Maskers Theatre Company presents
Wuthering Heightsadapted by Lucy Gough
Director ... Paul Green
Cast ... Lydia Longman, George Attwill, Sarah Russell, Georgia Humphrey, Jonathan Marmont, Michelle Heffer, George Davies
The Nuffield Theatre
27 to 31 January 2015 at 7:30pm
Emily Brontë's Wuthering Heights is one of the most enduring love stories of all time. This vibrant and exhilarating adaptation uses exciting physical theatre techniques to bring the audience a thrilling theatrical experience.
Emily Brontë's Gothic tale of tortured love is brought to the stage in all its turbulent, passionate glory in this exhilarating and vibrant adaptation by Lucy Gough. Growing up together on the Yorkshire Moors, Catherine Earnshaw and the gypsy Heathcliff are inseparable after he is adopted into her family. But when Catherine marries the refined Edgar Linton, Heathcliff sets his mind to revenge. Their destructive relationship is one of the most enduring love stories of English literature. The story is told in its entirety, showing the doomed relationship between Catherine and Heathcliff and the consequences suffered by their respective children, Cathy and Linton. With a strong physical element, this highly visual production has the moors as a tangible character and Catherine's ghost is a constant presence. Don't miss what is surely one of the most famous and enduring love stories of all time.
Tuesday, January 27, 2015
Monday, January 26, 2015
A table at which the Brontë sisters wrote has been brought back to the family home in Yorkshire after being purchased with a grant of £580,000.Others relaying the news are: The Telegraph (illustrated with an alleged and quite contested so-called Brontë portrait) , The Yorkshire Post, The Telegraph and Argus, etc.
The Brontë Society at Haworth said the table was a "most evocative" 19th Century literary artefact.
It was sold along with other household effects from the Brontë Parsonage after the death of Patrick Brontë in 1861.
The mahogany drop-leaf table's purchase came after a grant from the National Heritage Memorial Fund (NHMF).
Ann Dinsdale, collections manager at the Haworth Parsonage, said "It is one of the most important literary artefacts of the 19th Century."
Among the novels written by the sisters in the parsonage were Emily Brontë's Wuthering Heights, Charlotte's Jane Eyre and Anne's The Tenant of Wildfell Hall.
The table has ink blots, a large candle burn and a letter E carved into its surface.
An article on snowdrops in the Daily Mail recalls that,
On her wedding day, the novelist Charlotte Brontë was described as looking like a snowdrop — appropriate for the writer who appeared so demure but whose heroines such as Jane Eyre were decidedly not. (Sarah Foot)Página 12 (Argentina) features the book Cartas extraordinarias by María Negroni where she
elige a los que más y mejor han echado raíces en su propio planeta literario: Emilio Salgari, Jules Verne, Lewis Carroll, Charlotte Brontë, entre otros. ¿Hace falta decir que muchos de estos nombres venían reincidiendo en la obra de Negroni desde, por lo menos, Museo negro? La infancia, se sabe, es el país de las heridas y los amores que nos definen, y a los que regresamos recurrentemente.While The Guardian reviews Rego Retold: Poems in Response to Works by Paula Rego by Owen Lowery, which includes the following poem:
Para reflexionar sobre y con estos autores, Negroni escribe una carta, que en la mayoría de los casos ficcionaliza la voz del autor mismo. A veces las cartas se dirigen a una persona importante del entorno b (Mariana Amato) (Translation)
iográfico del escritor; otras veces se dirigen a un personaje de su autoría (o al revés, un personaje le escribe al autor), y en otras ocasiones el escritor se dirige a otro artista, con quien puede o no haber tenido contacto en su vida real. Es decir, las cartas entretejen ficción y biografía para mejor indagar en los diálogos visibles e invisibles que una obra entabló con su tiempo y con otras obras.
by Owen Lowery
A forthcoming, from its pool of shadows up
by angles of covered bone, to her knowing
it would happen on a day like this, the supple
terror of a horse’s eye holding her. She slows
to the scream of being locked in the Red Room
with its reek of dying flowers, throwing
herself at the door with horror assuming
form behind her. Or not her recent uncle
at all, but the girl from school she warmed the tomb
for in the morning, she lay beside for as long
as it took for her to fade. The dark mass
of a horse balances and shies, hung
both with reins and their froth, sees her dazzled
to a stand-off. It’s the gloom’s rider who’ll crack
the silence first with his anger’s elastic
submission. To which she’ll fling a coolness back
at least as soft and hard as his, then hear him
sliding towards the relative distraction
of another scenario they’ll have shared
by the time they reach their destination, paths
leading to Thornfield Hall. It’s easy once the gears
click them more alive than standing for the halves
of the same mountain. He, in particular,
fixed to his finding her an evening after
she dreamt him there, looking down fro the flicker
of a blasted tree, from his top-hat’s coal-seam
and answer in his boots, his whip-hand’s friction.
New Fortune Theatre is proudly committed to producing Original Classics.
