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Thursday, February 29, 2024

The dark, Byronic characters of Emily’s world

Artsatl features Vernal & Sere Theatre’s take on Anne Carson's The Glass Essay.
Instead, the work — inspired by Canadian poet and essayist Anne Carson — will present Carson’s poem of the same title verbatim, delivered by five performers onstage telling a story conceived by Estes with multiple characters.
The play will run at Windmill Arts Center in East Point from March 1 through March 17.
“It’s a peculiar thing,” Estes said. “When I was thinking about staging this, I would read the poem once, and I could see it in my head the way the lines break down. Then I would read it again on another day, and it would be a wash, and I couldn’t see anything dramatic. I went back and forth on whether it was really possible, and I decided to take the leap and figure it out.”
The resulting work features performers Kate Brown, Kayli Keppel, Erin O’Connor, Lindsey Sharpless and Mustapha Slack. It tells the story of a woman going through a breakup who returns home to visit her mother. She carries with her a copy of The Collected Works of Emily Brontë, and she tries to analyze the works — including Wuthering Heights — as a means of understanding the author and rediscovering herself.
“So it’s her life in relation to the work of Emily and the dark, Byronic characters of Emily’s world,” Estes said. (Benjamin Carr)
According to Her Zindagi, Jane Eyre 2006 is one of four romantic adaptations to watch if you liked One Day.
Jane Eyre (2006)
Based on a classic novel, ‘Jane Eyre’ is a TV series that revolves around the life of Jane, an orphan, who loves reading. She grows up to become the governess for Mr. Rochester at Thornfield Hall. They get attracted to each other, but for some reason, they cannot be together. (Rajoshi Purkait)
We love the 'for some reason'.

Women's Writing and Secual Transgression

A new scholarly book with Brontë-related content:
Edited by Kathryn Ready, David Sigler
Edinburgh University Press
ISBN: 9781399507622

Suggests that women’s writing was a crucial part of the history of sexuality in the Romantic period
Positions women’s writing as crucial to the history of sexuality in the long Romantic period
Develops a new approach to the study of gender within Romanticism, by highlighting sexual transgression rather than obedience to cultural norms
Develops bold new approaches to several now canonical authors such as Mary Wollstonecraft, Mary Shelley, George Sand, and Emily Brontë.
Gives prominence to little known figures such as Mary Diana Dods and Elizabeth Moody
Includes new work by emerging and leading scholars in the field
Women’s writing was a crucial part of the history of sexuality in the Romantic period, yet has not often been seen as part of that history. This collection shows how women writers fit into a tradition of Romanticism that recognizes transgressive sexuality as a defining feature. Building on recent research on the period’s sexual culture, it shows how women writers were theorizing perversions in their literary work and often leading transgressive sexual lives. In doing so, the collection also challenges current understandings of ‘transgression’ as a sexual category.

The book contains the chapters:  

10. Emily Brontë’s Shelleyan Poetics of Sexual Ambivalence, Amanda Blake Davis

11. Primroses in the Porridge: Hareton Earnshaw’s Transgression against his Homosocial Family in Wuthering Heights, Chantel Lavoie



Wednesday, February 28, 2024

Personal growth first, love and romance second

Ahead of International Women's Day next week, Yorkshire Evening Post lists some of the most influential women from Yorkshire, including
The Brontë Sisters
Anne - The youngest Brontë sister's most famous works are Agnes Grey and The Tenant of Wildfell Hall. She wrote under the pseudonym of 'Acton Bell'.Emily - The middle sister's most famous novel [sic] is Wuthering Heights. She wrote under the pseudonym Ellis Bell.Charlotte - The eldest sister's most famous works are Jane Eyre and the unfinished Emma [sic]. She also wrote under a false name, Currer Bell. (Sue Wilkinson)
The writer's heart was not in it, though.

A Cinema Blend contributor wants to see a movie series like Hallmark's Jane Austen Loveuary.
The Brontë Sisters (Jane Eyre, Wuthering Heights, Agnes Grey
I think it’s a mischaracterization to classify the Brontë sisters’ books as romance. However, many readers consider Jane Eyre and Wuthering Heights to be epic romance novels. Romance and love are important to both stories, but they’re quite serious in comparison to Hallmark’s usual films. They are probably darker than the network feels comfortable going, but, like the Austen film series, these movies could take inspiration from the sisters and their novels.
Many of the Austen Loveuary films focus on fans of the author engaging with the novels in a meaningful way. The same could work here. The Brontë sisters’ books are beloved, have been adapted many times, and use love and romance in interesting ways. In Jane Eyre especially, to me, it’s more of a coming-of-age story than a straightforward romance. Love is important to her growth, but, like other great coming-of-age movies, these Hallmark Brontë sisters' films could focus on the main heroine’s struggles with love as part of the journey but not all of it. Hallmark’s Love & Jane basically follows a personal growth first, love and romance second formula. (Jerrica Tisdale)
BBC shares a resource for GCSE revision of Jane Eyre: a musical summary. Times Now News shares some 'famous love quotes' from Wuthering Heights.

970 Questions

 And yet another self-published Bronté book:
L Dale Richesin
Paperback (15 Jan 2024)
ISBN; 9798862405675 
January 2024
This study will examine most of the works of the Brontë Sisters: Charlotte, Anne, and Emily, including Jane Eyre, Agnes Grey, and Wuthering Heights.

Tuesday, February 27, 2024

A significant contribution towards restoration

Daily Mail has an article on 'the aristocrats staying afloat by turning their mansions into screen stars'.
Lord and Lady Edward Manners live at Haddon Hall, Derbyshire, with their two children. Their home has featured in three versions of Jane Eyre, including the BBC’s 2006 series with Ruth Wilson and Toby Stephens.
The state rooms at Haddon Hall, which dates back to the 12th century, have formed the backdrop to myriad Tudor and Elizabethan dramas, including 2008’s The Other Boleyn Girl. Almost all of them have been shot by candlelight — which carries a distinct drama of its own, says Lady Edward. ‘What people don’t know is there is a fire engine outside and a team armed with hydrants on standby,’ she says.
Upsides include her ‘mesmerised’ children being invited to watch a battle scene, and seeing her home’s history being recreated.
‘There are moments where there is a scene so perfectly authentic, of horsemen riding into your courtyard,’ she says, laughing, ‘and then they go “Cut!” and all the riders pick up their phones.’
Celebrities such as Kit Harington and Liv Tyler, who starred in the BBC series Gunpowder, and Dame Judi Dench, who appeared in the 2011 film of Jane Eyre, have graced her home, but Lady Edward — Gabrielle to her friends — doesn’t introduce herself. ‘I’m shy. I don’t see the superstars.’
Reluctant to reveal fees, she says they are nonetheless very helpful: ‘It means there is a significant contribution towards restoration.’ (Antonia Hoyle)
The California Aggie includes Jane Eyre 2011 on a list of 'Four of the best classic literature film adaptations to watch'.
Jane Eyre” (2011) dir. by Cary Joji Fukunaga
Charlotte Brontë’s famous novel “Jane Eyre” is an icon of gothic literature that has experienced stunning longevity within academic circles. If the original novel is a bit too much of an undertaking for you, you’ll enjoy the 2011 film adaptation starring Mia Wasikowska as the protagonist Jane. She is swept off to become a governess under the purview of the mysterious Mr. Rochester, with whom she develops a complex relationship; however, she begins to discover that he conceals a troubling past. All of the gothic elements of the original novel are skillfully brought to life, creating a cinematic experience that is eerie and darkly atmospheric. “Jane Eyre” is subtle yet effective in its means of adapting the source material’s magnificent estates, shadowy forests and mysterious attics that harbor dangerous secrets. Furthermore, it brings the novel’s most memorable and impactful quotes to life with careful accuracy. (Natalie Salter)

