Friday, January 01, 2021
So, 2020 is over now. It's history. History, for real. We thought that 9/11 was the beginning of the 21st century, the year that redefined our world and brought a slow transition to a new era. But we were wrong. The real disruption came in 2020. It had to be a virus, the humblest things that God has put upon this earth, quoting H.G. Wells, which demoted the human race (for once, a planetary species) of their self-attributed power over the planet. We know, of course, that it is naive to think that this lesson in humility will last. When the pandemic is over (and eventually it will be, like the ones that preceded it) humankind will return to its old ways. But in a different world... Lampedusa style. You know: "everything must change so that everything can stay the same".
But, we don't want to be in a dark mood entering this new year. We want to believe that 2021 will be better and we have some objective facts to help convince ourselves: a change of administration in the US, the depressing (but the alternative was even worst) Brexit deal and above all, the arrival of the first COVID-19 vaccines... Yes, 2020 has been an awful year but in its last weeks it seems to have been trying to redeem itself.
The 2021 Brontë year will not be very different from the non-Brontë one. Uncertainty is the new currency. Mostly we don't know but these are the few things that we do know:
We know that the Brontë Parsonage Museum, when it opens again, will continue for the whole year with its Anne Brontë exhibition Amid the Brave and Strong abruptly interrupted in March. Hopefully, the No Soft Nonsense mini-exhibition at the Morgan Library in New York will stay open until February, as originally planned. The Brontë Society bicentenary conference, 'I wished to tell the truth': Anne Brontë at 200 has been rescheduled for September. Same place, Scarborough, just one year later. On the other hand, in Thornton, we expect some news for the Brontë Birthplace this January: "a recognisable change at The Bronte Birthplace working with Bradford Civic Society, author Dr Michael Stewart and photographer Craig Sugden".
The performing arts scene is, of course, the one that has suffered most deeply the effects of the pandemic. Virtually shut down since March, it's still unclear when or how it will return to normal, or new normal or post-normal. Anyway, there are some projects around that might see the light at some point of 2021: the National Theatre and Wise Children Wuthering Heights new production, directed by Emma Rice, was going to be one of the highlights of the 2020 Fall season. In the new year, it is scheduled to be performed in Edinburgh (March), but time will tell.Some of these projects may finally go online. But we know for sure one that will be premiered virtually. The rock band musical Glass Town by Miriam Pultro will premiere online at the Adelaide Fringe Festival (March).
The literary world will, once again, be very present in Brontë News. We have retellings: The Wife Upstairs by Rachel Hawkins reimagines Jane Eyre in Alabama 'pairing Southern charm with atmospheric domestic suspense' (January); another Jane Eyre retelling as a thriller where our heroine 'must question everything she thinks she knows about love, loyalty, and murder' in Rochester's Ghost by Lindsay Marcott (July). It's also possible that Luccia Gray will publish her prequel of her Eyre Hall Trilogy, Harvest Moon in Eyre Hall. And, in the retelling-wtf twilight zone, you might enjoy Rose Lerner's The Wife in the Attic where 'the governess falls in love with the wife in the attic, and together they wreak fiery vengeance on the tyrannical master of the house (audiobook, February).We have fiction around the Brontës themselves: Bella Ellis's third Brontë Mysteries novels, The Rise of the Red Monarch where all of the Brontë siblings 'take a secret trip to London, after being called upon to help by Anne’s former charge and Branwell’s mistress’s daughter Lydia who recently eloped with a young actor. Her new husband has been kidnapped' (November).
A couple of books will explore Jane Eyre as a religious book. Vanessa Zoltan's Praying with Jane Eyre. Reflections on Reading as a Sacred Text by is 'brimming with a lifelong love of classic literature and the tenderness of self-reflection, the book also reveals simple techniques for reading any work as a sacred text' (July). Rooted much more in Christian orthodoxy, Jane Eyre. A Guide to Reading and Reflecting by Karen Swallow Prior 'will show you how to read it in light of the gospel, and to the glory of God' (March).
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With... Emma Conally-Barklem - Sassy and Sam chat to poet and yoga teacher Emma Conally-Barklem. Emma has led yoga and poetry session in the Parson's Field, and joins us on the podcast...1 day ago
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