So to follow our opening of Henry V, a Shakespearean history, alongside readings of an original adaptation of Dorian Gray, and a world premiere of Cellar Door; we are proud to continue true to course with a reading of
Adapted to stage by Kirsten Brandt,
From the novel by Emily Brontë
Directed by Kirsten Brandt
One night only: January 26, 2015: 7:30pm
At North Coast Repertory Theatre
987 Lomas Santa Fe Drive
Solana Beach, CA 92075
Sunday, January 25, 2015
The Telegraph should revise the pictures they use because their "Emily Brontë" picture has been contested numerous times. The article is about women that 'became men' to go ahead:
Much like George Eliot, the Brontë sisters passed themselves off as men by name only. In the early years of their career, Charlotte, Emily and Anne went by the names of Currer, Ellis and Acton Bell. Their first work under these names, simply entitled Poems, was published in 1846. The following year, Charlotte had Jane Eyre published under the name Currer Bell, while Emily continued as Ellis Bell for the publication of Wuthering Heights. (Siân Ranscombe)The Fandom Post reviews issue 16 of the manga Tegami Bachi (テガミバチ) which contains a Wuthering Heights reference:
Story: Hiroyuki AsadaThe Denver Post reviews Ted & I: A Brother's Memoir by Gerald Hughes (the brother of Ted Hughes):
Art: Hiroyuki Asada. (...)
While looking for the Gaichuu, Zazie stays at an inn called Wuthering Heights that is managed by a young girl named Emil Brontë, I know, that name is too on the nose but the story doesn’t suffer from it. (Chris Kirby)
This is very much an older brother's memoir. The Ted Hughes of popular imagination, a combination of Bluebeard and Heathcliff, is nowhere to be found. Ted emerges as a vulnerable character: curious, guileless, generous, more comfortable in the outdoors than anywhere else. (John Broening)
Hoodline alerts us to an event in Hayes Valley next week:
Even if you don't need glasses, now there's no excuse not to visit the new Warby Parker at 357 Hayes Street. This Tuesday, the retailer will host an evening with Mallory Ortberg in celebration of her new publication, "Texts from Jane Eyre." If it's anything like the cheeky lifestyle space that Warby Parker set up for Hayes Valley residents, it's sure to be a good time. Check out the Facebook event page for more details.Books Are Another Dimension posts about Wuthering Heights. The Sunday Times Magazine interviews Juliette Binoche and Wuthering Heights 1992 gets a mention.
The Dissolution of Percy2. New compositions by Ronald Beckett will be performed in a concert today in La Salette, Ontario:
The Kings Arms, Salford, Manchester
January 25, 26 at 7.30pm
Lydia has never been interested in searching for love, but, gnawed by loneliness and physical frustration, and immobilized by her station, companionship and release must be had, and soon. Branwell, a young tutor and amateur writer, is haunted by a history of creative and vocational failures. He struggles to fulfill his duties, pursue his ambitions and maintain a hold of his remaining good sense due to a growing attachment to alcohol and an intense, obsessive infatuation with his master’s wife: Lydia. Glowing ecstasy and violent sorrows, real and imagined, batter the mismatched individuals each in turn, but, all the while, something secretive and wonderful is happening back at Branwell’s family home. His three sisters have begun work of their own. But perhaps that’s of no importance.
The Dissolution of Percy tackles a notorious series of historical events reflecting the surprising lack of evolution in gender politics between the nineteenth century and the modern day. The pressure and emotional toll of high expectations dropped on young male shoulders, and the crippling effect of their comfortless sense of entitlement on in this “man’s world”, are exposed. Can a woman’s worth be measured by her relationships? Can a man’s be measured by any demonstrative display of masculinity? What is the definition of “success” or “failure” for a male versus a female? The Dissolution of Percy plunges its audience into a world balanced in stark counterpoint between high, violent passions, steady, grim pragmatism and gallows humour, to explore matters still fiercely debated today.
Songs of Arcady
The program includes solo and ensemble performance opportunities, mentorship with seasoned professionals and Arcady’s very own director Ronald Beckett, and the opportunity to premiere new music by Beckett composed specifically with each Young Artist in mind.
Songs of Arcady will feature the premiere of these personally designed songs and will be accompanied by the composer himself. Soprano, Kristen English from Lindsay will premiere “Time is Sleeping” which is set to an inspiring and unforgettable poem by Canadian poet/composer Nick Peros. English will also premiere “Three Short Poems by Emily Brontë.” Bronte is a poet many composers enjoy setting to music as her poetry is typically short fragments capturing a brief image and emotional impression well suited for music. The program also includes two more contrasting settings of Emily Brontë to be performed by baritone Kieran Kane from Guelph. (Tammy Whetham in Woodstock Sentinel)
Saturday, January 24, 2015
The society has bought the simple mahogany drop-leaf table with a grant of £580,000 from the National Heritage Memorial Fund.The Daily Express asks the TV presenter Gaby Roslin for her favourite books:
The society said the desk was one of the most evocative and significant literary artefacts of the 19th century.