Heathcliff's Culinary Heights

From all the weird things that get 'independently' published (self-published, really) this is one of the weirdest:
Gourmet Bliss Retreat Lounge
Amazon Digital Services
ISBN: 9798874353346
January 8, 2024

In the timeless tapestry of literature, few novels evoke the haunting beauty and tempestuous passion of Emily Brontë's ''Wuthering Heights.'' Transporting readers to the desolate moors of Yorkshire, Brontë's masterpiece has captivated hearts and minds since its publication in 1847. Now, in a unique culinary odyssey, ''Heathcliff's Culinary Heights'' invites food enthusiasts and literary aficionados alike to embark on a delectable journey inspired by the pages of this Gothic classic.
The novel, characterized by its dark romanticism, tragic love story, and brooding atmosphere, has long been a source of inspiration for various art forms. ''Heathcliff's Culinary Heights'' goes beyond the traditional realms of interpretation, delving into the rich tapestry of Wuthering Heights to craft a collection of 105 food ideas that bring the essence of the novel to life on the dining table.
This cookbook is not merely a compendium of recipes; it is a gastronomic homage to the characters, settings, and emotions woven into the fabric of Wuthering Heights. Each dish serves as a culinary portal, allowing readers to savor the flavors of the moors and experience the tumultuous narrative through a uniquely immersive lens.
The 105 inspired food creations draw upon the vivid imagery and symbolism found in Brontë's prose. From the misty mornings on the desolate moors to the fiery passions that consume Heathcliff and Catherine, every recipe captures an aspect of the novel's essence. The culinary creations are as diverse as the characters themselves, ranging from hearty Yorkshire fare to elegant Victorian delicacies, each meticulously crafted to reflect the mood and tone of key moments in Wuthering Heights.
''Heathcliff's Culinary Heights'' offers a culinary reinterpretation of classic scenes, such as the tumultuous romance between Heathcliff and Catherine, the haunting specter of Cathy's ghost, and the eerie ambiance of Wuthering Heights itself. Readers can expect to find recipes that mirror the stormy intensity of the novel's love affairs, as well as those that evoke the melancholy beauty of the moors and the dark mystery shrouding the characters.
Beyond the recipes, this cookbook serves as a literary companion, exploring the connections between food and storytelling. Each section provides insights into the cultural and historical context of the dishes, offering a glimpse into the culinary world of the Brontë era. Readers will discover how the flavors, aromas, and presentation of each dish contribute to a sensory journey that parallels the emotional depth of Wuthering Heights.
''Heathcliff's Culinary Heights'' is not just a cookbook-it is a celebration of literature, a tribute to the enduring legacy of Wuthering Heights, and a testament to the power of storytelling to transcend the boundaries of time and culture. As readers embark on this gastronomic adventure, they are invited to savor the intersection of food and fiction, where the literary and culinary arts converge to create an unforgettable sensory experience.

Monday, February 26, 2024

Emily Brontë on the underground

 
Via Press Association we have found out that a poem by Emily Brontë is part of the new Poems on the Underground set. She is the first Brontë ever to be recruited for this great initiative.

And more poetry as AnneBrontë.org examines 'The Earliest Poetry Of Anne Brontë'.

The Review Geek feels the need to have the 'Jane Eyre (2011) Ending Explained'.

A Literary Legacy Unveiled

 A self-published study on the Brontës that was released recently:
by Maarja Hammerberg
Draft2digital
ISBN: 9798223390992
December 2023

Step into the captivating world of literary genius with 'Charlotte Brontë: A Literary Legacy Unveiled.' This meticulously crafted exploration delves into the life, works, and enduring influence of one of the most iconic figures in English literature. Unravel the enigma of Charlotte Brontë, the visionary author behind timeless classics like 'Jane Eyre' and 'Wuthering Heights.'
In this compelling narrative, discover the untold stories that shaped Brontë's extraordinary literary journey. From the windswept moors of her imagination to the triumphs and tribulations of her personal life, this book paints a vivid portrait of a woman who defied convention, paving the way for future generations of writers.
Immerse yourself in the pages that unravel the layers of Brontë's intricate storytelling and delve into the Gothic and romantic landscapes she so masterfully crafted. This is not just a biography; it's an illuminating voyage through the corridors of Brontë's mind, exploring the themes, characters, and unparalleled legacy she bestowed upon literature.
As you turn each page, witness the evolution of Brontë's influence on European literature and her enduring impact on the feminist narrative. 'Charlotte Brontë: A Literary Legacy Unveiled' is more than a book—it's an ode to the indomitable spirit of a literary trailblazer whose words continue to resonate across time.
Whether you're a seasoned Brontë enthusiast or a newcomer to her world, this book promises an immersive journey into the heart of a literary legacy that has stood the test of time. Prepare to be inspired, enlightened, and captivated by the brilliance of Charlotte Brontë, revealed in all her literary splendor.

Sunday, February 25, 2024

A New True Story

Variety announces a TV series based on Mizumura Minae's A True Story directed by no less than Kiyoshi Kurosawa:
An eight-part adaptation of Mizumura Minae’s 2003 Yomiuri Prize-winning novel inspired by Emily Brontë’s “Wuthering Heights,”“True Novel” is produced by Shochiku and Upgrade Productions, set up in 2021 by ex-Netflix exec Matt Brodlie and former Sierra/Affinity president Jonathan Kier. (John Hopewell)
W Magazine interviews Emerald Fennell and Barry Keoghan on the film Saltburn
Both the film and this shoot lean on Fennell’s love of gothic horror, which she believes is a distinctly female genre. “I think of the Brontë sisters or Daphne du Maurier or Leonora Carrington,” she says. (Alex Needham)
Times News talks about the Region 5 Poetry Out Loud competition. The winner, Madeline Wentz, is quoted saying:
I was originally drawn to my second poem, ‘Often rebuked yet always back returning’ by Emily Brontë, because of its poet. Emily Brontë is renowned for her works, and I had studied some of them in English classes before, so I knew I wanted to do a poem of hers. I picked this one specifically because of its emotional quality and its detailed imagery. (Jarrad Hedes)
The Evening Standard describes like this Wildhive Callow Hall:
Fresh out of a Victorian Gothic horror, the austere stone exterior of Callow Hall evokes more than a touch of Brontë, set amid the rolling landscape of Derbyshire’s Peak District. (Prudence Ivey)
The Herald picks ten books to celebrate Charles Dickens's birthday:
 Shirley, by Charlotte Bronte
The romantic plot is gothic and mawkish in the extreme, but the writing lifts this tale of a hard-pressed mill owner who cannot marry for love from the banal to something deeply atmospheric and memorable. Its popularity led to Shirley becoming a girl's and not a boy's name.
Kinda Frugal lists novels for cozy winter nights:
Wuthering Heights by Emily Brontë
 This book’s story opens in winter as Lockwood wanders to Wuthering Heights. The heavy makes him stay longer, and this classic novel begins. Many people compare winter and the relationship between two characters in the book, Heathcliff and Catherine. It acts as a parallel to their powerful, intense, yet dangerously stormy connection. (Abdul Wali Mansoor)
The five impossible love affairs in movies in Rolling Stone (Spain):
Cumbres Borrascosas (Wuthering Heights)
(1939)
Dir. William Wyler
Una de las versiones más conocidas de esta famosa novela de Emily Brontë que incluye el amor imposible definitivo, con el perdón de Shakespeare. La película de William Wyler contó con un elenco destacado que incluía a Merle Oberon como Catherine Earnshaw y a David Niven como Edgar Linton, además del gran Laurence Olivier como Heathcliff.
Cumbres Borrascosas gira en torno a la complicada historia de amor y venganza entre Heathcliff y Catherine en la campiña inglesa del siglo XIX. Heathcliff es un niño adoptado por la familia Earnshaw que se enamora de Catherine, pero su amor está plagado de obstáculos sociales y familiares, lo que lleva a una serie de eventos trágicos que afectan a varias generaciones.
La película recibió elogios por su dirección, cinematografía y actuaciones, y fue nominada a varios premios. Aunque algunas adaptaciones posteriores han recibido más atención en años recientes, la versión de 1939 sigue siendo apreciada por su contribución al canon cinematográfico y su representación memorable de la historia clásica de Emily Brontë. (André Didyme-Dôme) (Translation)

The film also appears on this list of the best films about orphans and adoption in DeCine21. Incidentally, Wuthering Heights 2009 is available now on Canal+ (France).

