom de plume has been an essential part in the creation of an authorial identity. Now, in a captivating series of biographical snapshots exploring the lives of famous authors and their pen names, author Carmela Ciuraru delivers a unique literary history and a penetrating examination of identity, creativity, and self-creation, revisiting the enduring question—what’s in a name?

What's in a name?

In our "look at me" era, everyone's a brand. Privacy now seems a quaint relic, and self-effacement is a thing of the past. Yet, as Nom de Plume reminds us, this was not always the case. Exploring the fascinating stories of more than a dozen authorial impostors across several centuries and cultures, Carmela Ciuraru plumbs the creative process and the darker, often crippling aspects of fame.
Biographies have chronicled the lives of pseudonymous authors such as Mark Twain, Isak Dinesen, and George Eliot, but never before have the stories behind many noms de plume been collected into a single volume. These are narratives of secrecy, obsession, modesty, scandal, defiance, and shame: Only through the protective guise of Lewis Carroll could a shy, half-deaf Victorian mathematician at Oxford feel free to let his imagination run wild. The "three weird sisters" (as they were called by the poet Ted Hughes) from Yorkshire—the Brontës—produced instant bestsellers that transformed them into literary icons, yet they wrote under the cloak of male authorship. Bored by her aristocratic milieu, a cigar-smoking, cross-dressing baroness rejected the rules of propriety by having sexual liaisons with men and women alike, publishing novels and plays under the name George Sand.
Grounded by research yet highly accessible and engaging, these provocative, astonishing stories reveal the complex motives of writers who harbored secret identities—sometimes playfully, sometimes with terrible anguish and tragic consequences. A wide-ranging examination of pseudonyms both familiar and obscure, Nom de Plume is part detective story, part exposé, part literary history, and an absorbing psychological meditation on identity and creativity.
The press release of the book can be found on Associated Press.

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