The table at which the Brontë sisters wrote was the focus of domestic life in the Brontë household at Haworth Parsonage, and where the siblings gathered to write and discuss their stories, poems, and novels.
The table bears the marking of the family’s daily use with ink blots, a large candle burn in the centre, a small letter ‘E’ carved into the surface, and beneath the table are ownership markings, possibly in the hand of Charlotte Brontë’s husband, Arthur Bell Nicholls.
The table was also featured in an 1837 diary paper sketch by Emily, showing herself and Anne writing at the table with all their papers scattered before them.
The table was sold during the sale of the household effects of the Parsonage, which took place after the death of Patrick Brontë in 1861.
The table is listed as lot 154 in the hand-written sale catalogue, held at the Brontë Parsonage Museum, which shows that it was purchased by Mr Ogden for the sum of £1-11-0. The Ogdens sold it to another family, within which it has been handed down as an heirloom, before the museum was approached for ownership.
Ann Dinsdale, the Collections Manager at the Brontë Parsonage Museum, said: “We are extremely proud and excited to be bringing the Brontës’ table back to its original home.
“It is one of the most important literary artefacts of the 19th century and displaying it in the Parsonage dining room marks a wonderful commencement to our programme of activity marking the forthcoming bicentenaries of the births of the Brontë siblings.”
The table was loaned to the Brontë Parsonage Museum for a short period in 1997 to mark the 150th anniversary of the publication of Jane Eyre and Wuthering Heights.
Carole Souter the chief executive of the National Heritage Memorial Fund (NHMF), said the Brontë sisters were internationally revered for their contribution to English literature.
She said: “Novels which have enthralled millions of readers were imagined and written at this table and seeing it brings to life the creative process behind the famous works.
“NHMF trustees felt it important that it should be saved for the nation so that it can be displayed to the public in its original setting.”
Heritage minister Ed Vaizey said: “The Brontës’ family dining table has a close connection with some of the most famous English literature written in the 19th century.
“The National Heritage Memorial Fund grant recognises the importance of keeping these literary artefacts on display and it’s wonderful that visitors to the Brontës’ former home in Yorkshire will now be able to enjoy it in its original setting."
The table will be displayed in its original position in the dining room at the Parsonage where it can be viewed by the public from the February 1, when the Brontë Parsonage reopens for the coming season. (David Knights)
Wuthering Heights.Ham & High talks with the writer Ben Markovits:
When I was about 12 my mother was fed up with me reading “rubbish” and handed me this. It totally captivated me. You get the barren landscape and that heartrending love. I suddenly realised the depth and beauty of a book. (Caroline Rees)
This relationship, Markovits continues, runs both ways. From an early age, he – like many American high school students – grew up on a literary diet of Dickens, Austen and the Brontë sisters. In particular, his love of Lord Byron shines through and has formed the backbone of his breakthrough in the industry, having penned three books loosely formed around the rambunctious Romantic poet.Daily Mail list some of the locations of the new BBC series Wolf Hall:
Broughton Castle has had a large presence in period drama over the years, and was used in 2011 adaption of Jane Eyre, Shakespeare in Love in 1998 and The Madness of King George twenty years ago. (Simon Cable)Indeed, Broughton Castle was Lowood School in the Cary Fukunaga's film.
Scroll.in interviews the writer Joanna Rakoff:
[As a teenager] I didn't have a lot of friends, I was very, very shy, I was very unpopular ‒ I was chubby and my family was 'weird'. So my friends were the characters in the books that I read over and over, like Jane Eyre. (Shreya Ila Anasuya)Gina Barreca discusses the 'realistic romance' genre in the Savannah Morning News:
Is the new designation for books — “Realistic Romance” — a contradiction in terms? Or will “Realistic Romance” now forever (another lovely oxymoron) be known as the category designed for readers who seek plots focused on the wild, unstoppable and inevitable merging of two soulmates who, despite all odds, face the world more bravely because their love has made them strong and also really good-looking?This is a very doubtful statement by 9News:
That sure sounds like romance. What it doesn’t sound is realistic.
I’m saying this not only as a happily married woman but also as a fan of impossibly unrealistic classics such as “Wuthering Heights,” “Gone with the Wind” and “The Princess Bride.”
How did Charlotte Brontë make it easier for everyone to breathe? She created Eyre.We have no words.