Il Corriere della Sera (Italy) has an article about the different film adaptations of Brontë novels:
Lost in Brontë
«Cime tempestose» in stile Malibu ed Emily ribelle dark, ma anche la rilettura surrealista di Luis Buñuel o quella filologica di André Téchiné: qualche idea per ritrovare le atmosfere brumose delle sorelle Brontë anche al cinema.
Incredibile caso letterario — tre sfortunatissime sorelle che crescono e affinano insieme uno straordinario talentoche le porterà ad occupare, ciascuna in modo diverso, un posto importante nella storia universale del romanzo — le Brontë (Charlotte, Emily e Anne) hanno colpito così profondamente l’immaginario globale da diventare un fenomeno anche oltre la letteratura.
Il cinema, intuendone la potenza narrativa, ha preso a piene mani da vita e opere delle tre sorelle sbocciate nel chiuso della canonica di Haworth, nello Yorkshire, portando sullo schermo sia le storie immaginate nei loro romanzi che la loro stessa biografia, più o meno romanzata. Indimenticabile, su tutte, è la versione in bianco e nerodi Cime tempestose (1847) diretta da William Wyler nel 1939 (in italiano all’inizio uscì come La voce nella tempesta), con Laurence Olivier e Merle Oberon (ma c’era anche David Niven, nei panni di Edgar Linton) a dare voce e volto a una delle più singolari storie d’amore del romanzo vittoriano,quella tra il selvaggio senza famiglia Heathcliff e la ricca e capricciosa Catherine, legati in vita e in morte (di lei). (Read more) (Giulia Ziino) (Translation)
Elle (Spain) talks about the revival of Victorian blouses:
Las mujeres del siglo XIX, de la época victoriana, lucían elementos románticos en su vestimenta: cintas, volantes, lazos... Y utilizaban colores como el rosa o el azul celeste. Eran románticas por naturaleza. De esta época son algunas de las mejores novelas de amor de la historia de la literatura, como 'Jane Eyre', 'Cumbres borrascosas' u 'Orgullo y prejuicio'. (Paloma Herce) (Translation)
Finally, an alert in Fiorano Modenese MO, Italy:
Domenica 25 febbraio ore 17 presso Centro Via Vittorio Veneto
Tina De Falco presenta "Cime tempestose" di Emily Bronte. Verranno letti alcuni estratti del romanzo da Franca Lovino accompagnata dalle musiche del M° Gen Llukaci.

The Huffington Post (Italy) and Ángeles Caso in El Diario de Navarra (Spain) talk about male pseudonyms and mention the case of the Brontës.

Jane Eyre as a cat

A new edition of  Jane Eyre published in Spain contains specially commissioned illustrations in a very particular style, but very reminiscent of the work of Charlotte Cory:
By Charlotte Brontë
Illustrations by Laura Agustí
Part of Colección Alfaguara Clásicos
Published by Alfaguara Juvenil
ISBN 9788419688132
2024

“Jane Eyre” is an enchanting novel that invites readers into the tumultuous life of its remarkable heroine, Jane Eyre. We journey with Jane from her challenging childhood, marked by neglect and mistreatment, to her resilient emergence as a woman of strength and independence. Orphaned and misunderstood, Jane navigates a world that often seems indifferent to her struggles. 






Saturday, February 24, 2024

The honour of engaging with literature, heritage, and curatorial disciplines on a daily basis

In Your Area features a local student who will be working at the Brontë Parsonage Museum.
Elysia, 26, from Nelson, near Burnley, recently delivered a special talk for enthusiasts worldwide on Emily Brontë’s links to vampires. It included sharing rare items from the archives to lift the lid on the novelist and poet’s literary love of bloodsuckers.
The talk traced the influence of German literature and vampire stories on Wuthering Heights and tracked how Emily Brontë’s writing has gone on to shape modern vampire media like Twilight. In 2009, teenage fans of Stephenie Meyer’s Twilight series sent the 1847 novel Wuthering Heights - a favourite of the books’ hero and heroine - soaring to the top of the classics bestseller charts.
Elysia, who is now studying MA Nineteenth Century Studies at Edge Hill, said: “I’m privileged that I get to physically engage with the legacy of the Brontë family, and share their incredible story with visitors of all ages and backgrounds from all over the world.
“I have been able to take my love for the Brontës’ novels and poetry - deepened thanks to my studies on modules at Edge Hill - and apply it in my career. I have been supported both by my tutors at Edge Hill and my colleagues at the Brontë Parsonage Museum in following my passion for the Brontës into the world of work, and have the honour of engaging with literature, heritage, and curatorial disciplines on a daily basis.” (Emma Boff)
The Cambridge Tab reviews the local stage production Washed Up.
Never did I think I would see the day where Jane Eyre was a gun-slinging baddie, or as the Footlights aptly dubbed her, “one kick-ass motherfucker”. Filled with a sense of whimsy and randomness, the Footlights presented to Cambridge: Washed Up. I laughed, I smirked, I chuckled, at one point I even guffawed. A two-hour sketch show is no easy task, but I am happy to say the Footlights certainly pulled it off in stellar fashion. (Anuk Weerawardana)
BNN argues the case for Hayley Williams and Emma Mackey being 'Pioneering Voices in Punk and Period Drama'.
Emma Mackey as Emily Brontë: A Rebel's Life
Emma Mackey's role as Emily Brontë in the upcoming movie 'Emily' offers a glimpse into the life of a literary icon who was both a reclusive and free-spirited outsider. The film, highlighted by Alexandra Dowling, delves into Brontë's journey of finding her voice against the conservative backdrop of 19th century England. This portrayal by Mackey is poised to shed light on Brontë's complexities, emphasizing her rebellious nature and her profound impact on literature through 'Wuthering Heights'.
The parallels between Williams and Mackey's narratives are striking. Both women, in their respective fields, challenge the status quo, offering narratives of defiance and determination. Williams's journey with Paramore underscores the possibilities that emerge when boundaries are pushed in the music industry. Similarly, Mackey's portrayal of Emily Brontë invites a reevaluation of the life and legacy of a literary figure who defied societal expectations to create enduring art. Together, their stories highlight the importance of artistic expression as a means of challenging and overcoming barriers. (Shivani Chauhan)

Presentations by members of the Brussels Brontë Group

 An alert for today, Febuary 10:

Presentations by members of the Brussels Brontë Group
Saturday 24 February 2024 (morning)
Université Saint-Louis, Rue du Marais 119, Brussels

10.00 Talk by Ana Gauthier on Wuthering Heights in pop culture

Emily Brontë’s timeless novel has transcended its literary realm to permeate various facets of popular culture. From haunting songs to evocative aesthetics, the impact of Wuthering Heights resonates far beyond its pages.
In this talk Ana will examine how Wuthering Heights has shaped our collective consciousness with an impact to audiences that reach far beyond just those who have read the novel.