If you laughed at that joke, then you should get excited. Friday marks National Reading Day. (Blair Shiff)
The Age discusses the VCE English text list:
Shakespeare has appeared on every single list for the last two decades, while works by Jane Austen, Emily Brontë and Charles Dickens, as well as more contemporary writers David Malouf and Tim Winton also crop up regularly. (Henrietta Cook)Soester-Anzeiger reviews the Oberhausen performances of Wuthering Heights:
Wunderschöne Bilder für einen seelischen Vernichtungskrieg. Das Oberhausener Ensemble spielt wieder seine Stärken aus. Angela Falkenhan ist als Cathy eine grandiose Hysterikerin, die ihrem sanften und großzügigen Ehemann mit Betteln und Drohungen den Kontakt zu Heathcliff abringt. Mal liegt sie matt auf dem Sofa, dann entfesselt sie mit Schreien und Herumlaufen und Kissenzerfetzen einen Privatsturm. Dann wieder bestimmt sie Vögel nach den Federn, im Rückfall in das Kinderglück eine Wiedergängerin von Ophelia, unschuldig und wahnsinnig. Peter Waros gibt den undurchsichtigen und unberechenbaren bösen Liebhaber, der Unrecht erlitt und nun neues Unrecht begeht, manchmal ein gewandter Gesprächspartner, oft aber ein Wutbruder. Sergej Lubic spielt Edgar, anfangs als braven Bürger mit Machoanwandlungen, der mit einem Schenkelklopfen sein Frauchen zu sich auf den Schoß kommandiert. Bald aber spürt man seine Schmerzen, er ist überfordert von Leidenschaften, die er nie entwickeln wird. Und Henry Meyer gibt den Hindley erst als lebenslustigen Haustyrann, später als misanthropischen Alkoholiker.Cinema Fanpage (Italy) reminds us of a curious piece of trivia of the 2003 film Cold Mountain:
Drei Stunden lang säuft hier eine Gesellschaft im englischen Hochmoor ab. Eine große Leistung. Aber man fragt sich schon, wo dieses so kunstvoll wie künstlich konstruierte Liebes- und Rachedrama unsere Gegenwart berührt. (Ralf Stiftel) (Translation)
Cinefilos (Italy) interviews Toby Stephens about the second season of Black Sails:
CS: A proposito di letteratura, chi preferisci tra il Capitano Flint e Rochester in Jane Eyre?El Litoral (Spain) talks about Reading Lolita in Tehran by Azar Nafisi:
T.B: Difficile a dirsi perché sono personaggi completamente diversi. Rochester è davvero un archetipo letterario. Ero nervoso all’idea di interpretarlo perché pensavo alle aspettative delle donne che sono davvero ossessionate da questo personaggio. Ma è un ruolo che mi ha dato tante soddisfazioni, ho adorato interpretare Rochester. Quanto a Flint, in un certo senso stiamo creando il personaggio, perché non è presente ne L’Isola del Tesoro. Viene menzionato, ma non sappiamo chi sia, quindi mi affido agli sceneggiatori. Creare il personaggio è una cosa bellissima. Non sto cercando di eludere la domanda, ma è difficile paragonare i due perché sono ruoli gratificanti in modo completamente diverso. Direi che sono appaganti nella stessa misura. (Raffaella Lippolis) (Translation)
¿Alguien podía concentrarse en sus tareas cuando lo que preocupaba a los profesores era cómo eliminar la palabra ‘vino' de una novela de Hemingway o si debía omitir a Emily Brontë del programa porque parecía excusar el adulterio”. (Enrique Butti) (Translation)El Nacional (Venezuela) reviews Glennkill by Leonie Swann:
Eso sí, de contar relatos saben mucho y ellas no se cansarán jamás de escuchar a la nueva pastora, heredera del rebaño, leyendo la historia de Heathcliff al que tanto le gusta vagar por ahí. (Juan Carlos Chirinos) (Translation)Sipse (México) discusses the works of Claudio Magris:
En el ensayo que dio pie a esta selección, titulado “Cuando la literatura golpea como un puño”, Magris resume que este sentido de lo terrible, como Cumbres borrascosas, radicalmente desagradable, representa una alta humanidad, porque mirar de frente a la Medusa es la única posibilidad de resistirse a ella. “El corazón”, decía Flaubert, “tiene sus letrinas, y sólo la pluma de un escritor verdadero es capaz de limpiar y pulir esa podredumbre”. (Alfredo C. Villeda) (Translation)This interview in La Gazette du Sorcier (France) to Matthew Lewis is a bit vague about the present status of The Brontës biopic project:
La Gazette du Sorcier : Avez-vous de nouveaux tournages prévus prochainement ?Vulpes Libris transcribes a Charlotte vs Emily debate; Hic et Nunc reviews Wuthering Heights; herzenszeilen (in German) posts about Jane Eyre.
Il est toujours attaché au biopic The Brontës, mais il ne sait pas où en est le projet pour le moment. (Translation)
Adapted from Wuthering Heights by Emily Brontë
by Mara Gualandris and Loredana Riva
January 24, 21 h Teatro Oratorio Lomagna
February 14, 21 h centro Don V. Pedretti via molino Arese 15, Cesano Maderno
February 28, 21 h, Madonna in campagna, Gallarate
April 19, 15:30 h, Teatro Barbarigo via Bordighera 46, Milano
Friday, January 23, 2015
Brontë Parsonage Museum intern Alana Clague writes about her experience in The Telegraph and Argus.
The Parsonage has not been a disappointment!The Brontë Parsonage Facebook page tells about a lovely 'tradition':
Every day has been a different challenge, which I have really enjoyed. The beginning of my time here was quite daunting, with much to learn about the museum and the Brontë family history, and I spent a part of my time reading as much as I could about the Brontës.
The next task I faced was helping to catalogue books and other donations into the museum’s collection databases. There was a great range of material to catalogue and I have some personal favourites.
‘Wuthering Bites’ by Sarah Gray, a reimagining of the classic tale with Heathcliff as the orphaned child of a vampire and vampire hunter at war with his inner nature, is a story I think would please Twilight fans everywhere and one I have catalogued into the Parsonage library.
I have catalogued a copy of The Brontës by Flora Masson, discovered abandoned in a World War One dugout in 1918, a book fascinating and poignant for more than story written on its pages.
There have been books about the Brontës, stories inspired by their works, foreign language versions and film adaptations including a samurai Wuthering Heights and a Mexican version with Heathcliff as Alejandro.
Along with this I have been involved with researching objects, answering research enquires, uploading articles to the website and many activities in between.
At the moment, however, it is the museum’s closed period and we are busier than ever. Everyone is helping to prepare the museum for the visitors return in February.
I have been helping to move objects from display and to clean them, from waxing chairs to vacuuming Mr Brontë’s nightshirt. I help with whatever is needed and at the moment that means something different every day.
Yesterday I was researching the German first edition of Wuthering Heights but who knows what challenges today will bring!
Today, as in previous years, we've received flowers from an anonymous well-wisher in recognition of Anne Brontë's birthday, which was on Saturday. Thank you anonymous well-wisher! Come inside for a cup of tea and a sit-down next year.There are a couple of Brontë-related projects in Dewsbury, as seen in the Dewsbury Reporter:
Young south Asian women with a love of literature are being invited to take part in a new project by Creative Scene.Manchester is not all that far away from those places and, according to SuperBreak, it has been 'named top tourist destination for 2015'. The attractions of course now include
Worlds Apart, inspired by the life and work of Charlotte Brontë, is part of the lead up to the 200th anniversary of the birth of the author.
The collaboration between Chol Theatre and Gomersal’s Red House Museum involves developing a theatre piece for the museum, which was once the home of Brontë’s best friend Mary Taylor.
Creative Scene is holding an open casting call to find a group of South Asian young women aged between 14 and 25 to work with Chol Theatre’s guest director Evie Manning and writer Aisha Zia.
Evie and Aisha recently made the critically acclaimed No Guts, No Heart, No Glory – a performance by young Muslim women.
A drop-in session in Dewsbury Town Hall takes place on Saturday, 10.30am-4pm.
Elizabeth Gaskell’s HouseThe Chicago Tribune brings back from its archive a 1929 review of Virginia Woolf's A Room of One's Own.
Elizabeth Gaskell's novels including Mary Barton, Cranford, North and South, Ruth and Wives and Daughters have enjoyed an extended life in print form, on the radio and even on the small screen, with many admiring the charm of their period stories and strong female characters. Now, you can see where writer Gaskell crafted her storylines and developed her heroines, at the newly opened Elizabeth Gaskell's House on the edge of Manchester. The Grade II listed property is a rare example of the elegant Regency-style villas once popular in the city and it has just been restored thanks to a National Lottery fund of around £2.5 million. Few other places have such an incredible history - previous visitors include Charlotte Brontë, Charles Dickens, John Ruskin, the American abolitionist and novelist Harriet Beecher Stowe and musician Charles Hallé.
The house is currently open on Wednesdays, Thursdays and Sundays, from 11.00am to 4.30pm, although these opening hours are likely to be extended during the summer months. (Vikki Stathers)
"A Room of One's Own" is one of the most stimulating books of the year to any one really interested in creative writing, whether as an eager reader or as a mute and inglorious Milton or Emily Brontë. In it Virginia Woolf bares her mind about why women have and have not written books, and the processes of that mind, quite as much as the conclusions which it draws, are fascinating; for, to most of us, Virginia Woolf has one of the most alluring minds in present day literature. [...]This columnist from the Courier-Post comments on the proposed opening of a hardware library:
That women wrote nothing remarkable under such circumstances she finds not at all startling. In a later period, the common sitting room as a retreat and a life devoted to mending and stewing and brewing did not offer women much leisure, or independence, or quiet for creative work. It did, however, offer them unlimited opportunities for the observation of human relationships, and it made inevitable their writing novels when they came to write anything. Once woman had proved — it was Aphra Behn who first in the English speaking world earned money by writing — that she could be economically independent through writing, women of all sorts and kinds began it. They were afraid at first to sign their own names. They signed men's names in tremulous fear of detection. Currer Bell, George Eliot, George Sand are only the well-known names which fame rescued from the thousands. (Fanny Butcher)
I'd suggest they consider the emerging field of tool literature, like my favorite adaptation of a Charlotte Brontë classic.The Liverpool Echo reports the death of actress Pauline Yates who
Jane Eyre Compressor. (Jim Walsh)
made her stage debut, aged 17, playing Grace Poole in Jane Eyre. (Paddy Shennan)
シャーロット・ブロンテ全詩集 (The Poems of Charlotte Brontë)
Charlotte Brontë. Editor: Victor A. Neufeldt. Translator: 中岡 洋
Publisher: 彩流社 (2014/9/1)
Thursday, January 22, 2015
And so Valentine's Day season begins. Bustle wonders 'What These 12 Famous Historical Couples Would Be Wearing On Valentine's Day'.