11.30 Talk by Johan Hellinx: The Brontës and fake news: why Branwell Brontë didn’t write Wuthering Heights and why it’s important to take this myth seriously.

The fact that the Brontë sisters published their respective novels under a nom-de-plume opened a Pandora’s box of all kinds of gossip and fake news. How many Bells were there, one or three? Were they men – in which case the coarseness of their novels could be forgiven – or women? And who was Heathcliff, was he Irish, black, or even a Jew? Or was he an illegitimate son of Mr Earnshaw, and therefore … Cathy’s half-brother? And if so, was theirs a mirror of an incestuous relationship between Emily and Branwell?
Elizabeth Gaskell, in her Life of Charlotte Brontë, described the siblings as a bunch of shy, unsociable youngsters, living in a remote village isolated on the Yorkshire moors; amongst secretive locals; oppressed by their father; in charge of an alcoholic and drug-addicted brother. All that wasn’t helpful to reveal the truth about the Brontës. These two factors explain why there could be such a lot of gossip about the siblings.
Years ago, I found Alice Law’s study on Branwell Brontë, in a second-hand bookshop in Worcester. In this book, Law explained that the author of Wuthering Heights was not Emily, but her brother Branwell. So, the black sheep of the family, in whom their father Patrick had placed such high hopes, was a literary genius, at least according to Alice Law. This looks like another example of fake news about the Brontës, and a very tenacious myth indeed since it persists today. In my talk I will explain how this myth originated, and how it could reach such a big audience. We will study as well which lessons can be learned from this mystification: what do we really know about the Brontës?

Brontë Society Gazette. Issue 92

We report the latest issue of The Brontë Society Gazette (Issue 92. January 2024. ISSN 1344-5940).

ARTICLES
Welcome by Sharon Wright, Director.
Letter from the Vice Chair. Julian Sladdin. Chair of the Brontë Society Board of Trustees
Happy Ending. Launch of the book The Blavatnik Honresfeld Library by Geordie Greig, Chairman of the Friends of the National Libraries
Brontë Studies News: Dr Sarah Fanning shares her decision to step down as Editor-in-Chief of the Society's academic journal.
Parsonage People: Taking the Brontës to Madison Avenue by Sarah Laycock.
Mr Tighe, Mr Brontë and the twists of fate by Dr Robert Logan
Close-up on the collection: 'shadows... quiver strangely over the doors oa  great cabinet opposite - whose front, divided into twelve panels, bore, in grim design, the heads of the twelve apostles' by David Everingham
Spiritual Sister by Andrew Stodolny
The Brontë Bookshelf: 'A lifetime of memories distilled onto paper' by Emma Conally-Barklem, author of Hymns from the Sisters.
Membership Matters: Welcome / Brontë Studies subscriptions and notifications /  Members Weekend 2024 /  Membership mailing dates 2024 / Stay in touch  by Nick Jones, Development Officer
Love at First Sight. Interview with Lucy Powrie. 
Director's Diary by Rebecca Yorke. Director, Brontë Society and Brontë Parsonage Museum.

Friday, February 23, 2024

Star-Crossed Lovers

Vogue recommends '25 Elegant Period Dramas to Rewatch Now' and one of them is
Wuthering Heights (2011)
Elemental and erotic, Andrea Arnold’s reimagining of Emily Brontë’s 19th-century novel drips with longing. It casts Solomon Glave and James Howson as younger and older incarnations of Heathcliff—marking the first time the Byronic hero has been played by Black actors—and Shannon Beer and Kaya Scodelario as the wild and wayward Cathy. As childhood friends, they run through misty marshes and windswept hilltops together, but as adults their love soon proves to be mutually destructive. (Radhika Seth and Lisa Wong Macabasco)
The Review Geek has selected the 'Best Books about Star-Crossed Lovers' and among them is also
Wuthering Heights by Emily Bronte
Taking place on England’s untamed moors, Wuthering Heights doesn’t shy away from twist and revenge. It follows the story of Heathcliff, who is taken in by the Earnshaw family but is loathed by Hindley, the son of his new adoptive parents. Even though Heathcliff has feelings for the daughter of the house, Catherine ends up marrying the wealthy and charming Edgar Linton. (Rishabh Shandilya)

Evergreen Brontë

A recent compilation of short stories for children contains a chapter devoted to Wuthering Heights:
by Various
Harper Collins 
ISBN-13 ‏ : ‎ 978-9356999091
February 2024
 
Evergreen Classic Short Stories for Children brings together some of the most popular and beloved stories by celebrated authors like Guy de Maupassant, James Joyce and Rudyard Kipling, and extracts from classics such as Pride and Prejudice and The Great Gatsby. With a mix of genres including mystery, romance, crime and supernatural, and a host of popular characters such as Tom Sawyer, Sherlock Holmes, Mr Darcy and Jo March, this is the perfect book to immerse yourself in a range of classic literature.

Authors featured in this anthology include Agatha Christie, Emily Brontë, Rabindranath Tagore, Emily Dickinson, F. Scott Fitzgerald and Edgar Allan Poe among others.

Thursday, February 22, 2024

The Bee Gees were like the Brontë sisters

East Bay Times gives us this compelling headline: 'Why the Bee Gees were like the Brontë Sisters and more from Bob Stanley’s new book'. So we read on.
In the book, Stanley brings up a quote from Robin comparing the Gibb brothers to the Brontë sisters insofar as they created their own world. It’s a quote that’s reflected throughout the book.
“I was really pleased to have found that. They’re so much like that, especially with the early records, where they’re doing these character sketches of invented people,” says Stanley. “And the fact that they’re all different characters, like the Brontës as well,” he adds.
“It’s a very good parallel,” he says. “I was pleased that he said that because I hadn’t thought of it.” (Liz Ohanesian)
Minneapolis Star Tribune reviews A.J. Finn's new novel End of Story.
If you're up for being kept in the dark, one of the early pleasures of "End of Story" is not knowing precisely what sort of book it is. It's set in the present but if Charlotte Brontë had a laptop and access to social media, you could imagine her crafting "End of Story," which begins in the Gothic territory of her "Jane Eyre." (Chris Hewitt)
The Australian Women's Weekly interviews writer Kemper Donovan.
The story references P.D. James and of course the mistress of murder herself, Agatha Christie, what other writers inspired you when writing The Busy Body?
Any writer who I have enjoyed inspired me when I was writing. That goes for mystery writers such as Tana French, whose work I adore, and classic writers from long ago like Charlotte Brontë, whose Jane Eyre will always be one of my very favourite books—a book I hold extremely close to my heart. (Genevieve Gannon)
The Madras Tribune picks Wuthering Heights 2009 as one of 'The 30 best period dramas to watch on demand'.
Wuthering Heights
Dark and moody adaptation of Emily Bronte’s novel with Tom Hardy and Charlotte Riley
Year: 2009
Certificate: 15
Watch on ITVX
If you’ve read the novel by Emily Brontë, you’ll know that most TV adaptations and films largely dispense with the novel’s miserable second half, focusing on the romance between Catherine and her foster brother Heathcliff, and not the anger, cruelty and resentment that the last part of the book descends into. Catherine and especially Heathcliff also get softened and made more sympathetic.
This version, starring Charlotte Riley and her future husband Tom Hardy as the doomed lovers, digs a little deeper, and how you feel about it will depend on how you engage with the two leads. Hardy definitely puts the brute into Heathcliff and there is a darkness here that isn’t just from the fog on the moors. There’s also an attempt to capture the three-generation sweep of the novel and of the corrupting force of love turned to a bitter, twisted obsession. (Two episodes)
The Yorkshire Post features the three finalists to the Independent Bookshop of the Year Awards. One of them is
Wave of Nostalgia, Haworth
Diane Park left school at 16 and worked in a bank before, in 2015, deciding to open a gift and craft shop with a focus on vintage clothing. After the pandemic, she pivoted to selling books too, and she curates her stock around themes such as strong women, inclusivity, conservation and LGBTQ issues. She takes inspiration from the Brontë sisters, who lived in the village and made it famous. She still has a workroom in the building where she makes clothes, and the shop also sells toys and stationery. (Grace Newton)

Indonesia and Iran

Brontë research in Indonesia and Iran:
Dysfunctional Behaviour Exhibited By Heathcliff In Emily Brontë's Wuthering Heights
Helga Honey Cahyono, Suci Suryani, University of Trunojoyo Madura
Jurnal Langue, Vol. 17 No. 2 Desember (2023)

The aim of this study is to find the cause of dysfunctional behavior through the basic concepts of the character Heathcliff from the novel Wuthering Heights by Emily Brontë. The writer uses Sigmund Freud’s theory and Lois Tyson’s approach to dysfunctional behavior to analyze the basic concept of the male main character. The method of this study is that the writer used a qualitative method using the novel Wuthering Heights, edition 2010, as the data: dialog, monologue, and author narration. To support the analysis, the writer uses journals and articles. The result of this study is that the writer found that Heathcliff experienced dysfunctional behavior as shown in basic concepts such as the family as the cause of his revenge, repression and the unconscious as the cause of his defense mechanism, which is displacement, and an unhealthy relationship, which made him suffer from his own behavior until his death.
Sayfollah Mollye Pashaye.  Kheironnesa mohammadpour, Payame Noor University, Tehran, Iran
Research in Contemporary World Literature, 28(2), 499-520.

The current study examines two prominent Iranian and British novels, namely Simin Daneshvar’s Suvashun (1969) and Emily Brontë’s Wuthering Heights (1847) through the theoretical lens of Elaine Showalter’s Anglo-American literary gynocriticism in order to comparatively investigate their social and cultural themes in relation to female identity. Literary gynocriticism is concerned with the figure of the woman as writer, the producer of gynotextual meaning, genres, and a feminine literary tradition. This paper argues that despite the spatial, temporal, and cultural distance between the two novels, a number of common themes can be distinguished in both. These include courtship, marriage, emotional conflicts, education, and striving for female identity, social role, and status. The characterization of the female protagonists in the two novels is aligned with society’s expectations, and the novelists’ protest against male domination and sexual discrimination seem, at best, cautious and conservative. Both of the novels portray the anxieties resulting from the protagonists’ individual position in relation to others and their status as “the second sex.” This shows that these anxieties trouble women around the globe.

Wednesday, February 21, 2024

Brilliant sisters

ITV News has a clip on The Brontës' Web of Childhood exhibition at the Brontë Parsonage Museum.

Forbes has a list of 'The 30 Best Classic Novels Everyone Should Read' including
5. Wuthering Heights by Emily Brontë (1847)
Emily Brontë helped birth the gothic novel with this story of the doomed love between Catherine and Heathcliff, whose tortured life amid the moors culminates in avenging those who kept them apart by acquiring the home of Thrushcross Grange from Catherine’s husband. The novel illustrates the good and evil living inside all of us. (Toni Fitzgerald)
BookTrib discusses Gothic romance.
Over the centuries, women have flocked to Gothic romance. From Radcliffe on, female leads began to govern the genre, including Charlotte Brontë’s Jane Eyre in 1847 and Daphne Du Maurier’s Rebecca in 1938. (Lindy Ryan)
Sydney Morning Herald reviews the novel My Brilliant Sister by Amy Brown,
Reflecting on projecting herself into Jane Eyre, imaginatively assembling its fictional world through her knowledge of her own, Linda reflects “that’s how fiction works, doesn’t it?” Through her mosaic of mirrored details across various story worlds – drawn from within and outside the novel, all springing from Ida’s brain – Brown brilliantly demonstrates that’s how fiction is written, too. (Jo Case)
The Impartial Reporter reviews the stage production of Federico García Lorca's Bodas de Sangre (Blood Wedding) at the Ardhowen theatre claiming that,
Some of the searing dialogue between the star-crossed pair has echoes of those immortal creatures of the crags – Catherine Earnshaw and the demonic Heathcliff in ‘Wuthering Heights’. (Gerry McLaughlin)
Stay at Home Artist has a new installment of her Brontë Stories: 'Moor Meeting Late July 1853'.

Stitching at the Parsonage

An alert from the Brontë Parsonage Museum for tomorrow, February 22:
Date: Thursday 22 February, 10am to 12pm
Venue: The Old School Room, Church Street, Haworth
Also on-
March 07th 2024 10:00am - 12:00pm

Join us to create stitch journals inspired by the Brontës!
From first-timers to experienced stitchers, everyone's welcome to come along.

Tuesday, February 20, 2024

Travelling back in time

The Sun lists Haworth among other places where you feel like you have travelled back to the past.
Haworth
The small Yorkshire village has been compared to a 1940s film set because of its attributes that make it feel like it's in the past.
It's home to a steam train and narrow cobbled streets, while some of its former residents are incredibly well known.
The village was the home of the Brontë sisters in the early 19th century and has retained a lot of its historical charm since then.
Between them, the sisters made significant contributions to the world of literature, including famous novels like Wuthering Heights and Jane Eyre. (Ryan Gray)
Screen Rant recommends '15 Best Shows Like Poldark' and two of them are
9 Wuthering Heights (2009)
1 Season, 2 Episodes
When it comes to literary classics that influenced shows like Poldark, Wuthering Heights comes into the discussion. This English masterpiece by Emily Brontë has received adaptations for both the big and small screen several times, with each adaptation giving us something new and unique. For the TV version, the 2009 series starring Tom Hardy as Heathcliff should attract fans of shows like Poldark. While the show might not match up with some of the movie adaptations, Hardy received almost universal praise for his performance.
8 Jane Eyre (2006)
1 Season, 4 Episodes
Charlotte Bronte's novel, Jane Eyre has also been the target of endless movies and TV show adaptations over the years. However, the 2006 version might be the best one to date, mostly due to how faithful it is to the source material. The grim and dark feel of the show will feel familiar to fans of shows like Poldark, much like Jane and Rochester's rocky relationship. The performances are a delight, and even though it's a miniseries, it's worth a watch. It also picked up three Emmy wins out of nine nominations. (Shawn S. Lealos and Mariana Fernandes)
Rebellious discusses 'The Flawed Feminism of ‘Poor Things’'.
Note, the Victorian-set book is a fictional autobiography by McCandless. During the 19th century, unreliable narrators popped up in a number of Gothic classics including Bram Stoker’s “Dracula” (1897); Robert Louis Stevenson’s “Strange Case of Dr Jekyll and Mr Hyde” (1886); Emily Brontë’s “Wuthering Heights” (1847); Edgar Allan Poe’s “The Cask of Amontillado” (1846); and Mary Shelley’s “Frankenstein; or, The Modern Prometheus” (1818), on which Poor Things is heavily influenced. (Janet Arvia)
Both Wuthering Heights and Jane Eyre also made it onto the list of 'best romantic fiction books' compiled by Times Now News.