10. CATHERINE AND HEATHCLIFFThat's not how we'd picture them but then again we don't see the as the Valentine's Day-celebrating kind of couple.
For this gothic-romantic couple, Valentine’s Day would be spent by taking a lovely romp and chase through the Yorkshire moors where they spent most of their time growing up as children. Both would be dressed for the wuthering weather in wool peacoats. Cathy would wear a more feminine peacoat in a baby blue, a-lined and double breasted style, her hair loose and blowing wildly in the wind. Heathcliff would be dressed in a dark charcoal peacoat, his dark, long hair tied roughly back in a man-bun. (Courtney Mina)
The Irish Times interviews writer Alison Weir:
Who is your favourite fictional character? Mr Rochester in Jane Eyre. (Martin Doyle)The Conversation enlightens us on what ekphrasis is.
There is, too, the set of practices we might call literary ekphrasis: a process through which writers collaborate with pre-existing texts, often written by authors who have passed away. American poet Anne Carson’s Nox (2010) is, in this sense, a collaboration between Anne Carson, Catullus, and Carson’s brother, Michael.The Telegraph looks at what's coming at the The National Theatre: Sally Cookson's acclaimed two-part Jane Eyre adaptation will be performed in September (the play will return to Bristol in January 2016):
A more familiar ekphrastic collaboration is Jean Rhys’s Wide Sargasso Sea (a literary collaboration/conversation with Charlotte Brontë’s Jane Eyre). (Dallas J Baker, Jen Webb and Nike Sulway)
The theatre will also stage Shakespeare’s As You Like It, an adaptation of Charlotte Brontë’s Jane Eyre, and Farquhar’s The Beaux’s Stratagem. (Hannah Furness)While on the other side of the pond, Asbury Park Press reports that,
Point Pleasant native John Kurzynowski will be directing Theater Reconstruction Ensemble's off-Broadway play "You on the Moors Now" by Jaclyn Backhaus.It looks as if last year's Tour de France's Grand Départ left Yorkshire wanting more. And so this year we will have a Tour de Yorkshire! Also from The Telegraph:
This 90-minute, world-premiere production — an examination of four well-known literary heroines of the 19th century and their shocking rejection of the men who so ardently loved them — runs Feb. 13 to 28 at HERE, 145 Sixth Ave. in New York City.
Gleaned from the pages of "Pride and Prejudice," "Jane Eyre," "Wuthering Heights" and "Little Women," "You on the Moors Now" takes everything you've ever learned about love "and puts it somewhere in the tall grasses, hidden from view, where only the truly brave will ever traverse to earn it," according to a news release. (Bill Canacci)
Organisers have announced details of the inaugural three-day Tour de Yorkshire event at the start of May. [...]Just a few days ago we saw a picture of a sunny Brontë Parsonage. Well, today it's all covered in snow, as you can see on the Brontë Parsonage Facebook Page. Athlete at Heart has read Jane Eyre.
Stage 3, Sunday May 3: Wakefield - Leeds, 167 km
A return to some of the roads used during last summer’s Tour. Starting in Wakefield, riders will travel south to Barnsley before heading to Holmfirth where they pick up the Grand Départ route, albeit in reverse. Cragg Vale, for instance, becomes the “longest continuous descent in England” rather than the “longest continuous ascent” it was billed as last year. Haworth, home of the Brontës, is ridden in the same direction as it was last summer, meaning there is another opportunity for snappers to get the iconic shot of the peloton ascending its cobbled streets. The finish is in Roundhay Park in Leeds. (Tom Cary)
The Brontës: Novels by Three Sisters
Thursday 22 January 2015
Tutor: Geoff Doel
Length: 8 sessions
Time: 1.30pm - 3.30pm
Location: Canterbury Campus
The Brontë sisters were inspired by their bleak moorland environment, their passionate lineage and their love of Romantic literature inherited from their father Patrick (himself a poet of nature); their very isolation in Haworth bred a mutual intensity.
Despite their limited educational and social opportunities and their relative poverty, the sisters each produced a masterpiece - novels of great intensity, passion and power. We’ll study Emily’s Wuthering Heights , Charlotte’s Jane Eyre and Anne’s The Tenant of Wildfell Hall , exploring their literary impact in the mid-nineteenth century and their profound influence since.
Wednesday, January 21, 2015
Bustle selects 'eight Netflix gems expiring February 1 that you should catch while you still have the chance' and one of them is
Jane EyreThe film also makes it onto Slate's list of 'good watch' and is the object of a blunder on Fox 2 Now St. Louis.
Charlotte Brontë’s Jane Eyre is one of the best Victorian novels, and the 2011 adaptation featuring Mia Wasikowska as Jane Eyre and Michael Fassbender as the hard-hearted Mr. Rochester is fairly solid and true to the novel, although Jane is supposed to be homely and Rochester very severe looking. I guess Hollywood needed a beautiful Jane. (Maitri Mehta)
Jane Eyre – When Jane is hired as governess for the ward of Mr. Rochester, a complex courtship begins in this miniseries adaptation of Charlotte Brontë’s novel.It looks as if the writer found the film a tad too long.
The Irish Times interviews writer Dacia Maraini:
Who is your favourite fictional character? First of all Antigone, whom I think is a beautiful character. But also Jane Eyre, Effie Brist and La Pisana (strong character of a girl in the novel Le Confessioni di un Italiano , by Ippolito Nievo, an author of the 19th century). (Martin Doyle)Weekly Record has three people recommend a few books:
Laura O'Grady, Martin Library youth services librarian, recently read "We Were Liars" by E. Lockhart.We are not sure this reader from Planet Siol (Slovenia) would agree:
"It's a cool trend," O'Grady said, to see adults checking out books such as "The Fault in Our Stars" and "The Hunger Games."
But winter is also a great time to "revisit the classics," she said, like "Wuthering Heights" and "Great Expectations." [...]
O'Grady: "Wuthering Heights" by Emily Brontë — the dark setting makes it feel like winter the entire book. . . (Jess Krout)
Prevajalec in stand up komik Boštjan Gorenc - Pižama se pri branju knjig drži navodila, ki jim ga je na fakulteti razodela profesorica Meta Grosman, in sicer da je osnovna pravica bralca, da lahko knjigo odloži neprebrano. "Dokaj ironično je, da sem se te krilatice držal ravno pri eni od knjig, ki smo jih morali prebrati pri njenem predmetu o viktorijanskem romanu."Bernard Ingham on Winston Churchill in The Yorkshire Post:
"V obup me je spravljala Emily Brontë s svojim Viharnim vrhom (Wuthering Heights), pri katerem sem po treh poskusih vsakič ostal v baznem taboru na nadmorski višini okrog dvajsetega poglavja. Ker sem knjigo vseeno moral predelati in se je vse to dogajalo v internetni juri ali kredi, torej v času pred wikipedijo, sem se do vrha prebil v navezi s Spark's Notes. Zmagoslavne zastave osvajalca v to knjigo tako nisem zabodel." (Deja Crnović) (Translation)
I used to have this vision of Churchill, the guerrilla leader, directing us in the war against a Nazi occupation from Wuthering Heights.Scatterbook posts about Feminism in Wuthering Heights.
EDIT: The A3TV (Spain) gameshow Boom featured a Brontë-related question today:
The struggle for woman’s place and voice in Charlotte Brontë’s Jane Eyre and George Sand’s IndianaIn Romania:
International Journal of Literature and Arts. Vol. 2, No. 6, 2014, pp. 252-257
Abstract: The aim of my article is to uncover the deep semiotic relation existing between Charlotte Brontë’s Jane Eyre (1847) and George Sand’s Indiana (1832), highlighting the proto-feminist elements that characterize both novels and drawing a comparative analysis of the two plots centered on the difficult journey of initiation of two young women physically and emotionally imprisoned by the laws of patriarchal society. Both novels follow a track of self-discovery through a progressive and circular development that shows below the surface plot, affirming social conventions, a submerged plot encoding rebellion. Through a semiotic analysis of the deep structure of the two novels my article intends to reveal a three-stage development of the protagonists, strictly connected to their progressive awakening to romantic and physical love. Moreover an analysis of the isotopic structure of the two texts will show how the dichotomy Nature vs. Culture undermines the two plots, from the micro to the macro levels of the texts. The conflict between Nature and Culture is at the origin of other thematic and figurative isotopies: love vs. marriage, physical vs. spiritual love, freedom vs. slavery, faith vs. religion, Creole vs. English, dark vs. light etc. These isotopies underline and support in both novels a distortion of the formalized conventions of love, highlighting the thematic conflict between woman’s individual desire and the limits set to her within a patriarchal society.
On the Representations of Parent-Child Relationships in Jane Eyre by Charlotte BrontëIn Ucrania:
Alina Bujor (Pintilii)
Cultural Intertexts, Vol 1-2, 2014, p.30
The paper aims at analysing the parent-child relationships in Charlotte Brontë’s novel Jane Eyre, with special emphasis on the relationship between Jane Eyre, the protagonist of the novel, and her aunt, Mrs. Reed. For this purpose, it begins by presenting the traits of the domestic Victorian ideal as well as those of the so-called “transnormative family”, to ultimately show that the Victorian domestic ideal was not valid for everyone, which had a great impact on both parents and children in the process of upbringing. Then, the paper considers the representations of Victorian domestic
relationships in Charlotte Brontë’s Jane Eyre, which the author of the novel uses to demonstrate that a strong character and an iron will, like those of the protagonist, can make a difference and change destinies.