Grim, metal darlings

A new Brontë-related scholarly book:
“Grim, metal darlings”: The Automated Women of Charlotte Brontë’s Shirley
Abby Scribner
Nineteenth-Century Literature (2024) 78 (4): 257–285

In this essay, I argue that Charlotte Brontë’s industrial novel Shirley details the consequences of the Marxist critique of industrial subjectivity in the feminized domestic and sexual realms. It does so by showing how structures of repetition—familiar from many accounts of mechanized male subjectivity in the mid-Victorian period—shape the subjective forms of three of its female characters: Caroline Helstone, the domestic woman; Miss Mann, the old maid; and Mrs. Pryor, the mother. By focusing on female automatons in a novel putatively about the Luddite riots, Shirley introduces a tension into its own conservative ideal of the domestic sphere as the compensatory counterpart to the world of work. Despite its overt adherence to paternalism as the solution to social unrest, the novel gestures at an understanding of the home as a space that partakes of one of the major structures of capitalist modernity—repetition as dehumanizing, dysfunctional, and exploitative.




Monday, February 19, 2024

February in Brontëland

Town and Country magazine celebrates that Terry Hayes's new book The Year of the Locust is finally out.
It took Donna Tartt a decade to follow up The Secret History and Harper Lee 55 years to release Go Set a Watchman. Emily Brontë wrote only Wuthering Heights. (Marshall Heyman)
AnneBrontë.org looks into how the Brontës wrote about February.

Vision and Gaze

A Brontë-related (and Icelandic) thesis 
by Beatrice Fiducia
Advisor:  Ingibjörg Ágústsdóttir
2023

This thesis explores the role of vision in Emily Brontë's novel Wuthering Heights from the point of view of various theories on the gaze within the fields of psychoanalysis, feminism, media studies, and philosophy. The first section of the essay explores the connection between emotions and vision in the novel, specifically by examining Catherine and Heathcliff's final farewell along with the significance of the gaze in the retelling of Heathcliff's death. In particular, the characters' eyes in these scenes appear to be endowed with the ability to provoke and betray several powerful and annihilating emotions, while also being central to Heathcliff's haunting and to his eventual downfall.
The essay also examines the role of vision and the gaze in the identification between Catherine and Heathcliff, which results from childhood abuse and from their interactions with Thrushcross Grange and the Linton siblings. Specifically, the instability of Catherine and Heathcliff's identities leads them to develop an attachment along the lines of Jacques Lacan's Mirror Stage, and such connection is further exacerbated by the moral contrast between themselves and the very different, even angelic Isabella and Edgar. Finally, this thesis analyzes the relationship between gender dynamics and vision in the novel by focusing on the power of the gaze to defy oppression and exercise control over others. This specific function of the female gaze in the novel is especially evident when considering the way in which Catherine and Cathy interact with and oppose male characters. By carefully surveying a relatively trifling aspect of such an impenetrable novel as Wuthering Heights is, it is possible to gain insight into the broader and more significant issues within the text, and to also shed light on Emily Brontë's viewpoint and her persona, which has been and will continue to be the object of confusion and speculation among her readers.

Sunday, February 18, 2024

Inventing quotes from Jane Eyre

The Telegraph & Argus announces a new edition of Haworth's A Maker's Market:
An artisan market with stalls from artists, designers, and crafters is returning to Haworth this March.
The Makers’ Market will be held in the Old School Room, between the Brontë Parsonage and St Michael & All Angels Church.
The free event will showcase up to 17 artisan makers. 
It has been curated by Etsy shop Brontë Bitch and supported by Haworth & Yorkshire Creatives. 
Visitors will be able to find quirky handmade products as well as unusual offerings not found on the high street.
There will be new stalls this March including Wild Rose Garden, Handcrafted in Coppull, and Arnold Designs.
They will appear alongside some of the market’s regulars - Stitch In Time by Karen, The Rusted Kingdom, Withens Art by Pippa Marshall, HD Abstract Art, Divine Vibrations, EcoBeez, Chisel Monkey, and Blossomdale Studio hosted by Bronte Bitch.
Stalls will be open between 10am and 4pm on Saturday, March 2 and Sunday, March 3.
Further markets are planned for April 13 and 14, May 4 and 5, June 8 and 9, October 12 and 13 and November 9 and 10.
Anyone who is interested in having a weekend stall in Haworth should contact Haworth & Yorkshire Creatives. (Natasha Meek)
Also in The Telegraph & Arugs, how much time needs to pass for a spoiler not to be a spoiler anymore:
Is there an acceptable time limit when it comes to plot twists and tragic endings? Can we now safely talk about Bruce Willis in The Sixth Sense, for example? Or the wife in the attic in Jane Eyre? Or the fate of Romeo and Juliet? (Emma Clayton)
Meet the Charlotte Brontë House in Clarksburg, MD on Real State Patch:
Welcome to the epitome of elegance and comfort in the heart of Clarksburg Village. This exquisite Charlotte Brontë Colonial home is a masterpiece of modern luxury, boasting impeccable features and upgrades that will leave you speechless.
From the moment you step inside, you'll be captivated by the attention to detail. Gleaming hardwood floors, tray ceilings, and top-of-the-line finishes create an ambiance of sophistication and charm.
A columnist of Madrid Press (Spain) mentions Wuthering Heights:
Yo, la verdad, el nombre que prefiero para “borrasca” es el de “cumbres”, para rendir homenaje a la magnífica historia de la literatura clásica que lleva por nombre “Cumbres borrascosas”, escrita en 1847 por Emily Brontë. (Laureano Benítez) (Translation)
Chennai Print (India) "quotes" Charlotte Brontë on affection. 
“Flirting is an art mastered by the bold-hearted. – Charlotte Brontë, Jane Eyre
The problem is that this quote is nowhere to be found in Jane Eyre. Some A.I. creative invention we guess. Zoom Entertainment or The Hans (India) report another variation of the quote: "Flirting is a woman’s trade, one must keep in practice." Still, no Charlotte.

At least El Heraldo de Aragón (Spain) transcribes a real Wuthering Heights quote for Valentine's Day.

Jane Eyre and Wuthering Heights in this 'best love stories in literature' list in El Debate (Spain) and Il Corriere della Sera (Italy):
Cumbres borrascosas, de Emily Brontë
Esta novela es considerada como una de las mayores y más conocidas historias de amor dentro del mundo de la literatura y es, probablemente, la mejor representante del romanticismo inglés. En ella se cuenta la historia (situada en los páramos de Yorkshire) de Catherine y Heathcliff, protagonistas que se ven envueltos en una visión asombrosa y metafísica tanto del destino como la obsesión, la pasión y la venganza, finalmente. (...)
Jane Eyre, de Charlotte Brontë
Esta obra es considerada una de las historias más importantes de amor de la historia de la literatura y debido a su importancia ha sido referenciada en muchos proyectos. El argumento habla de Jane Eyre, la protagonista de la historia, y de cómo su vida se ve envuelta de problemas y desgracias. En cierto punto, su día a día da un giro un completo cuando conoce al adinerado Señor Rochester cuando pasa a ser institutriz de la residencia Thornfield. (Alejandro Vega) (Translation)
Cime tempestose – Emily Brontë
La differenza tra classi sociali mette spesso i bastoni fra le ruote a una potenziale storia d’amore. Succede oggi, figuriamoci nell’Inghilterra dell’800. Cime tempestoseWundering (sic) Heights – di Emily Brontë, pubblicato nel 1847 sotto lo pseudonimo di Ellis Bell, racconta proprio questo. L’orfano Heathcliff arriva in casa di Catherine e i due sviluppano subito un’affinità particolare, ma crescendo è chiaro che questa relazione non può esistere: la sua mancanza di classe e la sua ignoranza non lo rendono possibile. La vita di entrambi fa giri immensi e li porta qua e là per le campagne inglesi. Lei intreccia un’altra relazione pur non dimenticandolo mai, lui esplode di rabbia e il desiderio di vendetta prende il sopravvento. Catherine morirà consapevole di aver dato il via a una scia di dolore enorme, lui si farà poi seppellire di fianco a lei. Finalmente insieme.
Jane Eyre – Charlotte Brontë
Finale migliore è quello che arriva dalla penna di un’altra sorella Brontë, Charlotte, che nel 1847 fa uscire Jane Eyre, anche lei sotto pseudonimo (Currer Bell). Scritto sotto forma di autobiografia, anche qui si parte da un’orfana. Jane cresce ostinata e decisa a non soccombere alle difficoltà che il destino le mette davanti: la zia che non la vuole, la morte per tubercolosi delle compagne della scuola di carità in cui viene spedita. Testarda, diventa insegnante e finisce così a casa di Mr. Rochester per seguire sua figlia. Lui dovrebbe sposarsi con un’altra donna ma l’amore per Jane è così forte che annulla le nozze. Solo che nella soffitta di casa c’è un segreto ingombrante: Rochester ha già una moglie, Bertha, e lì la nasconde perché pazza, come voleva il bon costume dell’Inghilterra vittoriana. Jane scappa, poi torna e trova Rochester sfigurato e cieco a causa di un incendio fatto scoppiare da Bertha. Come detto, però, qui il lieto fine arriva: l’amore tra i due vince e lui riprenderà addirittura la vista da un occhio. (Giacomo Cadeddu) (Translation)
Mundiario (in Spanish) mentions Wuthering Heights in a story. Pulso (México) and Infonews (in Spanish) also make a reference:
O mencionar la clásica historia donde el amor trágico llega a plenitud después de la muerte como sucede en “Cumbres borrascosas” de Emily Brontë en el siglo XIX; o sin olvidar la clasificación poética que hace Octavio Paz en “La Llama doble”, donde define el sexo, amor y erotismo con una sutileza que deleita el paladar de las pupilas cuando lo leemos, imperdible. (Translation)

¿Cómo no mencionar a una de las obras culmines del romance? Catherine y Heathcliff comienzan un fogoso amorío que cursa a mediados del siglo XIX, donde se ven envueltos la malicia, la violencia, la inmoralidad y la obsesión. Cuando Catherine deja a Heathcliff, porque ¿cómo casarse con alguien de clase inferior a la suya?, este arde en odio y venganza, por lo que decide casarse con otra mujer. En esta historia hay retroactivo para todos, nadie se salva. Y aún así, es una de las más atrapantes y apasionadas de la época victoriana y, también, del mundo literario. (Fernando Villalba) (Translation)

 Veintitrés (Argentina) lists the best movies of Laurence Olivier including Wuthering Heights 1939.

Subaltern Voice

Some new contributions from Indian Brontë scholars:
Subaltern Voice in Jane Eyre: A Study in woman's Struggle for Equality
Manoj Kumar Jha, Assistant Professor of English, Nandan Sanskrit College, Madhubani, K. S. D. S. University, Darbhanga
J. Literary Hermeneutics: Biannu. Int. J. Indep. Crit. Think [Internet] 4(1):134-42 (2024)

Aims: The paper is a modest attempt at woman’s struggle for equality as depicted in Jane Eyre. A novel is the most powerful tool to express one's feelings and reactions using imagination brimming with reality. During the Victorian days, a number of novelists expressed social, economical and political realities of the time. Jane Eyre by Charlotte Brontë is an empowering Victorian novel brimming with Gothic tropes and explosive energy. The novel tries to empower women maintaining morality and dignity.
Methodology and Approach: The paper aims to realize women’s potential to gain their rights to in male-dominated society. Initially, the novel is a love story. But the way Jane struggles to get what she desires is really very appealing.
Outcome: The novel is clearly a petition for the equal rights of women. Jane is a character of strong faith and determination. The novel is also read as a feminist tract. Jane's character reveals that life can only be satisfying when lived fully and on one's terms. Jane represents women who are desirous of getting their own way in life.
Conclusion: Finally, it is clear that Charlotte Brontë depicted the masculine subjugation of women and the prejudices associated with it in her book. In the book, women were raised exclusively to perform household tasks. Their gender and class distinguished them as oppressed women against oppressor men. Charlotte Brontë depicted the masculine subjugation of women and the prejudices associated with it in her book. In the book, women were raised exclusively to perform household tasks. Their gender and class distinguished them as oppressed women against oppressor men.