Female Images of the Juvenile Work by Ch. Brontë "Stancliffe's Hotel" in Their Contrast and Variation
Л. О. БОНДАР
The article deals with early unknown Ch. Brontë's juvenile creative work «Stancliffe's Hotel» (1838), one of the components o f the circle o f imaginary country of Angria. The study of this work will assist us in enlarging the gallery o f female images of the writer, will help us to see new variants of Brontë's woman.
Tuesday, January 20, 2015
This award winning insight into the lives and works of the Brontë sisters was 90 minutes of inspired lunacy written and performed hilariously by Sue Ryding and Maggie Fox.Beware of spoilers in this recap of episode 3 of season 5 of Downton Abbey on Houston Chronicle's Gray Matters.
Appearing in the persona of volunteers from the National Institute For Bringing History To Life Society, the two actors embarked on a lecture with enacted biographical scenes and literary extracts. None of which were remotely treated with seriousness. Arts funding cuts meant only Emily and Charlotte appeared – Anne’s absences always ingeniously explained.
The writing was full of wit and invention with performances that never ceased to hit the mark as the writers and their creations were mercilessly caricatured.
Ryding provided great comedy as she morphed into Emily, forever going over the top about the wildness of the moors. She also got plenty of laughs in the minor roles as the cook and the mysterious neighbour, Mr Moorcock – innuendoes abounded.
Leading the fun stakes was the contribution from Fox – a true droll who came over as an amalgam of Joyce Grenfell fused with Miranda Hart.
The finale was a wicked send up of MGM’s Wuthering Heights and its stars, Olivier and Merle Oberon. (Barrie Jerram)
There is nothing better for punching up a plot line than adding exotic foreigners, and luckily, the Russians are coming, and by that I mean for tea at the big house. Rose, whom I have underestimated, has read the Brontës and taken the Russians to their home on the boring moors, and Isobel knows all about them and Tolstoy and Gogol to boot. This is Wuthering Heights foreshadowing for the two stories of romance that hover over this episode, their truths starting to unfold: Baxter's confession ("the missing element of her story") that she stole for the love of a cruel cad, and that she "embraced it," and Lady Violet's seeming connection to Igor Kuragin--another reminder that the Baxters of this world, at least so far, pay and pay and pay, and the Lady Marys of this world get a tepid lecture and room service. I know: Not. Fair. (Doni M. Wilson)And beware of spoilers too this recap of the latest goings-on in Coronation Street in the Mirror.
There was a tortured Steve, roaming the moors like he was Heathcliff, if Heathcliff wore a pair of Puma trainers and got told off a lot by his mum. (Caroline Corcoran)Culturamas (Spain) reviews the novel Donde no estás by Gustavo Martín Garzo.
Las casas de antes estaban llenas de grietas así. En ellas se sucedían las generaciones y sus habitaciones se poblaban de secretos; zonas como las galerías secretas de El fantasma de la ópera, como el cuarto cerrado de Barba Azul, como la habitación de la mujer loca de Jane Eyre… zonas hurtadas a la razón donde realidad y sueños, adoración y violencia se confundían. (Translation)A peek behind the scenes at the Brontë Parsonage Museum on their Facebook page: Patrick Brontë's sheets about to be laundered and his books being checked. The Daily Geekette enters on his third week Jane Eyre readalong.
Ten Books That Shaped the British Empire: Creating an Imperial Commons(Via The Chronicle of Higher Education)
Editor(s): Antoinette Burton, Isabel Hofmeyr
Duke University Press
Combining insights from imperial studies and transnational book history, this provocative collection opens new vistas on both fields through ten accessible essays, each devoted to a single book. Contributors revisit well-known works associated with the British Empire, including Charlotte Brontë's Jane Eyre, Thomas Macaulay's History of England, Charles H. Pearson's National Life and Character, and Robert Baden-Powell's Scouting for Boys. They explore anticolonial texts in which authors such as C. L. R. James and Mohandas K. Gandhi chipped away at the foundations of imperial authority, and they introduce books that may be less familiar to students of empire. Taken together, the essays reveal the dynamics of what the editors call an "imperial commons," a lively, empire-wide print culture. They show that neither empire nor book were stable, self-evident constructs; each helped to legitimize the other.
Contributors. Tony Ballantyne, Elleke Boehmer, Catherine Hall, Isabel Hofmeyr, Aaron Kamugisha, Marilyn Lake, Charlotte Macdonald, Derek Peterson, Mrinalini Sinha, Tridip Suhrud, André du Toit.