Saturday, February 17, 2024

A site of pilgrimage for dedicated Brontë fans, including Virginia Woolf

The Times interviews Samantha Morton with special focus on her BAFTA Fellowship award.
Her big breakthrough came in 1993 at the age of 16 when she got the lead role in the film The Token King. It led to TV work including Jane Eyre (in the title role), Band of Gold and Cracker. The Bafta clips on Sunday night will nevertheless probably skew towards her Hollywood breakthroughs, starting with Sweet and Lowdown (1999). (Dominic Maxwell)
Reader's Digest recommends a trip to Yorkshire and all its must-sees.
Today you’ll head west towards Haworth, home of powerhouse literary family the Brontës, accompanied by the delightfully knowledgeable Andrew from tour company Expedition Yorkshire. As he guides you around Yorkshire’s literary landmarks, you’ll have a hard time thinking of a question that he can’t answer.
As you move west, you’ll notice the landscape changing (and if you don’t notice, don’t worry—Andrew will tell you exactly what to look out for). While the land just outside York is flat, it begins to get hillier as you move further away from the city, and the geology gets older. It becomes increasingly rugged and wild—less quaint, cosy England and more Wuthering Heights. 
Start your day with a hearty Yorkshire breakfast and then it’s time to explore beyond York. If you drive ten minutes in any direction from The Grand, the city just melts away and you are suddenly in the countryside. Today you’ll head west towards Haworth, home of powerhouse literary family the Brontës, accompanied by the delightfully knowledgeable Andrew from tour company Expedition Yorkshire. As he guides you around Yorkshire’s literary landmarks, you’ll have a hard time thinking of a question that he can’t answer.
As you move west, you’ll notice the landscape changing (and if you don’t notice, don’t worry—Andrew will tell you exactly what to look out for). While the land just outside York is flat, it begins to get hillier as you move further away from the city, and the geology gets older. It becomes increasingly rugged and wild—less quaint, cosy England and more Wuthering Heights. 
Weather doesn’t really matter in the Yorkshire Dales. If anything, it’s more atmospheric in a howling gale. A bit of lashing rain and screaming wind will put you in mind of Heathcliff and Cathy running to each other across the moors. 
The town of Haworth takes about an hour and a half to reach by car, and once you get there you could while away an hour or two just wandering in and out of the various little shops and cafes. Definitely pop into Hawksby’s, a beautifully curated gallery of ceramics, jewellery and gifts made by independent artists.
But the star of the show is, of course, the Brontë Parsonage. A Grade I listed building, the parsonage is perched at the top of Haworth, directly above the church, where the Brontë patriarch Patrick was a minister, and its accompanying graveyard. The house is a site of pilgrimage for dedicated Brontë fans, of which there are many—when it first opened to the public in 1928, people queued all the way past the church for the chance to visit. It is run by the Brontë Society, which was founded in 1893 and is one of the oldest literary societies in the world.
Today, the parsonage is decorated to resemble as closely as possible how it would have looked when the Brontës themselves lived there. You can see the desk at which Patrick Brontë wrote his sermons, you can see the sofa on which Emily Brontë allegedly died of tuberculosis.
There is an air of death about the place: when you stand at the end of the parsonage’s front garden, you look directly onto the overcrowded graveyard. It is estimated that there are around 40,000 bodies buried there, a fact that will be more shocking when you see the size of it with your own eyes. Haworth was plagued by endless death, with the life expectancy being under 25 years. If you walk through the cemetery, you’ll see gravestones that list three, four, five children from the same family who all died before the age of five. Charlotte Brontë wrote once that when the wind blew a certain way, a horrible smell drifted from the graveyard right up to the parsonage windows. 
Responsible for burying so many of his parishioners, Patrick Brontë wrote repeatedly to the government asking for someone to investigate. Finally in 1850 someone came, and found that the village’s drinking water was being contaminated by the overcrowded graveyard. The Brontë family were not spared from tragedy; Patrick Brontë ultimately outlived all his children.
Attached to the parsonage is a more recently built library which attracts scholars from across the world, as well as filmmakers and documentarians looking to create new interpretations of the Brontës’ lives. The space is full of curious books, including illustrated early editions of the Brontës’ works, and a guest book featuring Virginia Woolf’s signature when she visited in 1904 (although she signed with her maiden name, Virginia Stephens [sic]). Virtually anything connected to the Brontës ends up there, no matter how tenuous the link—they even have old Monty Python scripts because they once did a Wuthering Heights sketch. (Alice Gawthrop)
The Washington Post features Kirsten Bakis's new book King Nyx.
If “Monster Dogs” is a descendant of 19th-century horror, “King Nyx” is a close cousin of feminist gothic stories in the key of “Wuthering Heights. (Jacob Brogan)
Observer recommends '10 Must-Read Books By Black Authors Using Fantasy to Explore Black Imagination' including
Within These Wicked Walls by Lauren Blackwood
If you’re looking to read more gothics by Black authors, Lauren Blackwood’s Young Adult novel is a perfect book to add to your list. Within These Wicked Walls is an Ethiopian re-imagining of Jane Eyre with an exorcist in the titular protagonist’s role. Andromeda is hired to cleanse the household of ghostly manifestations and finds herself drawn toward Magnus Rochester, who is as interested in her as she is in him. (Brigid Flanagan)
While The Everygirl recommends '16 Fantasy Stand-Alone Books for When You Don’t Feel Like Reading a Massive Series' including
Sharon Lynn Fisher
Salt & Broom
Fans of Jane Eyre will go feral for this mysterious, historical fantasy retelling of their favorite classic read. Salt & Broom follows the story of Jane Aire, who is hired by the mysterious master of Thornfield Hall, Edward Rochester. As she tries to impress her new prickly boss, a mysterious, magical force begins to threaten them both, and Jane takes it upon herself to save the man she can’t help but fall in love with. (Kiersten Hickman)

Behind the Glass Podcast

An exciting announcement on the Brontë Parsonage Museum Facebook Wall.
The secret's out: we're launching a podcast! 'Behind The Glass' gets up close and personal with some of the most fascinating objects in our collections, hosted by the wonderful Sassy Holmes and Sam Harrison. They'll be joined each week by a different artist offering their own take on these treasured items. Stay tuned for our special intro episode, coming to your favourite streaming site on Monday 4 March, with episode one gracing your ears on Thursday 7 March.
And that's not all... our Young Brontë Friends can enjoy episode one a day before it airs, at our exclusive online launch party!
Aged between 16 and 25? Become a Young Brontë Friend *before Wednesday 28 February* to join the launch event! Sign up today at members.bronte.org.uk.

Picture Sources: National World, LinkedIn.

Friday, February 16, 2024

Cousins, orphans and retellings

The Economist has an article on cousin marriage.
Throughout Western history attitudes about consanguineous marriages have varied. The Bible does not directly ban sexual relations between cousins—how else would all of mankind have descended from Adam and Eve? The Roman Catholic Church did later prohibit first cousins from marrying, though exceptions were made for a fee. Martin Luther, the father of Protestantism, objected to such payments, so many Protestant denominations allowed these marriages free of charge. As is clear from novels such as “Mansfield Park” and “Wuthering Heights”, the people of Georgian and Victorian England were not too squeamish about such relations. Queen Victoria was married to her first cousin, as were both Albert Einstein and Edgar Allan Poe.
Swift recommends '18 Books To Read For Those Warm And Fuzzy Feelings' and one of them is
Wuthering Heights
Emily Brontë
Wuthering Heights is the original wallowing-in-misery-for-love novel that all the rest of modern romance novels attempt to live up to- but simply cannot. Being an incredible work of literature, Wuthering Heights is a beautiful and emotionally-ripping novel that drags readers through the depths of passion and despair, and you will relish every second of it.
Since its publishing in 1847, this novel has been cherished for generations for its lingual elegance, epic love story, and irreplaceable literary characters. It is a classic that, if you have not read it yet, you should definitely put it on your booklist! (Maura Bielinski)
While The Daily Campus includes Jane Eyre on a list of 'Love, Loss and Lust'.
2: “Jane Eyre” by Charlotte Brontë 
Taught across the nation in middle and high school English classes, Jane Eyre makes the perfect book for lovers of “Beauty and the Beast.” Mr. Rochester, the brooding, mysterious and morally complex master of Thornfield Hall, falls into a deep infatuation with Jane Eyre, an orphaned young woman who gains an occupation at Thornfield Hall as a governess. With Mr. Rochester’s complex past and secretive present, and Jane’s compassionate, honest and introspective characterization, the two make for quite the interesting, but contradictory pair. Besides the pair’s romance, a central theme for the book is Jane Eyre’s illumination of feminism, independence and individuality. (Thaomy Phung)
New Left Review discusses the forthcoming novel James by Percival Everett, a retelling of The Adventures of Huckleberry Finn, 'narrated not by Huck, the young white boy runaway, but by his friend Jim, the fugitive slave with whom he takes a raft down the Mississippi'.
James’ most obvious antecedent is Jean Rhys’s terrifying and indelible Wide Sargasso Sea (1966) which takes Jane Eyre as its predecessor, and proceeds in the same dialogic spirit as Everett’s novel. ‘Do you think’, Jane demands of Mr. Rochester in Brontë’s original, with all the indignation of Coetzee’s Lucy Lurie inveighing against her father a hundred and fifty years later, ‘because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! – I have as much soul as you – and full as much heart!’ Security, for Brontë’s soulful and impecunious heroine, finally comes by way of a dead wife – the banished ‘madwoman in the attic’ and in Wide Sargasso Sea that silenced voice finds full expression. The implication of Rhys’s book is not that Brontë’s needed to be put right, but that hidden behind Jane’s story is the story of another woman. Wide Sargasso Sea assumes its own priority, scarcely acknowledging the presence of Jane Eyre, in a way that Snycker’s Lacuna, for example – trapped in protest against a famous work, thereby ironically reinforcing that work’s power – cannot. Both Everett and Rhys seem to recognize, to return to Elizabeth Costello’s term, the prodigality of self in the figures of Jim and Antoinette. It’s this same abundance that also allows characters within novels to become more than the sum of their parts. In other words, this extramural phenomenon – taking a character from an existing novel and writing a whole new novel for them – redounds upon the intramural qualities of literature. (Hermione Hoby)
Inside Higher Ed has an article on orphans that mentions Jane Eyre.